My Top 20 Albums of the Decade (2010-2019)

As 2019 comes to a close, I decided to go back and think about what really impressed me over the last ten years. There was so much new music this decade, one may think it was difficult to come up with a list.

You know what? It was!

On average, I listen to about 40-50 new albums every year. Times that by a decade and holy smokes – that’s a lot of music!

Initially I had started this list with thirty albums that really impressed me. However, I felt that was a bit too long. Cuting down to twenty was surprisingly easy. It was the painstaking task of sorting the top twenty which really took time.

I only put one album from 2019 in my list as I felt most of the albums released this year are still too “fresh” for me to make a decent judgement call on. You’ll notice what I mean when you see songs that were #1 from 20XX suddenly not holding their own – or even on the list at all!

Albums that are labelled “DNR” means they “Did Not Rank.” This may mean they were in my Honorable Mentions from that year, or maybe missed getting on recognized entirely!

ALSO! To save on load times on the page and not to jumble the list, the “Fav. Song” links are not (usually) directed to the exact song, but to what the band released as a single or if applicable, the album itself.

Starting off at number twenty. . .

20. Ozric Tentacles – Technicians of the Sacred (2015 – #3)
Fav. song: Changa Masala

This all instrumental double album from these psychedelic English prog rockers is some of their best work in their over thirty year career. Grooving, atmospheric, and just downright fun – it’s definitely their most accessible album for all listeners.

19. Gridlink – Longhena (2014 – #5)
Fav. song: Island Sun

It’s still something I like to call “beautiful grindcore” – there’s something very angelic to Gridlink’s Longhena. Intense as it may be, there’s a sense of beauty and poetry behind all of the chaos.

18. Riverside – Love, Fear, and the Time Machine (2015 – #1)
Fav. song: Lost (Why Should I Be Frightened By a Hat?)

While not all #1 albums can make it to #1 again, in 2015, Riverside’s LF&tTM hit me in the right spot at the right time. Still melancholic, this prog rock album is most peaceful when listened to in the right mood.

17. Spaceslug – Eye the Tide (2018 – #4)
Fav. song: Spaced by One

This is one heck of a dirty album. Sludge/doom/stoner – whatever the genre you wish to call it, Spaceslug’s Eye the Tide delivers. A couple of years later, I still have a bit of the spaceslug in me.

16. Barenaked Ladies – Fake Nudes (2017 – DNR)
Fav. song: The Township of King

Yet another album that eluded getting ranked before. When one removes the obvious pop-fueled “singles” from the album, what is left is an incredible mix of musicianship and production. Fake Nudes is a relaxing joy to listen to.

15. Bell Witch – Mirror Reaper (2017 – #5)
Fav. song: Mirror Reaper

One of the bleakest albums on the list, Bell Witch’s funeral doom album stretches over an hour and twenty minutes. Foreboding and crushing in darkness, Mirror Reaper is something I play for introspection rather than entertainment.

14. Cannibal Corpse – Torture (2012 – DNR)
Fav. song: Scourge of Iron

One of a few albums that originally “did not rank” before, Torture turned around on me. Impacting, aggressive, intense, great production – all these things and more is why I’ve listened to Torture more than any other Cannibal Corpse album this decade.

13. Khôrada – Salt (2018 – #2)
Fav. song: Seasons Of Salt

Salt is still an album that weirds me out – I still haven’t heard anything like it before. With the strangest of production, composition, and sounds, I feel Khôrada will keep me interested for years to come.

12. Marillion – Fuck Everyone and Run (FEAR) (2016 – #10)
Fav. song: Living in F E A R

FEAR has grown on me a lot over the few years it has been out. I spin it regularly and each time I feel something truly historic and beautiful about it. Marillion created an album which continues to give after all these years.

11. Ulver – The Assassination of Julius Caesar (2017 – #2)
Fav. song: So Falls the World

The production on this album won me over, as did the enchanting journey it provided. It’s a producers delight and brilliant fun with headphones on.

10. Aborted – Retrogore (2016 – #7)
Fav. song: Retrogore

In your face and direct, Retrogore ranks high for being self aware and ridiculously good death metal. It’s fast, brutal, and something I spin regularly for having a good time. It has easily became my favourite album of theirs.

9. YOB – Our Raw Heart (2018 – #1)
Fav. song: Beauty in Falling Leaves

Still an emotional thrill ride, Our Raw Heart delivers with the slow burns of intensity. It’s still one of the most beautiful doom metal albums I’ve ever heard, and most certainly their best sounding release this decade.

8. Gorguts – Pleiades’ Dust (2016 – #3)
Fav. song: Pleiades’ Dust

An epic to this day, Pleiades’ Dust is a monument to songwriting. As the song/album ebbs and flows, one can really pick out the instrumentation and true “orchestral” beauty that Gorguts puts into their music.

