Women in Comics

I love comic books (in case you hadn’t already figured that out). But to get right to the point: I hate how women are depicted in comics. I mean, not all women in comics are bad – and I’ll define “bad” shortly. All I mean is that there are discussions about women’s depictions within films and music which is excellent. Violence against women or over-sexualized women for no reason should be put to an end. However, arguably because they are considered juvenile to the masses, comic books get ignored, and thus women can be depicted however they want to be.

Now by “bad,” and what I want this topic to be primarily about, is that women are more and more drawn ridiculously sexual in comics. It’s over-the-top sexual. And it has to stop.

In my own opinion, I find movies less credible if they have unnecessary nudity in it – whether it be a random topless woman or a woman wearing white while it’s raining outside, etc. And as such, I feel angst against comic books which place women into those situations. The same goes with men too – but that will all be going in another blog down the road.

While I don’t mean to pick upon Marvel, I do read their comics primarily. But other comic companies such as DC with Wonder Woman, Super Girl, or Power Girl are just as guilty.

Case and point with these pictures (click on pictures for larger view):

Emma Frost:
X-Men #131 (March. 1980) to Emma Frost #1 (Aug. 2003).
xmen131     emmafrost1

Tigra:
Marvel Chillers #3 (Feb. 1976) to The Mighty Avengers #3 (July. 2007).
tigra3 tigramightyavengers

Ultron:
“But I thought Ultron was a male robot?” you ask. “No. He’s now a naked woman,” I reply.
Avengers #202 (Dec. 1980) to The Mighty Avengers #2 (June. 2007).
ultron202      ultronmightyavengers

I will mention that the Emma Frost comic is rated PSR+ (Parental Supervision Recommended), while both The Mighty Avengers comics were Rated A (All Ages). Odd, eh?

However, you can clearly see how the women in these comics, within a timespan of about twenty years, are unnecessarily over-sexualized.

Despite my love for X-Men, Emma Frost’s clothes are completely unpractical at all-times.

As for Ultron, I’m sure you’re as shocked as I was upon noticing it. Ultron first appeared in 1968, and up until 2007 was a robot and arguably a male.

Then Moonstone as Ms. Marvel during the Dark Reign series – all she seemed to do was try to sleep with and manipulate every one on her team.

And don’t get me started on Loki either.

Let me breathe for a second.

Firstly, I do not condemn the characters. I love Emma Frost’s character. Her and Cyclops are great together in comics.
Tigra has been on the back burner for popularity as of late, but she has always been an Avenger who has held her own.
Moonstone was still bad-ass in the comics and an essential part of the Dark Avengers.
Loki’s a shape-shifter, so he does what he pleases and it screws with everyone.
Ultron is considered one of the best villains in the Marvel Universe. (And yes, I know recently he has been shown as a “male” robot again.)
These women (and men as women), by all rights, are strong, important characters.

But! They all are entirely inappropriate for their audience. “Their” audience being comic book readers of all ages, as they are accessible to everyone. Male or female. As a male, I am shocked on how far comics will go for the unpractical. Sure, comics are already imaginary worlds where the impossible happens – but they also reflect our society and to some extent – our values. But how women are depicted in some comics are blatantly degrading.

It just seems unfair for these women to be forced in and subjected to male scrutiny. Ultimately, it is manipulating what societies values are – both within and outside the comic realm.

Emma Frost is always talking about her plastic surgery which has been done – and how she is “beautiful” because of it. Tigra has rarely put on any clothes, while Ultron did not wear any at all! These individuals are strong characters and are vital to their stories – but they do not value themselves.

And that’s not their fault, either. They are being written and drawn by someone who does not stop to think.

With the increase of fake people and abuse from ads, to the children they are affecting, we cannot let this go on any further.

Although my message may get muddled in the sea of many voices, I feel like I should address this issue. Albeit, I’m not the first one, it just needs to be changed.

Our world is not a comic book, so stop trying to make it one.

‘Nuff said.

Do You Have What it Takes?

What makes YOU think you’re a good story writer? Did your friend tell you that? Did a College or University degree say so? Was it your boss giving you a pat on the back for a job well done?
If the answer is “Yes,” continue reading.
If the answer is “No,” still continue reading.

I believe it is safe to say that there are good and bad writers out there. WrItung lyke diS, I would not consider to be good writing. Yet my sentence still made sense. . .

Figuring this stuff out can give you a headache.

Psyderek
But I’m hoping that I can get you through this with the best of my ability.

Although everyone may argue what great story writing is – from Bill Shakespeare to Michael A. Stackpole – the point is that they’re writing. Where one may have spent countless hours deciphering the perfect words for his Iambic Pentameter, Stackpole probably spent only two seconds coming up with the name Ooryl Qrygg.

