Review: Uncanny X-Men #544 – The Final Issue

After decades of joy and millions of dollars in revenue, Marvel concludes the solid Uncanny X-Men series to re-open a new chapter in the lives of our favourite mutants.

But is the final issue any good?

Uncanny X-Men Final

Uncanny X-Men #544
Kieron Gillen (writer), Greg Land (pencils, cover) Jay Leisten (inks), Justin Ponsor (colours), Joe Caramanga (letters). $3.99

Gah! That cover!

As the series concludes, one thing is for certain: Gillen owns these X-Men. Not since Claremont have I seen someone have such a great voice for each character. I know I’ve said that before, but it rings true. I feel that these characters are completely safe under Gillen’s rule.

That being said, he doesn’t play with a lot of different voices in this issue. A discussion between Cyclops and Iceman runs through most of the book, while a major X-villain gives context to their discussions within his/her own telling. What Gillen does with UXM is allows the reader to see is how much Cyclops has matured since first starting as Xavier’s student. Concluding as a touching story, Gillen sets up the newest storyline coming out next month with Uncanny X-Men #1.

And then there’s Greg Land. Working with mostly males in the story, he does a pretty decent job without having sexually-posed people. However, you can see Iceman aged from a twenty-something-year-old to fifty in more than one panel. A major splash page representing Cyclops reflecting on past X-events is also sullied by a stiff Jean Grey which may be easily mistaken by many other Land X-heroines. Not to mention that he’s recycling himself with many characters. . .

Uncanny X-Men 544 Preview

My only real “beef” with the book – Land aside – is actually one character Gillen seems to throw under the bus: Beast. I don’t know why Beast is the jerk he is in this issue, but yup, he’s a jerk. I’m not entirely sure what the reasoning was for Beast to metaphorically throw mud in Cyclops’ face for, but Gillen made it happen.

For the final issue of my favourite comic series, it ends somberly – closing one chapter and forcing another one to open. It’s just a shame that Land is the one doing the art.

Grade: 6.5/10

Keep on Space Truckin’!

Signed by Stan Lee

Today, I finally received my X-Men #15 signed by Stan Lee in the mail from CGC. I will definitely do a post about how CGC works and how the process works in the later weeks.

Until then, the glory of my comic:

X-Men #15, signed by Stan Lee

And what it says on the top:

CGC Signature Series
X-Men #15, Marvel Comics, 12/65
Signed by Stan Lee on 08/27/10
Off-white to white pages.

Stan Lee story, Kirby and Ayers cover.
Dick Ayers and Werner Roth art.
Jack Kirby layouts.

1st appearance of Master Mold.
2nd appearance of the Sentinels.
Origin of the Beast.

—–

Keep on Space Truckin’!

Hulk, X-Men, and Vampires

Sorry about the delay, folks. Yesterday’s comics were pretty good. Black Cat’s limited series finally concluded (and with a decent plot), while Incredible Hulks rampages on in issue #614 – fighting the Secret Avengers, while X-Men #4 battles on with the vampires. I also picked up Tick’s Edlund Epic #5 and #6, but they are comics from the 80’s reprinted in colour (and may eventually appear in my “classic reviews”), while I also picked up Shadowland #4. Unfortunately, I’m still lacking Shadowland #3, so I refuse to read on until I grab that. Damn lack of second-printing! New Avengers #5 also was released and is shaping up to be a decent story.

So this week we have two great books to go under the knife. Hulks and X-Men.

Incredible Hulks #614 – written by Planet Hulk/World War Hulk great, Greg Pak, featuring art from Barry Kitson. This run has been called the “Dark Son” series, and we’re on part three of six. In a nutshell, Hulk has another son – Skaar’s twin brother who has more of the Old Power than Skaar does. Pretty much, his new son, named Hiro-Kala, wants to destroy the remaining Old Power (so Skaar – and despite him having the Old Power himself – which is addressed in IH #613) so he’s sending his planet, K’ai, towards Earth to destroy it.

Hulks614

If that wasn’t bad enough, the government missiles and weapons aren’t doing any damage to the oncoming assault. The government decides to send up thousands of soldiers to fight it. Cut to Cape Canaveral, and the Hulks are on a rampage destroying tons of military equipment. The Secret Avengers jump in to fight off the Hulks until Black Widow and Beast show up with a gun which could teleport the Hulks into the Negative Zone instantly. So yes, the Hulks surrender and talk to Steve Roger’s about why they were damaging everything.

Hulk tells him that the government would just be sending soldier’s to their death, so they had to destroy all the equipment so people would not go up in space. Plus, it would create jobs for the economy. Really, they mention that.