7. Vektor – Terminal Redux (2016 – #1)
Fav. song: Recharging the Void

An album that still gives me chills by the end of it, Terminal Redux may be one of the best thrash albums I’ve ever heard. With a great story to boot, Vektor knocked it out of the park with such an impactful piece of art.

6. Devin Townsend – Empath (2019 – #1)
Fav. song: Singularity

The only album from 2019 on my list, Empath ranks so high because it certainly deserves it. Much like Khôrada’s Salt, Empath brings something new to the table. For that, it must be recognized.

5. Triptykon – Melana Chasmata (2014 – #1)
Fav. song: Tree of Suffocating Souls

Where would I be without Triptykon? Some of the most extreme and honest music on the list; this album sings right from the depth of the soul. Melana Chasmata something I spin regularly.

4. Steven Wilson – Hand. Cannot. Erase. (2015 – #2)
Fav. song: Happy Returns

Initially getting beat out by Rivierside in 2015, Steven Wilson now jumps ahead of the pack. The metaphorical lyrics, the subtle musical moments and technical prowess – Hand. Cannot. Erase. is truly one of the best concept albums of the decade.

3. Anathema – Weather Systems (2012 – #1)
Fav. song: Untouchable, Part 1 & 2

Anathema’s Weather Systems may be one of the most beautiful, yet surprisingly sad albums to have ever graced this planet. Musically, it’s genius. Lyrically, it’s poetic and sincere.

2. Agalloch – Marrow of the Spirit (2010 – DNR)
Fav. song: Black Lake Nidstang

This Agalloch album is VERY closely contended with my #1. I’ve been going back and forth for a couple of weeks debating and choosing one over the other. Alas, I had to decide. But first: Marrow of the Spirit, I believe is the best Agalloch album. Not The Mantle and not Pale Folklore. Don’t @ me. Marrow of the Spirit has something rustic, intense, and intrinsically beautiful lingering among all of the chaos.

1. Triptykon – Eparistera Daimones (2010 – DNR)
Fav. song: The Prolonging

From the incredible album cover created by the late and great H.R. Giger, Eparistera Daimones encapsulates all I love in the heavy metal genre. From start to finish, this album absolutely dominates the listener and refuses to let them breathe. Its lyrical content is brutally honest and the music properly reflects that. Songs like Abyss Within My Soul are heavy in both sound and content. My Pain is hypnotically ethereal yet devastating at the same time. It being the segue into the nineteen minute epic, The Prolonging, is absolute genius.

I debated putting both Triptykon albums in my list. It may seem like both albums in my list here are the same: but they’re most certainly not. Eparistera Daimones, coming out of the ashes of Celtic Frost, has a unique quality and sincerity about it. There’s purposeful cracks in the armor. There’s noticeable pain, bleakness, anger, and darkness. I really cannot stress the honesty of this album enough. It’s a masterpiece and work of art wrapped around in doom, aggression, terror, atmosphere, and chaos. The album is non-apologetic for what it is and proudly wears its wounds.

For those reasons and a ton more, is why Eparistera Daimones is truly one of the greatest albums of the decade.

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Questions, concerns, thoughts? Did I miss something? Let me know! And let’s see what the next decade will bring us! If you’d like, you can also follow me on Twitter and Instagram!

Until next time, keep on Space Truckin’!

My Top Albums of 2019

And starting off at number fifteen. . .

15. This Winter Machine – A Tower of Clocks

I don’t recall how I came across this album, but I’m glad I did. This neo-classical prog rock band mends a fine line between being a Marillion clone with some, what I’d call Rush influences, to create a transcendental album that stood out among other prog bands this year. While arguably there’s nothing “new” brought to the table, A Tower of Clocks manages to do everything right. The first few tracks build the album up to something wonderful as it ebbs and flows through various feelings throughout. A solid album from a band that’s now going to be on my radar.

Check out the single for “Justified”:

14. Evergrey – The Atlantic

Evergrey are starting to remind me a lot like Amorphis: staying familiar with an evolving sound. While The Atlantic comes across like a traditional prog-power album, there’s still the ever-looming feeling of despair through Tom Englund’s voice and the bands defeating sound, and sometimes heart-breaking lyrics. However, uplifting moments are found such as with the song End of Silence – which still arguably still sounds bleak. Then there’s songs like Weightless where it really showcases some of the band’s metal prowess – the song building to a powerful booming climax near the end. I was super pleased with how The Atlantic turned out and as always, can’t wait to see what else Evergrey have up their sleeve.

Check out the video for “A Silent Arc”:

13. Exhumed – Horror

In 2016, Aborted released the album Retrogore. As the Aborted title suggested, the album was a throwback to older (1980s) horror films. In 2019, Exhumed’s Horror, while not directly associated to particular horror films, is yet another death/grind album with a shtick towards “retro” horror (as the album cover suggests). It’s fast, dirty, and a a schlock-fest of brutality. The fifteen song album is just shy of thirty minutes with most songs under the two-minute mark, leaving them to be easily digested and not over stay their welcome. They’re good “done-in-one” songs that are quick and to the point. The whole album is just a slaughter. It’s fantastic.

