This was an incredible week for comics – even for Uncanny X-Men, which I’ve picked on a lot recently.
Given my massive pull-list, I’ve decided on doing mini-reviews for a few of the comics released this week. Enjoy!
FF #1 Jonathan Hickman (writer), Steve Epting (pencils, inks, cover), Paul Mounts (colours), Rus Wooton (letters). $3.99
After the death of the Human Torch, the family still goes through their mourning periods – most noticeably with The Thing who blaming himself for Johnny’s death. Reed plays a video of Johnny’s suggesting that in the case of his death, Spider-Man would be the best choice for his replacement. Of course, Spider-Man can’t say no to such an offer.
What intrigues me most about the story is how down-to-earth it has become. The family sits and has dinner together, while Reed’s father adds much-needed flavour to the established characters. Tossing in AIM and the Wizard as villains, I can already see the Future Foundation becoming an excellent series.
Of course, Epting crafts emotions brilliantly throughout the story – making the dinner scene one of my favourite panels this week.
However, I cannot go without saying how rushed I feel with the book. Maybe I’m out of the loop, but it was as if the Future Foundation was already planned-out and assembled between Fantastic Four #588 and now. If this was Marvels “.1” issue, I’d still be lost. My only other little tidbit is the action with AIM seemed a bit out of the blue. Either way you look at it, this is a very promising start for Marvel’s first family.
Osborn #3 of 5 Kelly Sue DeConnick (writer), Emma Rios (pencils, inks), Jose Villarrubia (colours), Clayton Cowles (letters), Ben Oliver (cover). $3.99
Nothing is more sinister than a great villain book. Kelly Sue rocks the Marvel U with another incredible tale of Norman Osborn incarcerated – but for how much longer?
Mixed between insanity and clarity, Osborn continues his push to escape from prison, now with reporter Norah Winters as a potential ally. Wanting a story on Osborn, Winters listens to Osborn’s arguably mad rantings while rebutting him with some of her own. As calm as ever, Osborn seems to somehow have a grand scheme already planned out, and uses his keen manipulation skills to find his way to an escape pod with his new companions and Winters. But of course, he cannot do so without killing hundreds. This is Norman Osborn, after all.
What I cannot seem to get over is Emma Rios. If Marvel does not give her a contract, I’ll be ridiculously angry. Gorgeous, simply vibrant panels mix moods of chaos and wit together with genuine emotions of strength and cunningness. A truly fantastic visual experience. She nails Osborn right on the head as an insane mess. I seriously cannot get enough of her panels. Jose Villarrubia too, does a great job with the environment only having so-few colours. For an underwater jail, I feel as if I’m looking at a rainbow. What a creative team.
For the love of all that is amazing in the world, read Osborn already!
Uncanny X-Men #534 Matt Fraction & Kieron Gillen (writers), Greg Land & Paul Renaud (pencils), Jay Leisten & Paul Renaud (inks), Justin Ponsor (colours), Joe Caramagna (letters), Greg Land & Justin Ponsor (cover). $3.99
As I said before, Uncanny has picked itself out of a rut with this issue. But maybe I only feel this way because the storyline is finally over. . . Regardless, Emma and Kitty’s story finally concludes with Shaw, while the X-Men put an end to Lobe, and Fantomex is – well, who knows.
The X-Men on Utopia decide to break quarantine to help Storm and gang battle rich science-made mutants. To their advantage with mutants now fighting mutants, everyone gets sick from the X-Men and thanks to Lobe, dying as he tries to destroy what’s left of the X-Men. Fail. Being sick himself, he can has to give the cure to everyone, thus ending the plague – because the sickness was controlled by a remote. Makes sense. On top of it all, the X-Men realize they may file a lawsuit for copyright infringement against Lobe for using the X-Men’s faces on his products. Yeesh!
Unfortunately, I still saw Land doing some things he’s done in the past. I even showed some friends, comparing this recent book to pictures in my blog about Land at an earlier time. HOWEVER, I will say that his work between Shaw & Emma is an incredible change of pace in terms of his art style. The final pages with Shaw were excellent. As for Ponsor, all I will say is yellow backgrounds ftw. That, and the Emma/Kitty scenes were greatly polished with colour. For Uncanny, this has definitely been a step-up.