After deliberation, both Rogers and the President allow the Hulks to go into space – via the Stone Flagship used to bombard Earth during World War Hulk! The final panel, the President is shown saying, “God help us. . . the Hulks are running the show now.”

If you have been reading Hulk, this definitely was a “wow” for me. It was such a great feeling seeing the Stone Flagship rise out of the ground. Of course, the comic made the event seem much more epic than how I described it.

I love Pak’s writing. Ever since he’s been attached to the Hulk, I’ve tried to read everything he’s done. He literally is responsible for turning the Hulk into such a great character – in my eyes. As for story, we really get to see the power of the planet K’ai in this issue and see that it can wipe-out quite a bit. On top of that, we get half the story of the Hulks smashing. Full-spreads of damage, plus Kitson’s take on the Secret Avengers. It’s great to see them in such a different light – literally – than Dedato’s drawings. I find Beast looking a lot more menacing, while Valkyrie and Rogers share a lot of the spotlight. Bright blue colours of the characters against a red skyline for most of the comic contrast very well.

Needless to say, this story was not only fast-paced, we get information about how the world would have reacted against K’ai, plus the intervention of other heroes with the Hulk. Quite frankly, this was a great surprise following two issues of character build-up. The Incredible Hulk’s story, plus a bonus-story at the end between Bruce and Skaar really place the $3.99 price tag at a great value, with a fantastic story.

Grade: 9/10

X-Men #4 is a continuation with the Curse of the Mutants storyline where the X-Men are against vampires. To summarize quickly, the vampires want the X-Men to become vampires so that their race can be the most power ever with mutants on their side. They argue that vampires are like mutants – shunned from society. Since the mutants are now at an all-time low-number, the vampires feel it best to strike now.

Xmen4

And as you can see from this GORGEOUS cover by Adi Granov, yes Wolverine became a vampire and is on their side now. You’re all probably like, “but his healing factor would’ve fought that.” And you’re absolutely right. It’s how Wolverine did not become a Brood, or ever hold a virus for long in his body. Well, from a FanExpo Canada panel back in August, C.B. Cebulski mentioned that it would be explained in the comic. However not in X-Men #3 or #4 where Wolverine is a vampire, so I’m still waiting.

The story, by Victor Gischler, with art by Paco Medina, is mostly Wolverine/Cyclops-focused. There’s a small subplot of Blade and Angel/Archangel searching for vampires and finding them – only to run away immediately, while the rest of the story is done through video intercom. Yup. Never judge a book by its cover.

Wolverine brags how great it is being a vampire and he explains how he feels being one. Dr. Nemesis cannot figure out a cure to vampirism, and Cyclops calls Xarus (lord of the vampires who killed Dracula and became the leader), and tries to persuade Xarus that the X-Men will fight. Xarus brags some more (as it seems vampires do a lot), and shows off both Jubilee and Wolverine both turned into vampires. They both brag how great it is and ask Scott to join. Of course, he refuses and Xarus wants to bring the fight to them.

The only really exciting moment is seeing the final panel of an army of vampires which will be led by Wolverine in the next issue to attack the X-Men.

If my review sounded boring and drab to you, that’s how the comic was too. I apologize for it. I’m sure Gischler would not. What I cannot knock is Medina’s art. Great use of panels shows us the action split between words. For example, Cyclops describes fighting vampires on one page. Within said page, we get three different panels of action in different parts of the city, featuring Colossus, Pixie, Rogue, Storm, Psylocke and Gambit. All of that is broken up by Cyclops’ sentences. It’s done extremely well, and each page tells its own story. Angel and Blade’s stumbling upon a vampire lair also spreads a full page of them pretty much overwhelmed by vampires. Pages like those, with beautiful dark colours by Marte Gracia, give this Curse of the Mutants plot a grim feeling.

However, given a lot of action is done in dialogue buffed up between two egos, it really dwindles the story. It’s like watching school children say, “I’m better because of this,” “Oh yeah? Well I’m better!” Only somehow this involves the leaders of X-Men and vampires. What a battle!

Grade: 6/10

In other news, the Spider-Man movie villain has been discovered as the Lizard, played by Rhys Ifans. Also, congratulations goes out to Christopher Hastings, and Anthony Clark, writer, drawer, and colourist to the web comic Dr. McNinja. Their recent Volume 4 has been picked up by Darkhorse Comics! Once again, this goes to show you that persistence in the art universe is key!

We’ll see what tomorrow will bring with my classic comics! Until then!

Keep on Space Truckin’.