Listen to the full album here:

12. Possessed – Revelations of Oblivion

It only took 33 years, but Possessed is back. And damn, it’s great. This death/thrash album is a huge surprise to hear this year. In fact, it sounds as if the band never went anywhere. The soundscape, production, and tones feel straight out of the 80s with pounding aggression in the drums, heft in the rhythm, and an amazing wail with the guitars. Lead singer/songwriter Jeff Becerra writes intelligently with lyrics that feel honest but still radical. An absolute treat for 2019. I hope this is the start of something bigger.

Check out the single, “No More Room in Hell”:

11. Murg – Strävan

The third album of this Swedish black metal band is one of two black metal albums that really blew me away this year. It’s intense at times, but also falls back into somber feelings. The album fluctuates naturally between the two dichotomies which offers the listener breathing room for reflection. The production, on the other hand, has what I love about the genre: it’s dark and feels homemade. Yet there’s obviously quality and an ear behind the studio to give the album the sounds it’s offering. As with most outstanding black metal albums for me, these riffs gave chills.

Check out the awesome single, “Renhet”:

10. Ed Wynne – Shimmer into Nature

The debut solo album from Ozric Tentacles main song writer – Ed Wynne puts together an infectious groovy album with all the fixings of what makes me love his music: brilliant bass licks, incredible soundscapes, and brilliant rises and falls. Shimmer into Nature effectively does what it says, bringing psychedelic tones, synth, and atmosphere to the fray – all with a tremendously calming effect. A terribly underrated musician, this album is quite frankly, absolutely beautiful.

Listen to “Shim”:

9. Darkthrone – Old Star

Every time Darkthrone releases an album, I feel bad for everyone else. The band evolves so much, I never know what to expect. However, the quality of their output has been nothing short of incredible. As such, here is yet another Darkthrone album on my Top 15 list. This crusty, thrashy, doom album is stunning. It has gentle (and some not-so-subtle) nods to classic heavy metal bands and eras, influenced from the decades of the 70s and 80s. The songs on the album feel simple, but come with great care. The single (and my favourite track), “The Hardship of the Scots,” is a great anthem, while songs like “The Key is Inside the Wall” and “I Muffle Your Inner Choir” come with a certain rock n’ roll elements that keep your head pounding throughout. Truly another great album by this great band.

Listen to the wonderful “The Hardship of the Scots”:

8. Masvidal – Mythical

Paul Masvidal is no stranger to prog or heavy metal. After all, he’s the front man and lead songwriter to the legendary band Cynic. But this solo project? This is something different and certainly may be an acquired taste. Mythical, the first of three albums, well, let me just quote the album: “Each song on [the album] uses ‘Isochronic Tones’ designed by Dr. Stephane Pigeon, creator of the Brian Eno-celebrated website MyNoise. The tones are a groundbreaking type of sound therapy for increasing serotonin, alleviating depression and stress, improving focus, and aiding in restful sleep.” – And Masvidal does just that – and lyrically, well, it’s beautiful poetry.

Listen to the whole album here:

7. Blood Incantation – Hidden History of the Human Race

A late-release fpr 2019, Blood Incantation’s Hidden History of the Human Race absolutely knocked it out of the park. The four-song album covers a vast array of death metal styles – from Morbid Angel to Death to Gorguts, then with spacial tones to the likes of Kyuss and Hawkwind. This album delivers the goods with the pulse-pounding first tracks, Slave Species of the Gods and The Giza Power Planet, followed by the two more melodic songs Inner Paths (to Outer Space), and the 18-minute epic, Awakening From The Dream Of Existence To The Multidimensional Nature Of Our Reality (Mirror Of The Soul). While four songs may not seem like much to divulge in with an album, I can guarantee Blood Incantation makes every moment count, and ultimately, brings about one of the most unique, awesome, and most of all – refreshing – albums I’ve heard in recent memory.

Check out the video for “Slave Species of the Gods”:

6. Bent Knee – You Know What They Mean

The year was 2017, and Bent Knee’s “Land Animal” made the third spot on my Top 15 List that year. I feel bad they’re not higher this year, but holy smokes, You Know What They Mean absolutely blows Land Animal out of the water and then some. This album is both a natural evolution for the band, yet is something completely different. It’s heavy, melancholic, moody, rough, loud, subtle, and so many other adjectives I could continue with. There’s a lot of brilliance in this album and I’m so very excited to watch this band explode. Bent Knee will become a household name, not only in the world of progressive music, but beyond. Mark my words, You Know What They Mean has the fixings of bringing Bent Knee to the world.