Yet both are best-selling authors! Sure, one may divulge a bit more into different genres than the other – and you also may have only heard of one of these authors. Regardless of it all, what makes good story writing? What draws an audience to their stories? Well, I’m not going to do book-by-book comparisons between the two, but I’ll definitely send you in a good direction.

1. Characters: Without characters, you pretty much do not have a story. Even if you spend three-hundred pages just describing scenery – your voice, your way of description is the character. Realistically, YOU are the character. That may be a bit to take in, but think about the truth in it.

Your voice through writing is what makes the story speak. You give it character, whether it be drab or hilarious. You, the writer, have control, and you the writer must recognize yourself as a the real protagonist or antagonist. If you want a heroic scene, give it. If you want sadness, produce it. Building characters in the world you create are just expansions off of what your character is. With that knowledge, you can strengthen your writing ten-fold, plus make it personalized to make you stand out as a unique writer. I’m sure of it.

Conclusion: Listen to your judgment!

2. Experience: I do not mean writing experiences either. How can one be a professional writer nowadays when prerequisites for being one is to already have been one? Should I re-post the picture again?

Although this may come as philosophical, it is true that you write what you know. What I mean by that is if I want to write about two people falling in love, I only know love as from my experiences. That means movies, books, cartoons, and yes, in real-life, everything I know about love in some way, shape, or form, comes through. So if one were to write about love, they would write from their experiences. The same can go with any situation – a scene in a restaurant, shopping, going to a concert, being a superhero, playing sports, etc.

Conclusion: Experience life to its fullest!

3. Advice: Definitely have someone look over your work. If they critique it, do not take it personally. After-all, input goes well with my second point – it’s experience! If someone says, “You should have X to Y,” you don’t have to, but damn-well think about how it could happen. What would be the results?

Another thing about critiquing is that people may not understand you. Hey! That’s great! A rose is a rose is a rose, right? People may say your work is incomprehensible, unflattering, or even targeting the wrong audience. Well, maybe they don’t get it? Maybe they never will? Should that stop you? No. Someone will get it. There’s so many outlets now, such as Twitter, Facebook, Myspace, and WordPress (see me now?) where you can find a market which understands you. Take hold of that! Carpe diem! Consider what people are saying!

But despite creativity, poor grammar or blatant poor writing is no excuse for “creativity.” There is a difference between laziness and art. People can see that.

Conclusion: Although it is your story, do not shoo away criticisms or become lazy. It is experience, remember?

4. What do You Have to Lose?: My final point seems a bit ignorant, as everything is really situational. It’s also not really my story to tell. However, the story has influenced me greatly in my drive for writing. It’s a story by Stan Lee.

StanLeeTriumph
In a nutshell, in the early sixties, he was about to leave Atlas Comics (soon-to-be Marvel Comics) due to having no drive left. He’d done comics since the 1940’s, and he was thinking about actually starting a career in what he called a “real” writing job.

The publisher of Atlas, Martin Goodman wanted Stan to create a new superhero team to counter DC’s Justice League of America comics. Stan was exhausted at this point. He spoke with his wife Joanie that night about quitting, but she suggested for him to try doing what he wanted to do – make a story he’d enjoy. She reinforced him with saying he had nothing to lose if he did it. If it took off, that’s great! If it didn’t, then continue writing for another company.

Needless to say, the Fantastic Four was written and the world changed along with it – and Marvel Comics was born.

Although that is quite a tremendous story – and I cannot say for everyone that would work – especially since not all of us would have wives named “Joanie,” they are some grand words to stand by. If you’re worried about rejection for a story pitch? So what? What do you have to lose? Get denied, try again, or move on. It sounds simple in writing, but it is something to take with you.

Conclusion: Never give up because you’ll always get another opportunity.

Final Thoughts
From all this, I cannot expect everyone to just become great writers. The list above is something I personally follow as I feel it is right for me. But if you use your character, use experience, take advice, and go head-on into the game – mix it with your imagination and there will be no stopping you!

If you want, sound off below!

Keep on Space Truckin’!

“It Will be Mine”

Oh yes. It will be mine.

What the devil am I talking about?

Being a writer. It’s not an easy thing to do. I mean, having a degree is one thing, but for the most part, that is never enough. You have to build your way up.

That’s not a bad thing, though. I mean it is labour-intensive, but that’s part of the fun, right?

No?

Let me start over:
I’ve always loved writing. I’ve enjoyed doing it since I was a wee one watching cartoons. Cartoons were able to express what I wanted to see. Not everyone can afford big-budget movies or TV shows to allow wild imaginations and still execute it properly.

Cartoons could do what real-life could not. Expand.
I grew up with Transformers, X-Men, Exo Squad, Eek the Cat and so on. Needless to say, my imagination was wild.

Then you throw in comics. My first comic was X-Men #36 from 1994. Since then, I’ve kind of grown from there. We were probably traveling to Lindsay, Ontario, and I always liked having something to look at on the car ride up. Turns out this one featured Sabretooth as being a part of the X-Men’s team – so that threw me for a loop.