To top it off, Avengers Academy #1 is reprinted in the issue. Two major books for $3.99? Count me in!
New Mutants #23 Mike Carey (writer), Steve Kurth (pencils), Allen Martinez (inks), Brian Reber (colours), Joe Caramagna (letters), Leinil Yu & Marte Gracia (cover). $2.99
The Age of X continues with another unexpected twist in story. Who knew that Magneto didn’t know that Xavier knew this wasn’t the world they know of? If you had to re-read that sentence because it was mind-boggling, now you know how I felt with New Mutants! So many twists and turns leave me begging for more!
As expected, Rouge, er, Legacy and Gambit were not killed in the last issue, but actually saved by Magneto, despite it seeming to be the other way around. However, to the rest of the mutants, it still looks Magneto’s a murderer. Distrust fills Fortress X and mutants begin to question Magneto’s leadership. Unfortunately for Magneto, after rescuing Xavier from his own prison, he is knocked out of his leadership role, changing the way mutants in the Age of X will live. Meanwhile, Legacy and Gambit uncover the secret to what really is going on.
As mentioned, this story has more twists and turns than a kid putting together a Hot Wheels racetrack. Strong writing and intense scenes put this story ahead of its parent-title by a long shot.
Kurth’s work is good, but nothing out of the ordinary. For example, I loved his panel with Legacy and Gambit with just their lips. It was an unusual panel, but very well rendered. But when I look at Magneto I can’t stop thinking “baby face.” Overall, for a lack of action-book, it feels action-packed. It was on my second read-through did I realize no “fighting” actually took place. I’m also left wondering where Wolverine and “Cyclops” are.
With Age of X nearing its conclusion, it reassures me that Mike Carey needs to be given more major crossover stories.
X-Men #8 Victor Gischler (writer), Chris Bachalo (pencils, colours), Tim Townsend, Wayne Faucher, Jaime Mendoza & Al Vey (inks), Joe Caramagna (letters), Terry & Rachel Dodson (cover). $3.99
Thanks to Gischler & Bachalo, another great issue of X-Men is in my hands. Unlike Spider-Man’s take on this tale in the “Shed” storyline, the villain is a surprise all-together – and one I did not see coming.
Opening up from where we left off – Wolverine is taking out lizard-folk, Bachalo-style. From there, a good portion of the story focuses on the children captured by the new villain. I really start to feel for these characters – which is amazing given their short page-time in the book. The fact that I begin to empathize with minor characters the way Gischler makes me, shows that the creative team in this book really are ahead of the game. And despite the unexpected villain, the book ends on a ridiculous cliffhanger leaving Emma in a whole lot of trouble.
I cannot stress (still) how great Bachalo is with this book. I wish he could draw Wolverine all of the time. Heck, let him colour too. He’s doing an incredible job. Of course, we also get four inkers again this month leaving me to wonder who did what. I wish I could get a feel for inkers the way I can with colourists. It’s frustrating!
X-Men went from a decent first story arc to something incredible in no-time! Not to mention that the Dodson’s rocked the cover.
X-Force #6 Rick Remender (writer), Esad Ribic (pencils, cover), John Lucas (inks), Matt Wilson (colours), Cory Petit (letters). $3.99
I think it’s great when I can say, “this is the worst Uncanny X-Force book to date,” yet the story is still impressive.
Deathlok’s appearance at the end of last issue actually meant he was on Fantomex’s side. Admittedly, I didn’t see that one coming. The rest of X-Force eventually meet up with Fantomex and Deathlok to discover why random cyborgs are trying to kill them. Turns out they’re from the future and superheroes are not allowed to exist! But luckily Fantomex comes up with a great plan to defeat them – to destroy the future in the next issue! Despite all of that, the issue seemed like a miss for me.
Surprisingly, the most exciting part of this book for me was when Psylocke had tea with her brother, Captain Britain. She spoke her feelings about how X-Force conducted themselves with Apocalypse. She feels like she’s a changing person and she needed to know that someone understood her. Remender delves into Psylocke’s character with great emotional detail. I can tell he has great plans for her. Not to mention the twist with Captain Britain too. What a doozy!