Watch the video for “Hold Me In”:

5. Wilderun – Veil of Imagination

Opeth and Symphony X had a child and it’s living in Boston. Part of me says “This album shouldn’t be on here because it’s just a clone.” The other part says, “My god, these guys do what Opeth and Symphony X did, but better.” There’s a healthy balance between metal and orchestra. There’s a lack in repetition/recurring riffs, keeping these long songs fresh. It is also very ethereal in many aspects in the production. Readers, I absolutely was taken back by this album. It was as if I was teleported back into 2001/2002 when Opeth’s Blackwater Park and Symphony X’s The Odyssey was released. In fact, if you amalgamate those two specific albums, I’m confident you’ll have Veil of Imagination. It’s certainly fair to bring these strong comparisons to the fold because Wilderun takes the best of both albums and makes it into something new, yet familiar. It’s a hauntingly beautiful, powerful album.

Check out “Far From Where Dreams Unfurl”:

4. Mgła – Age of Excuse

My favourite black metal album of the year, Mgła’s Age of Excuse is stunning. I remember spinning it the first time around while reading. During the track, Age of Excuse III, I paused the album and went “Holy shit, these guitars are riiiiiiiiiiiipping.” I hadn’t been that excited from a black metal album in a long while. But that’s not all! The drums. Oh goodness, the drumming on this album. Age of Excuse II features some extraordinary play with the toms, snare, and various cymbals. But that’s not all! The vocals. The gloom and despair in the voice. The lyrics. The dread and finality of it all. Sure, this album is technically one song at 42 minutes – but it’s such a trip. Give it a listen and learn why Age of Excuse got to be where it is on my list.

Give the full album a listen to:

3. Tomb Mold – Planetary Clairvoyance

Had I not seen these guys open for Pig Destroyer earlier this year, I may not have heard this album at all. Tomb Mold’s Planetary Clairvoyance is hands-down my favourite straight-up death metal album of the year. This Toronto-based band knocked it out of the park with this 38-minute album, featuring some of the best guitar riffs I’ve heard this year. In fact, the way everything is pieced together, you can tell Tomb Mold took their time when writing these songs. Most songs only contain a handful of riffs, yet the band manages to leave nothing stale. Somehow the riffs become elevated the more the band repeats them. It’s intriguing stuff. From the opening track to the end, there’s literally something memorable from each song. The title track has some of the dirtiest riffing by the end of the song. It’s just a headbangers delight. I love this album.

Listen to the track “Infinite Resurrection” here:

2. Immortal Bird – Thrive on Neglect

I don’t even know what to call this one: death metal, crust punk, progressive, sludge, thrash, black, grind, hardcore – whatever it is, it’s an absolute blast to indulge. This second album by the Chicago natives has everything I want in my metal and then some. Songs like Avolition are lengthy and provide a wide gamut of offerings for music listeners – easily one of the greatest songs I’ve heard this year. House of Anhedonia has such an incredible ending and juicy riffs that I keep coming back for more. In fact, with absolutely punishing tracks made with excellent composition, lyrics, and production, easily makes Immortal Bird’s release one of my favourite albums of the year.

Listen to the song, “Vestigial Warnings,” that within seconds had won me over:

1. Devin Townsend – Empath

Devin Townsend has outdone himself. I absolutely adored this album. Throughout its journey, Empath features highs and lows, exceptional musicianship, chaos and beauty, and incredible emotion. I could go on to describe what Empath is. So let me just focus on why it’s my album of the year.

Leaving the Devin Townsend Project and going solo, this dynamic album features a plethora of interesting and daunting ideas that come together so wonderfully. From the intriguing Castaway/Genesis introduction to the playful Sprite, the Disney-inspired Why?, and the epic Singularity, each song on the album has its own bit of flair to make it stand-out, yet still be part of one cohesive unit.

The songs are some of Devin’s most challenging, not only as a musician, but sonically as well. The “wall of sound” that comes along with Empath is incredible. In fact, the production on the album arguably may be its only fault as to how “perfect” everything seems to be. Musicians like Chad Kroeger (Nickelback), Anneke van Giersbergen (ex-The Gathering), and Frank Zappa alums, Steve Vai, Mike Keneally, and Morgan Ågren, as well as a fully-utilized women’s choir, come together to help bring Empath a life which is truly unique and an absolute wonder to behold.

Part of me wants to dig through every single song and explain its purpose, why they are the way they are, and really delve into the complexities of the production and songwriting process. But that’s not what this review is for. I should only tell you that there were many wonderful moments that made me cry (and still do if it gets me right). This is an album you all should sit back and experience for yourselves. Grab your headphones, some hot chocolate, sit back, and relax. (The 5.1 audio mix is coming out soon which I’m absolutely thrilled for).

Without a doubt, Devin Townsend’s Empath will stick with me for the rest of my life. It is easily one of the most memorable albums I have ever graced upon my ears.

Check out the “overture” of the album, “Genesis”:

Then listen to the Disney-inspired metal song, “Why?”:

Honourable Mentions:

Dream Theater – Distance Over Time

Ares Kingdom – By the Light of Their Destruction

Overkill – The Wings of War

Cerebral Rot – Odious Descent into Decay

Torche – Admission

Borknagar – True North

Rotting Christ – The Heretics

Nebula – Holy Shit

Abbath – Outstrider

Ulver – Drone Activity

Most Disappointed:

Tool – Fear Inoculum

Flying Colors – Third Degree

Amon Amarth – Beserker

Blind Guardian – Legacy of the Dark Lands

Questions? Comments? Agree? Disagree? What have you? If you’d like, you can also follow me on Twitter and Instagram!

