Wednesday’s Reviews: So Many Marvel Titles!

This week was absolutely crazy for comics. There’s so many to chose from that I decided on picking the most-anticipated issues this week – aside from the Fantastic Four #587. Sorry folks! I’m doing something different here. So let’s get started!

Age of X: Alpha

Age of X: Alpha #1 (one-shot)
Mike Carey (writer), Mirco Pierfederici, Gabriel Hernadez Walta, Carlo Barberi, Paco Diaz, Paul Davidson (pencilers), Walden Wong, Diaz and Davidson (inkers), Antonio Fabela, Matt Milla, Brian Reber (colours), Joe Caramanga (letters), Chris Bachalo and Tim Townsend (cover). $3.99

Age of X: Alpha has been teased to readers for quite some time. Now that the issue is released, I’m left asking myself, “What?” Age of X jumps right into whatever world they are in and begins with stories being told by X-Men at a camp. There, we get stories of Basilisk (Cyclops), the Guthrie’s, as well as Wolverine and Magneto. All eventually tie in together to create the basis for the world of Age of X. Although a lot of the story is introductions, it serves well to establish what sort of world our mutants are living in. Basilisk’s story was easily my favourite, based on Arcade taking Cyclops and having him execute other mutants against his will. Some disturbing details about the story I’ll leave to you.

Given there were five individual stories running through the book, various artists were welcomed. Pierfederici made great drama with the groundwork of the multiple story lines, while Paco Diaz hit another home run with a great visuals with Wolverine. Barberi, on the other hand, does not know how to draw women as Husks’ breasts are grossly disproportioned, while Davidson’s art still runs flat with bland faces. What was especially welcomed was mutants who I haven’t seen since M-Day – most notably a personal favourite of mine: Chamber. Thank you, Mr. Carey!

A great cross-over premise with interesting stories and zero ideas on what is going on, will leave reader’s both frustrated, yet demanding more.

Grade: 6/10

Chaos War

Chaos War #5 of 5
Greg Pak and Fred Van Lente (writers), Khoi Pham (penciler), Thomas Palmer and Bob McLeod (inkers), Sunny Gho (colours), Simon Bowland (letters), Brandon Peterson (cover). $3.99

The Chaos War comes to an end as all of Marvel’s remaining heroes crash down upon the Chaos King! Hercules gives it his all as he battles down upon the Chaos King himself. On Earth, Amadeus Cho is busy trying to evacuate everyone and defeat the King. After Herc goes through a bloody beating, a swift hit knocks the King onto the ground, leaving all of Earth’s forces to beat upon him. Still to no avail! Fortunately, Amadeus figures out a way to stop the Chaos King from spreading without killing him at all. Needless to say, it works, and surprisingly leaves Alpha Flight alive by the end. Seriously? Not the Dead X-Men or Avengers? Just Alpha Flight? Oh, and Hercules is no longer a god it seems.

. . . What? Read the book.

Pak and Van Lente have been favourites of mine for quite some time. Their writing skills are uncanny, and to put them together was a great idea. However, by this issue the Chaos War dwindled on me. It became exhausting just to see everyone lose knowing that it will just come down to Herc vs. the King. That battle, however. Wow. Khoi Pham is a brilliant artist and should be commended for some of the best layouts I’ve seen. Great two-page spreads of Herc and the King really stood out as brilliant works. A few particular pages with Palmer during the bloody mess Herc gets himself into leaves a jaw-dropping good time.

Although it began with a great premise, the Chaos War did nothing else to Marvel continuity but bring back second-rate heroes and show that Hercules had another story to tell.

Grade: 5/10

The Avengers

The Avengers #9
Brian Michael Bendis (writer), John Romita Jr. (penciler), Klaus Janson, Tom Palmer and Scott Hanna (inkers), Laura Martin, Morry Hollowell, and Matt Milla (colours), Cory Petit (letters), John Romita Jr. (cover). $3.99

Last issue featured the Illuminati’s return to the Marvel-verse. We hadn’t seen them since Secret Invasion, so their welcome was very exciting. By this issue though, we can safely say, it will be their last appearance. After Steve Rogers discovers with the New and Secret Avengers teams that the Illuminati exists, he wants answers. And so begins the arguing. A second story brings us to Parker Robbins in jail, showing us how he escaped, as well as how he knew where the Infinity Gems were. In a nutshell, we have very interesting conversation going on throughout the whole book – and it’s welcome.