Sabretooth Dies

I digress. . .
My imagination as a child was booming. Then you throw Star Wars into the mix and suddenly my mind wouldn’t stop. I became the weird kid at school because I was too involved in things too “childish” for others.

My first story was about time-traveling Dinosaurs attacking Earth. Of course, I was in probably grade four at the time. Maybe. Then in my late grade-school years, I remember that I started writing a Star Wars book – entirely unaware that the Expanded Universe was considered Star Wars canon! Boy, was I in for a shock.

Following in grade nine and ten, I was accused of plagiarism in two of my short stories – one a science-fiction, the other a regular fiction – because it was something entirely different than how I was in class – which was being an over-excited-yet-lazy teenager.

It really was not until I was accused of plagiarizing that I figured I could make writing a professional thing.

I then followed up with meeting people on the good old Much Music message boards (R.I.P.) and writing for a Toronto-based webzine for heavy metal music. I got to interview some gnarly musicians and had my work published. Following that, I wrote for my University’s newspaper for the first year – followed by a slump of me trying to figure out what I wanted to do with school. It wasn’t until my final year did I realize I should smarten my act up and actually start putting words to a page.

At my old job, I could stand around for hours without having customers. I began to write on scrap paper when I could behind the counter – and suddenly I had a chapter of something! I couldn’t believe it. On a roll, I ended up buying a small book to write in while in class (as English and Writing lectures became a great inspirational session – studying came last). Then I suddenly started writing a whole different genre from my first story. I had two going!

Throughout my childhood, I’ve always followed the X-Men. I hadn’t always bought their comics, but I knew these characters because I grew up with them. It wasn’t until I purchased a few rare comics in my youth, did I really start wanting to follow them.

After a few years I began a lovely pull-list around the time of Marvel’s Secret Invasion storyline and was hooked since.

It came to me that I loved comics because they were my cartoons. They were what I could use to expand my imagination, yet still tell a story. They were my bread and butter.

Now to only get started on it.
What about motivation?

Now back to the beginning of this blog. It’s labour-intensive.
How am I motivated?
Aside from being able to meet Leonard Kirk (yes, I linked my last blog), and finding a hometown hero so-to-speak, there are Indie comics which have taken off.

I mean, sure you’ve heard of X-Men, Spider-Man, Batman, et al.
But did you know of Kick-Ass, the Watchmen, V for Vendetta, Scott Pilgrim vs. The World, Big Guy and Rusty the Boy Robot, Green Hornet, Akira, The Tick, Transformers, Gi*Joe, and so on were all comics first? (Transformers released their comic the same month the TV series started).
If you answered no to at least one of these, you have to know that they took off because people took interest.

The Tick

Here are some figures of Indie comic book sales up-to-date (July 2010), and tell me that it’s not possible to make this happen.

Sure, it will take a lot of work. Sure, it’ll be labour-intensive. But as I’ve sort of hinted at – my plagiarism, my laziness, whatever you want to call it – it’s not work to me. It’s just me using my imagination.

By the way, over 100 views in less than two days is incredible. Thanks for all the support thus far, folks!

Keep on Space Truckin’.

“Almost therreeee. . .”

Last time I heard someone say that, they blew up over Yavin. . .

I haven’t really drawn in a long time. I completely forgot how elated it made me feel. Until I went to FanExpo in Toronto this year, I was completely unsure on how well being a comic book artist or writer could be. I mean, I’m just a University graduate with a writing degree who can draw mediocre pictures with some elaborate stories. (I’m giving myself that!)

I have recently been motivated to get a drawing board and actually work-out my thoughts and drawings. Heck, even if the drawings are garbage to others, at least I’ve conveyed the message of the comics through some sort of imagery.

Drawing Board

That motivation really didn’t strike me until I met Leonard Kirk for the second time (the first being a convention earlier last year). And only then did I realize how realistic and possible it was to “move up” writing comics.

Although he is a native American, he moved to my hometown when he was six and lived here ever since. How do I know? I chatted it up with him. Needless to say, he grew up in my neighborhood his whole life, and surprisingly, he draws for Marvel!

During the Dark Reign storyline, he did the Dark X-Men series, and now he is currently working on New Mutants, starting on issue #15 here.

The fact that I was just talking to a home-towner, and I greatly appreciated his work – it blew me away! I can say I’ve now pretty much idolized the man.

The other day, I read up on ComicsBeat that New Mutants #15 sold over 35,000 copies! That’s from a local artist! Mr. Kirk also told me about how drawing works within Marvel, and showed me some of his art catalog.

The moral of the story is that no matter what, you’re almost there. You just need to stick to it. And I guess also to not lose your starboard engine and crash into the Death Star.

Back to the drawing board!

Keep on Space Truckin’.