My Top Albums of 2018

And starting off at number fifteen. . .

15. Ungfell – Mythen, Mären, Pestilenz

This Swiss band’s second release, Ungfell’s black/folk metal blend is raw and unfiltered. With a ripping bass lines and fearful screams, this album comes out to be one of the better black metal albums I’ve heard this year. While moments may seem chaotic, the band does feature peaceful – if not even tranquil, melodic moments – which made for an album that really stands out.

Listen to the whole album here:
https://ungfell.bandcamp.com/album/mythen-m-ren-pestilenz

14. Judas Priest – Firepower

Legends. When Judas Priest released Redeemer of Souls in 2014, I considered it to be their best album since Painkiller. While Firepower cannot be compared to it, it is one helluva beastly album. The riffs are crisp, songwriting strong, and Halford just rips it. Their song Flame Thrower stands out as one of the neatest songs on the album – giving me throwbacks to Sad Wings of Destiny days (I know, right?) While the album may not be the strongest in the Priest catalog, it certainly is a powerhouse not to be reckoned with against other albums in 2018.

See the music video to “Spectre”:

13. Amorphis – Queen of Time

Amorphis rarely can do any wrong. With Queen of Time, the band shows yet again that they are one of the greatest modern metal bands. Queen of Time is actually a great representation of where the band has gone over the past decade. If anything, it showcases how strong the band is with their storytelling without making it feel like the same song after song, album after album (lookin’ at you, Amon Amarth). Queen of Time is quite simply a testament to the ever-evolving Amorphis musicianship.

Check out the video to “Amongst Stars” here:

12. Torture Rack – Malefic Humiliation

I can hear Anakin Skywalker saying, “Now THIS is death metal!” The brutality from this American band reminds me of recent releases from newer death metal bands such as Rude and Outre-Tombe. Given that this is only the second album from Torture Rack, it feels like they’re seasoned veterans of the genre. With pounding songs like “Mace Face” and annihilating riffs like in “Lurking in the Undercroft,” this album makes me excited to hear what else this band has to offer.

Listen to the album here:
https://listen.20buckspin.com/album/malefic-humiliation

11. Satan – Cruel Magic

New Wave of British Heavy Metal at its finest. Their third album since their return in 2013, Cruel Magic just crushes. Never missing a beat or sounding tired. Vocalist Brian Ross dominates and arguably is the highlight of the album with his very powerful range. Right off the bat, the first track, “Into the Mouth of Eternity” sets the pace for the rest of the unrelenting album, making Cruel Magic’s release one of the highlights of this year.

Check out the album here:
https://satanuk.bandcamp.com/album/cruel-magic

10. The Tangent – Proxy

Whenever The Tangent releases something, you have to stop and give it a listen because there’s always something musically going on that’ll stick with you. Leader Andy Tillison groups together like-minded musicians for a blissful mix of different genres: blending and fusing into one another seamlessly. From jazz fusion, prog rock, funk, alternative, and much more, each song stands out on its own yet still ties together on the album. It’s dramatic, powerful, and makes for one incredible audio experience.

Watch the lyric video for “The Adulthood Lie” here:

9. Sear Bliss – Letters from the Edge

Experimental would be an understatement. After a six year hiatus, the Hungarian black metal outfit return with yet another strange, yet familiar album. It’s grand in its scope and feels triumphant throughout. It’s hard to really put a pin on why I really enjoy this album because there’s a lot offered. I’d recommend you give it a listen for yourself.

Check out the album here:
https://searblisshhr.bandcamp.com/album/letters-from-the-edge

8. Outre-Tombe – Nécrovortex

The third band on my list with their second album! Outre-Tombe from Quebec arguably outdid themselves after their 2015 debut (which surely would’ve made my Top 15 had I heard it in time). Nécrovortex is classic death metal that’s fast, demanding, pounding, and brilliantly crafted. While the production is a lot cleaner than traditional death metal usually sounds, it doesn’t take away from the overall feel of the album – making for one of the best sounding traditional death metal albums this year.

Listen to the full album here:
https://templeofmystery.bandcamp.com/album/n-crovortex

7. Altars of Grief – Iris

Yet another second release, these Canadian metal heads offer an exquisite and sometimes gut-wrenching take on blackened doom metal. With parts often feeling greatly inspired by the late David Gold and Woods of Ypres, Altars of Grief come at you with eight well-thought out and crushing songs that really make me miss the halcyon days of their Canadian counterpart. I can’t get enough of this album.