I really cannot complain about Ribic’s work. He’s a very strong artist and takes what Opena did in the last arc and sharpens it up a bit – leaving us with a less gritty attitude. However, I have realized what feels the most different in the artwork – the colouring. Although Matt Wilson does great work, in comparison Dean White in the last arc, I feel as if the colours on the characters are too bright and plain in comparison to the pencils. I only say that with the characters because Wilson does an excellent job on everything else – particularly on landscapes.
It’s another strong issue for X-Force, but admittedly it’s their weakest too. And in accordance to the story, the cover of the book seems to be ahead of itself by about a month.
As a side, see if you can spot the two Star Wars references in Wolverine & Jubilee #3 this week too. An obvious one was mentioning the “Death Star.” You get bonus points for finding the other.
Since the Green Lantern trailer was a big hit, of course the Cowboys & Aliens trailer becomes posted this week as well. Click HERE for the trailer.
I am also thankful for everyone who checked out my blog on Sunday about Body Image in Comics. If you haven’t read it yet, it wouldn’t hurt to click HERE to check it out.
And as for comics this week, I was pleasantly surprised by all my picks. X-Men #5, Avengers #7, Thunderbolts #150 and Osborn #1 all blew me away. Only one blew me away over how bad it was though.
Out of the four, X-Men trailed the weakest due to a lack of everything. Avengers #7 continues Bendis’ and JRJR’s run with a new storyline already seeming better than the prior six issues. I blindly picked up Thunderbolts #150 today as I haven’t followed them with Marvel’s “Heroic Age” franchise. I was awed by how wonderful the story was and where each character stood in the Thunderbolts team. It also featured a re-print of Thunderbolts #1 from 1997. Yes, this book was 96 pages and well-worth the read.
However, my favourite story this week comes from Kelly Sue DeConnick (wife of Matt Fraction), and artist Emma Rios. Osborn #1 is the continuation of Norman Osborn’s jail-time post his Dark Reign.
The story surprisingly features little of Osborn himself, but the events going around him. I will definitely keep this story spoiler-free so you all go out and BUY this book immediately.
Ben Urich uses his fellow Front Line writer Norah Winters to make a story about how Osborn is dealing with life in the Raft.
We are also introduced to a priest who speaks with other high-risk inmates and eerily has a Green Goblin tatoo on the back of his neck.
Also introduced are a senate sub-committee on Human Rights whom discuss what to do with Osborn – since he has not been charged with anything as of yet.
Needless to say, as the story progresses, Winter’s discovers that she cannot write a story about Osborn because he has been transferred. Where? No one knows. Only the committee and priest does.
Where the hell is this story going?!
So please, please, PLEASE pick up this book. It is such a sinister story. No doubt in my mind that it will be an amazing mini-series.
Major praise goes to Ben Oliver for that wonderful and eerie cover page with Osborn staring down at the reader. It creeps me right out.
This story for sure was a let-down. After months of building up a huge battle between both the vampires and the mutants, we literally get maybe four pages of actual fighting. The rest continues from X-Men #4, where speaking through video screens – bickering at each other – is the main source of action.
The reader also learns how Wolverine turned into a vampire and how it is to be cured. All aside, this has been the weakest issue of the new X-Men series, despite it arguably being the most-anticipated one in terms of getting sh!t done. Also, you would figure Wolverine leading a vampires to kill the X-Men would be a lot more exciting. Alas. . .
Although I will give credit to humour – especially when Cyclops accidentally suggests that Emma Frost is “tough skin,” followed by her gloating personality, describing herself as “glamorous” rather than a “form of mine and lump.”
I also cannot knock Paco Medina’s art. Despite the lack of action, the scenery and spreads of the ocean, as well as the short battle were all penciled with great attention to detail. One specific panel where Archangel sheds to his Death appearance – just wow. I highly recommend that you pick up his run of Deadpool Vol 2 in 2008. He definitely is a great artist.
I really hope Gischler really gets this story together – either to make this vampire run conclude with a bang, or set up a new plot for the team.
Also, I’ve updated my “Pull-List” page until the end of January, while also updating my “Who am I?” page too.