What isn’t welcomed is what should have been solved with a bi-monthly series called Avengers: Prime. As I reviewed before, Prime was supposed to solve all the problems between Rogers and Stark. Although the Illuminati is yes, a special case, it read as if these two never had a conversation together since Roger’s return. It was more mind-boggling than anything.

As for the book on its own, The Avengers was really well-paced and a decent read. I was really more focused on how Parker Robbins escaped prison than the Iron Man/Steve Rogers story however. Another issue I had was something I feel Bendis is doing too-often now. Remember in Avengers #1 where everyone was talked to in two pages? It happened again! It feels like a cop-out. But I digress.

Romita kicked butt this issue! Various spreads of full Avengers line-up in a blizzard really shone. Pure and simple. Mixing in his ink and colour team, this is easily the best-drawn Avengers book yet.

Dialogue is the action in the book – which is fine by me when Romita pumps out a gem like this!

Grade: 6/10

Uncanny X-Force

Uncanny X-Force #4
Rick Remender (writer), Jerome Opena (penciler), Dean White (ink and colours), Cory Petit (letters), Esad Ribic (cover). $3.99

I really, really, really cannot stress how excellent of a story Uncanny X-Force has been. The conclusion to “The Apocalypse Solution” ends with a bang as our X-Force members fight to kill Apocalypse – who unfortunately is reincarnated into a little boy who does not know any better. After a huge beat-down by Apocalypse’s Horsemen in last issue, X-Force rallies what strength they have left to end Apocalypse once-and-for-all!

Remender knows his characterization. Everyone in the story has real emotions – real limits to what they can do. To top it all off, it still has humour amidst all the violence. An early scene with Deadpool and Archangel really had me laughing, but by the end of the book, I could help but empathize for each individual character. Thanks to Opena and White, I could see how they all felt, too. This book looks brilliant. Raw emotions, mixed with action, and a mood that isn’t quite dark, but definitely isn’t light, throttles this story to become something beyond a stereotypical comic.

This is what story-telling is all about. If you haven’t yet, start reading Uncanny X-Force now!

Grade: 10/10

New Avengers

New Avengers #8
Brian Michael Bendis (writer), Daniel Acuna (penciler, inker and colours), Joe Caramanga (letters), Mike Deodato and Rain Beredo (cover). $3.99

Luke Cage and Jessica Jones finally get to go out on a date! Yes, since Civil War back in 2006, the married couple really haven’t had a chance to take some time off, with Squirrel Girl as their nanny. So as they go out for dinner, we witness their humorous conversation involving Luke wanting Jess’ name to be “Power Woman,” while a poor waitress watches on just to take their order. The conversation is so big, that a full-page spread is half-covered in word bubbles – all of it funny. Unfortunately, the date is cut short as Ms. Marvel fights a Doom-Bot in front of the restaurant (coincidence, eh?). After its defeat, the heroes go back to Avengers Mansion to discuss what just happened. That’s it in a nutshell, folks!

And you know what, I don’t mind it either. From both Avengers and New Avengers, Bendis gave the heroes some time off to not really battle. Arguably, this is the second New Avengers title in a row where there was very little action. There’s absolutely no problem with that when the dialogue is as quick-witted as Luke and Jessica’s was. Daniel Acuna’s art also made it very much exciting, where beautiful water colours amongst a dark skyline really brought the “action-less” characters to life.

Although not much happens here, it is nice to see heroes breath a little bit while setting up a new story arc.

Grade: 7/10

As a side note, the cover of the week totally goes to both Esad Ribic from Uncanny X-Force and Dave Wilkins on New Mutants #21 for his excellent work of Legion.

New Mutants

Although there were tons more to review, that’s all the time I have for now folks! Until next time, keep on Space Truckin’!

A Death in the Fantastic Four

Well, the cats out of the bag now. Literally. The bag is the death bag shipped from Marvel for this massive milestone of Fantastic Four #587.

No, I won’t be spoiling who dies on this. However, if you check out Marvel’s website here, they did release who passed on. So click that link if you enjoy spoilers.

Fantastic Three

Unfortunately for me, I will not be reviewing or getting this comic. The reason being is ordering problems from my comic store only gave them a ridiculously low amount that they cannot even fill their weekly orders for the regular folk who collect this comic. By next week though, I’ll post my feelings on the death once the hype all settles-in.