Listen to the album here:
https://altarsofgrief.bandcamp.com/album/iris

6. Ihsahn – Ámr

Guys, it’s Ihsahn. Since I’ve started doing my Top 15s, he’s always been mentioned. While Arktis was a bit of a letdown, Ámr comes back and wipes the slate clean. Boldly starting the album with electric-sounding keyboards, the album unfolds into constrained progressive chaos. It’s haunting and powerful. Unlike previous albums, however, Ámr is probably one of Ihsahn’s most “straight-forward” sounding albums with songs not ever veering into too far extremes. It sounds like a safe, but in reality, it’s anything but.

Watch the music video for “Arcana Imperii” here:

5. Panopticon – The Scars of Man on the Once Nameless Wilderness (I and II)

This is a beautiful album. At just under two hours, this double-album features some of the most natural and inspiring music I have ever heard. Crossing multiple genres: country, black metal, bluegrass, folk rock, and more, Panopticon’s release is nothing short of incredible. There’s so much to offer on this album that I really struggle to find a favourite moment or song. Everything is just that good. Broken up into two larger movements, the music obviously contrasts one another – yet it all flows seamlessly together.

Check out the Bandcamp here:
https://thetruepanopticon.bandcamp.com/album/the-scars-of-man-on-the-once-nameless-wilderness-i-and-ii

4. Spaceslug – Eye the Tide

Damn, this is a dirty album. Right from the first track “Obsolith,” you can just feel the mud spill from the opening bass lines as it slowly trudges you into the droning chorus. The Polish outfit Spaceslug delivers one of the best sludgy doom/stoner metal albums I’ve heard in a while. While sometimes melodic, the band ebbs and flows with the groove: weighing heavier down and gradually building back up. It’s easy to become immersed with the infectious tone and groove. In fact, think I’ve got a bit of the spaceslug in me.

Get lost in the album here:
https://spaceslug.bandcamp.com/album/eye-the-tide

3. Stone Temple Pilots – Stone Temple Pilots

I never would have picked up the bass guitar if it wasn’t for Stone Temple Pilots. This band essentially started me on the musical journey I’m on today. Bias aside, I can’t believe the band put out this album. Much like Amorphis’ release, I feel like STP’s newest is a culmination of everything the band has ever done into one album. I feel hints of No. 4 with “Roll Me Under,” the simplistic beauty of Tiny Music with “Thought She’d Be Mine,” and serenity from Shangri-La Dee Da in “The Art of Letting Go.” But the songs are so much more than “throwbacks” of the past. With new singer, Jeff Gutt, there’s a new breath of fresh air in this band and I can’t wait to see where it takes them.

Listen to the single “Meadow”:

2. Khôrada – Salt

After the demise of Agalloch and Giant Squid comes Khôrada: bone-chillingly powerful music, and as their Bandcamp states, “At once atmospheric, aggressive and apocalyptic, the album’s emotion is driven by the band members’ view of today’s world.” And holy moly, does it ever. From the incredible layered textures from vocalist Aaron John Gregory and the emotional ferocity of Don Anderson’s guitar, this album, in my eyes, opened me up to new standards not only in song writing, but in album production as well. It’s well worth your listen as I can almost guarantee you’ve never heard anything like this before.

Listen to the haunting song “Ossify” here:

1. YOB – Our Raw Heart

Upon first listen, I had a gut feeling that this was going to be my Album of the Year. And yet after months since its release, the album’s still unsurpassed. The American doom metal band’s eighth studio album, Our Raw Heart, wins me over with the most emotional roller coaster ride of the year. Much like my top album from last year, YOB’s album was also inspired by a health issue – this time from lead guitarist/singer/songwriter Mike Scheidt.

Ironically, this may be one of the most uplifting doom metal albums I have ever heard. Each track builds and releases in powerful ways that are vastly different from one another. Yet all of that doesn’t matter as the album both feels and flows as one cohesive piece.

The first track “Ablaze” pulls the listener into a trance which slowly builds up and releases into the emotional chorus. Feeding into the next song, “The Screen” – heavy chugging riffing with growls which subtly reveal the pain behind.

Additional highlights come from the 16-minute “Beauty in Falling Leaves” where you can just hear the raw agony in Scheidt’s voice. It’s absolutely stunning. In the same subject, the guitar tones on this album are simply outstanding and compliment the vocals in some of the most powerful ways. For case-in-point, the title track wraps up the album with a slow burn of inspiration, beauty, and elevation.

Our Raw Heart seems to showcase the chaos in the world, yet it still manages to stop you; telling you to take a breath, and to really see the beauty in falling leaves. With that juxtaposition, Our Raw Heart easily takes the top spot as my Album of the Year.

Listen to my Album of Year:

Honourable Mentions:

Ulthar – Cosmovore

The Sea Within – The Sea Within

Riverside – Vale of Tears

Kamelot – The Shadow Theory

Pig Destroyer – Head Cage

Chris Caffery – The Jester’s Court

Ails – The Unraveling

Sleep – The Sciences

Augury – Illusive Golden Age

Vreid – Lifehunger

Most Disappointed:

Summoning – With Doom We Come

Portal – Ion

Questions? Comments? Agree? Disagree? What have you?

