Review: X-Factor #228 & Avengers vs. X-Men

X_Factor

X-Factor #228
Peter David (writer), Leonard Kirk (pencils, inks), Matt Milla (colours), Cory Petit (letters), David Yardin (cover). $2.99

There is always a ton of fun to be had in an X-Factor book – guaranteed.

As of last issue, Jamie Madrox (Prime) was killed by Jamie Madrox (Dupe) who was killed by the little boy whose father X-Factor was sent in to save and later possessed by the villain Bloodbath who Strong Guy apparently killed! Geddit? And that was all in the last issue!

Although it may seem overwhelming with that summary, X-Factor is fast-paced and features many twists and turns with each page. By the end of it all, you’re left begging for more after each issue. In X-Factor #228, there is no exception. Albeit a more of a conversational book, the dialogue is completely necessary and builds up the inevitable answers people have been asking since Layla Miller’s return in X-Factor #202. (We’re so close!) Not to mention, we’re also getting closer to find out what really happened to Guido after his “death”! And those are still only a few of the loose ends!

Looking at the writing, however, it’s obvious that David has a great handle on this book. Even in a book with little action, the amount of effort put into the characters we are reading allows us to enjoy the book on such a higher regard. It really is a family book, where even the characters are invested in their own team – and that alone makes it a fun read.

And what’s to say about Leonard Kirk? He’s a tight artist with strong emotions pouring out of the characters. Layla in particular really shines with bits of sadness, rage and shame. With such a focus on characters, it’s hard to notice that most of the panels do not have backgrounds to them as readers will find themselves much more interested in the story than the “set” background. It leaves colourist Milla with a lot more freedom to set different moods in the varying panels of humour, action, and sorrow.

Although the book is definitely not a jumping on point for new readers (and I think most books should be), for the fans, we’ll be at the edge of our seats for yet another issue.

Bonus points for a killer cover by Yardin.

Grade: 7/10

As an aside, I’m sure you’ve all heard about Marvel’s summer blockbuster involving The Avengers versus the X-Men. Marvel’s pushing it with an “it’s finally happening” message through their all of their media releases.

Well, what about Avengers #53? Jeez, guys.

Avengers vs. X-Men

Yup. “‘Nuff said!”

Keep on Space Truckin’!

Over 10,000!

What, 10,000?

That’s right! Yesterday was the day when UncannyDerek.com reached over 10,000 views. For being open for only 14 months, I had no idea that so many people would have been interested in this site.

To celebrate, let’s all dance like Pocoyo.

Pocoyo

And don’t forget to check out UncannyDerek on Facebook and Twitter!

Thanks again for all of your support! And keep on Space Truckin’!

Ah, what the heck. Let’s watch some Stormtroopers dance, too.

Stormtroopers

The Tragic Tale of Bill Mantlo

On Wednesday, November 9th, Bill Mantlo – writer of The Incredible Hulk, Micronauts, ROM the Space Knight, and creator Cloak & Dagger – turned 60.

For his birthday, LifeHealthPro.com wrote an incredible gut-wrenching and saddening story about Mantlo’s fight with Health Care and his current condition.

Bill Mantlo

From the article:

On Friday, July 17, 1992, Bill left work early for the weekend, and made his usual three-mile rollerblade journey through Brooklyn traffic to his apartment near Morningside Park. Just four blocks from home, a car came around a corner and hit Bill. The left side of Bill’s head impacted the windshield. He rolled across the hood of the car, and the right side of his head impacted the pavement. The driver never stopped and was never identified.

The accident jostled Bill’s head so violently that his brain squashed against the inside of his skull, and his brain stem severed. This did not paralyze him, but it would make it very difficult for Bill’s body—particularly his extremities—to accurately receive and process electrical messages from his brain.

The story includes interviews from fellow writer Chris Claremont and Marvel’s past Editor-in-Chief, Jim Shooter.

The last personal entry in Mantlo’s journal, dated Feb. 14, 1995:

“My name is Bill Mantlo. I want to go home.”

Off to the right of the website, I’ve had since day-one, a link to The Hero Initiative.

The Hero Initiative is a organization dedicated to helping comic creators in need whom may need financial aid or support for essentials of life.

Many auctions of books and original art are sold through the site. 100% of all proceeds go to the Hero Initiative. You can also make a direct donation by clicking here.

The Hero Initiative has given to Mantlo in the past. The idea however, is not only to help Mantlo, but all of the other creators – or even every-day-Joe’s in this same situation.

If you can donate, please do so. If they haven’t already, tell your local comic store about the Hero Initiative and have a collection box set up. Even yet, have them order in books which the Hero Initiative has published. I first heard of them with The Hulk 100 Project, when I blindly bought a copy of the book at my LCS.

So for Bill Mantlo and the others like him, please help out any way you can.

Review: X-Men Legacy #258

With two issues left on Mike Carey’s exceptional run on X-Men Legacy, as expected, we’re about to get a lot of closure with the characters he’s used for years – not to mention the homecoming of the Starjammers!

X-Men Legacy 258

X-Men Legacy #258
Mike Carey (writer), Steve Kurth (pencils), Ed Tadeo (inks), Brian Reber (colours), Cory Petit (letters), Mico Sayan & Sonia Oback (cover). $2.99

With the fear of the X-Men being obliterated mixed with the possible homecoming of Havok, Polaris and Phoenix, this should be an exciting book.

And you know what? It is! But once I finished the book, I found me asking myself, “What the heck just happened?” But first:

Once again, writer Mike Carey hits his knowledge of the X-Universe home with these characters. Magneto pulls some trickery from his hat (or helmet?) while Rogue and Rachel combine their powers to finish off Friendless once-and-for-all.

With so many characters running about in the book, it’s great to see how Carey balances them all. Frenzy gets her time to shine, while Gambit – with so few words in-story – is still same the Gambit we all know and love.

In terms of development, Carey makes Rogue not only act as leader, but has her prove it again and again in this story. With the conclusion of this story arc, Carey really improves his take how on our favourite Southern belle has moved so far from the comics which we grew up with her in.

But I asked, “What the heck just happened?” When the story ended, I was still unclear about the events that took place. And it wasn’t Carey’s fault.

I enjoy Steve Kurth’s work. From time-to-time, characters look a bit stringy or faces do define the character too-well, but he definitely is a clean, sharp artist. I especially love his depictions of Rachel and Gambit in this book. What bothered me was rather how the story progressed. By no-means am I a professional artist, but I’ve read enough comic books to understand how storytelling works. While Kurth has been doing this for years, this book didn’t do it for me.

The problem lays in with the massive panels. While Kurth’s art is pretty immaculate, the story-telling aspect became muddled in the large panels – especially when they are exterior shots of the ship which story takes place in. I really have no idea what I’m looking at – whether the ship was in peril or not. It’s close to crashing, it’s not close to crashing – it went into a wormhole? It was unclear with what was happening. If there were smaller panels, it would give Kurth a lot more space to explain the events in the story. Big images are gorgeous, but many panels can tell a story clearer than a single splash page with one or two smaller panels embedded.

X-Men Legacy 258I hope you enjoy the colour yellow

And while the art was good, Brian Reber’s yellows really clustered what was visible outside of the ship. Things were too yellow or orange. In fact, aside from a few characters who have blacks in them, and the “trance blue,” yellow and orange were really the only two colours that ran through the book.

Like I said though, Kurth is a strong artist. However the small qualms with storytelling in this issue really detracted from what happened.

With Carey only having two issues remaining on his run on Legacy, the way he concluded this arc makes it look like he’s just getting started.

Grade: 6/10

Keep on Space Truckin’!