However I’m sure I’ll find a copy of it February 6th where I am off to HobbyStar’s ComicCon in Toronto for the day.

Screw the Super Bowl. I have comics to collect!

Do don’t forget to check out my reviews for a TON of comics tomorrow, and keep on Space Truckin’!

Comic Books Are Not Cool

“Why don’t you read a real book?”

How many have heard that phrase or variations of it? How many have received even the slightest bit of condescending remarks from friends or family just because you read or collect comics?

I mean, comics clearly are not part of the worlds forté unless it’s in movie form for the most part. For example, this Hallowe’en I dressed up as the Red Skull. I thought it was awesome, because, well I am awesome. I approached a guy at a bar dressed up as Captain America and started talking to him about his costume. After a few minutes, it came down to me blatantly asking him if he knew who I was (in costume form, of course). When I told him, he started at me blankly with a “who?” D’oh! The Captain America movie isn’t out until later this year!

Another friend of mine that night went as the Black Cat. She approached a couple dressed up as Spider-Man and Spider-Girl. Talking to them both, she discovered they had no idea who the Black Cat was. D’oh! Felicia Hardy wasn’t in the movies, so how could they know who she was?

But wait a tick! Why is it okay that they dress up as Superheroes and not know anything about them? Surely the one guy didn’t dress up as Captain America because he saw the not-yet-released movie. And I doubt he was inspired to dress up as Cap after seeing the 1990 movie.

Personal History

I don’t know how many times I’ve been snickered at, or received odd looks from people after I told them I read comic books. Going to university for an English and Professional Writing degree should mean that I read real books, not funny books after-all. Well, I mean, that’s probably what I should be stereotyped as. But I will mention (and plug) that my friend Kyle over at Panel Flow was the only other person I knew in my course who read comics.

However, even predating university, when in elementary school, I grew up around comics and Star Wars. Of course, my peers all thought I was a bit of a nerd, given those were the only things I read on a regular basis.

Yet, when I look back on this past decade, liking superheroes seems to be the cool thing to do – regardless if you actually know anything about them. I even knew people who pretended to be really interested in comic books. They would have a favourite character, favourite book series, favourite super power, and so-on. However, when you would want to talk to the people about your apparent common interests, they would be put on the spot and try to avoid or change the topic. Why would they even bother?

Don’t Believe the Movie Hype!

What I am really just building up to is that comic books seem to be accepted now, unless you read them. It sounds rather ridiculous, but if you really think hard – comic sales for a movie like Iron Man, sell around 50-60k a month. However, the box-office for an individual Iron Man movie easily excels $500 million. If they aren’t buying the comic books, then what drives them to the movies? How do they know about Iron Man? Comic sales have not drastically increased, despite a second Iron Man movie making over $600 million – so what gives?

How are comic movies accepted – but comic books are not? Is there not an irony to this?

Stan’s Soapbox

This whole idea of mine spawned from reading a except of Stan’s Soapbox in Marvel comics during December of 1968:

“The next time anyone puts you down for reading a comic mag, try hitting him with this little soliloquy which I’ve used on various radio and TV guest appearances in the past few months:

Comic books are a medium of communication – just as television and motion pictures are. All three employ words and pictures, and all must be judged on their individual merits. A story is a story, whether presented between two covers or on a screen. If the words have dramatic impact, if the pictures are visually appealing, if the theme is emotionally relevant, then certainly it is worthy of a reader’s attention. However, if the quality is lacking, then it rates little consideration. Isn’t this equally true of a TV program, a Broadway show, a motion picture, or any other form of entertainment? All we at Marvel ask is that our product be judged on the basis of quality – a quality which we sincerely believe is equal to that found in any other comparable media.

Marvel Comics today are produced by the finest creative talent available. Read them first. . . and then decide.

Excelsior!
Smiley”

Although Stan speaks about Marvel, it can easily be argued for any other company. But why are comic books still not considered cool? Why don’t more people read them, and why is there still a stigma attached to them?

I know adults who have seen movies Batman or Iron Man, yet joke to an individual about reading comic books. Are they not the same thing? Do comics in popular culture stop with movies and become stigmatized when they go into paper form?

I don’t know!

It’s a lot to take in. I would LOVE to hear what you guys have to say about this.

Until then, keep on Space Truckin’!