My Top Albums of 2017

And starting off at number fifteen. . .

15. Premiata Forneria Marconi – Emotional Tattoos

Starting off the list is a band of which sort of dropped off the radar and really are only mentioned when discussing the their strength of progressive rock albums in the 70s. Premiata Forneria Marconi, or PFM, are an Italian prog rock band that with their new album, Emotional Tattoos, surprised me at its strength. This hefty double-disc album features a great mix of prog rock tunes which feel like they’re from the 70s but with a modern production value. It’s a refreshing album that is unfortunately held back by its song placement (it takes a good four or five songs until the album really begins to kick some butt). Despite that, it’s deserving on a top spot for 2017.

Check out the music video for “The Lesson” here:

14. Blade Runner 2049 Soundtrack

The first time I’ve ever put a soundtrack into my list. The Blade Runner 2049 movie, while visually stunning, was audibly awesome. The cyberpunk/noir feeling originally established by Vangelis back in 1982 gets tastefully expanded upon by composers Hans Zimmer and Benjamin Wallfisch. The soundtrack provides a sweeping landscape of emotions and feelings which can be confusing given its sterile and mechanical sound. It’s completely worth checking out.

Listen to “Flight to LAPD”: https://www.youtube.com/watch?v=EGxyGcZ5jsY

13. Sarkrista – Summoners of the Serpents Wrath

Intense is one way of putting it. Rip-roaring music from the second album of these German black metallers, Sarkrista’s Summoners of the Serpents Wrath is in your face with its blasting beats, screaming vocals, and shredding, ambient guitars. The album rarely lets up, giving you a solid black metal album from front to back.

Listen to the full album here: https://www.youtube.com/watch?v=FOz42CgKjks

12. Rude – Remnants…

Rude’s second release, Remnants…, is another great traditional death metal album. Their first album, “Soul Recall,” made my top fifteen back in 2014 and these guys have impressed yet again. The production completely sells me on this album, let alone the songs. This album pounds your ears hard and is yet another exceptional sounding death metal record from these U.S. based metal heads.

See the lyric video for “House of Dust” here:

11. Paradise Lost – Medusa

Pulse-pounding and crushing, the death/doom metallers Paradise Lost release yet another solid album off the back of 2015’s The Plague Within. While there’s nothing surprisingly in terms of riffing or production, the album just keeps its momentum and variety up long enough to be a great album.

Listen to the final track, “Until the Grave” here: https://www.youtube.com/watch?v=C2JRD4r4Yuw

10. Dumal – The Lesser God

When I think of American black metal, my first thoughts come to Agalloch. While these guys are no Agalloch, I feel the influence is there. Crisp production is one thing, but Dumal’s incredible sounding riffs create an almost nostalgic feel for me – reminding me of the first time I got into black metal (with Mayhem’s Pagan Fears). Lost Caverns is definitely the track that won me over on this album, but the rest of it is just so, so great. For their impressive debut album, I’ll definitely me following Dumal closely in the coming years.

Check out the full album here (especially “Lost Caverns”): https://dumal.bandcamp.com/album/the-lesser-god

9. Auðn – Farvegir Fyrndar

This Icelandic black metal outfit release a torrent of cold atmosphere with their second album, Farvegir Fyrndar. Melodic riffs are eerie and define the tone of the album. Often dramatic, the album builds momentum, starting from the first track. Crushing through, listeners are given other great glimpses of brilliance through this very bleak sounding album. Easily takes the spot as the best black metal album I’ve listened to this year.

Listen to Skuggar: https://www.youtube.com/watch?v=RkOgY8P4NUY

8. Daniel Cavanagh – Monochrome

Given Anathema just released their newest album this year, I was surprised to see something released from their lead songwriter only a few months later. Daniel Cavanagh’s acoustic album, Monochrome, is brilliant, loving, sad, uplifting, and therapeutic all at the same time. While much can be said about Anathema’s music, Daniel’s own personal flare and attention to detail certainly shines something special here.

Listen to “The Exoricst” here: https://www.youtube.com/watch?v=pKGoYUZ_B1c

7. Artificial Brain – Infrared Horizon

If there was one thing I wasn’t expecting from this technical death metal band, it was an incredibly dramatic science fictional album. Much like the title of my favourite track on the record, this album is Estranged from Orbit. It’s different and yet feels familiar. The music is composed to make sense – there’s nothing purposefully flashy on the album. The parts in the songs have purpose and riffs are crafted to build and explode with emphasis. It’s smart, clever, intense, and sounds absolutely different than many death metal albums out there.

Listen to the whole album here (especially “Estranged from Orbit”): https://profoundlorerecords.bandcamp.com/album/infrared-horizon

6. Steven Wilson – To the Bone

Steven Wilson always does something different – not because he has to, but because he can. With this album, Wilson crosses the boundaries of pop rock and prog rock, creating an album that heavily reminds me of Peter Gabriel’s So. Featuring a handful of songs with Ninet Tayeb sharing vocal duties and incredible musicianship, the classic Steven Wilson “sound” makes To The Bone not only a strong album, but somewhat of a “gateway” album to introduce pop fans about prog. With a well-rounded album and even a subtle nod to Porcupine Tree in one of the songs, To the Bone is yet another Steven Wilson album that made my Top 15 list.

Seen the video to the astounding “Pariah” here:

5. Bell Witch – Mirror Reaper

What. A. Heavy. Album. Featuring drums, bass, vocals, and a Hammond, this near hour and a half long song, in my opinion, well-defines funeral doom metal. Dark and dreary, Bell Witch brings the dead to the listeners ears in this haunting slow burn of an album. It’s atmospheric, moody, crushing, and so many other feelings, that “Mirror Reaper” is really something needed to be experienced.

Listen to an excerpt from “Mirror Reaper” here: https://www.youtube.com/watch?v=Yrc1ch3O9Fs

4. Anathema – The Optimist

One of my favourite bands return with somewhat of a sequel to 2001’s A Fine Day to Exit with their newest release, The Optimist. Smartly crafted, the album begins where their previous album, Distant Satellites left off – with electronic music. However, the band cleverly makes the electronic to real-instrument transition within the first song and continues to put the listener through a literal journey of musical and lyrical emotions and feelings that are purposefully left ambiguous. It’s a damn pretty album. “Wildfires” is my favourite track.

Watch the video for “Springfield” here:

3. Bent Knee – Land Animal

When I first heard Bent Knee, I couldn’t get over how tight the band was. As if they’ve been playing for decades, this American prog rock outfit showcases their songwriting abilities all over this album – and they’re supremely tasteful. Often times prog rock showcases (and can sometimes celebrate) musical wankery. Bent Knee shows restraint and thought behind each note, chord, and lyric. While Land Animal is their fourth album, the band takes nothing for granted with the effort clearly put into this record. What a treat.

Watch the live video of Bent Knee performing “Holy Ghost”:

2. Ulver – The Assassination of Julius Caesar

In The Assassination of Julius Caesar, ex-black metal band Ulver create something that’s dark, experimental, and would appeal to Depeche Mode fans. Upon first listen, I felt engrossed with the production: the synth, reverb; the drama. Like the music, Ulver’s lyrics are also intelligent and deep. Music builds and slows, putting the listener through an interesting journey of sounds which engrossed me like no other album had this year. Ulver’s newest is a gorgeous electronic-feeling album with nothing but respect to its listeners.

Check out the first track of the album, “Nemoralia” here: https://www.youtube.com/watch?v=Wq0Kb4bFNzg

1. Pain of Salvation – In the Passing Light of Day

When this album came out in the middle of January, I had hoped for another album to be released later in the year that would be better than it. Not because I disliked the album, but because it was so damn good and so early on in the year, I really hoped another album could topple it. Now here we are at the number one spot on my list.

When lead singer/songwriter Daniel Gildenlow went into the hospital a few years back, he discovered he had a life-threatening disease. This album is that story and goes through the emotional trauma and thoughts running through his head while in the hospital. At times uplifting, the album can become sad when you can feel the emotions coming from Gildenlow’s voice. He’s felt the pain he’s singing about and he wants us to experience what he’s experienced.

Tracks like “Silent Gold” and “If This is the End” are both mournful and powerful. “Full Throttle Tribe” is catchy, while “Reasons,” “Meaningless,” and “On a Tuesday” are direct and in your face. However, it’s the final title track which absolutely steals the show. At fifteen minutes in length, “The Passing Light of Day” explains the fears and joys of being in love while given the listener an emotional roller coaster of music to follow suit. Songs are strongly crafted by both Gildenlow and multi-instrumentalist Ragnar Zolberg. Zolberg joined the band in 2011 and co-wrote most of the songs on this album. Now no longer in the band, I can’t help but follow where he goes next to see what he does.

I’ve been a fan of Pain of Salvation since 2002-2003. While I can say with certainty that this is my favourite album of 2017, I can also say that In the Passing Light of Day is Pain of Salvation’s best studio album to-date.

Check out the music video for “Reasons”:

See the music video for “Meaningless” here:

Honourable Mentions:

Barenaked Ladies – Fake Nudes

Threshold – Legends of the Shires

Bison – You Are Not The Ocean You Are The Patient

Ayreon – The Source

Aborted – Bathos EP

Kreator – Gods of Violence

All Pigs Must Die – Hostage Animal

Nordic Giants – Amplify Human Vibration

Most Disappointed:

Electric Wizard – Wizard Bloody Wizard

Cannibal Corpse – Red Before Black

Pallbearer – Heartless

Sólstafir – Berdreyminn

Vuur – In This Moment we are Free – Cities

Sons of Apollo – Psychotic Symphony

Moonspell – 1775

Questions? Comments? Agree? Disagree? What have you?