Poetry Overlords Mk II

Since my last blog entry, I’ve been stuck exploring the intriguing comparisons between poetry and music. I don’t know why, but I just am! And if you haven’t jumped on the “Follow UncannyDerek on Twitter” bandwagon, you’re missing out. Sort of.

Here’s the TL;DR version from my last blog:

Reading poetry out loud is a lot like performing music.

New Thoughts. Little. Yellow. Different.

Now what?

This next part is going to stir some debate, I’m sure, but try to follow me here.

As a musician, I personally find that with music I could record absolutely anything and put it out to the public. I could guarantee it would be understood and appreciated by people.

Take for examples, Fantômas – Suspended Animation (2005) or Devin Townsend – Devlab (2004). Both albums are ambient noise and rather chaotic to the listener. But I really enjoy both albums. There’s no real “sense” to each album and they’re both dramatically different from one another. For the average listener though, there’s no real construct or sense to them. For the most part, I’d confidently say that many people would dislike those albums.

Breaking down the instruments and themes, sure, one could find the inspiration and technicalities built within the albums. That being said, both albums can be difficult to listen all of the way through.

So, Poetry?

Right! So, this is where things get debate-y.

As I said, with music, it could get published despite how normal or bizarre it sounds (as with my examples found above). There’s an audience for everything in music. But with poetry and literature? I think it’s a bit more complicated than that. Sure there’s an audience for everyone, but. . . well let me explain.

There is a certain “universal standard,” per se, that is set with literature in which I think music is removed from. Due to “rules” in literature, a missing period could make or break a sentence. Paragraphs can’t be scattered too far as it could confuse the reader. The lack of capitalization could misplace titles or nouns. I could go on.

Now hold on a second because I know you’re already beginning to think of counter-arguments to mine. That’s good, because I had them too.

Let me yank out a few popular lines from Gertrude Stein’s Sacred Emily which appeared in Geography and Plays (1922).

Color mahogany.
Color mahogany center.
Rose is a rose is a rose is a rose.
Loveliness extreme.
Extra gaiters.
Loveliness extreme.
Sweetest ice-cream.
Page ages page ages page ages.

So to start: this is a Canadian blog and she spelled “colour” wrong.

Okay, I’m kidding. But we can see – as readers – how some of the lines, when they are read individually, seem like incomplete thoughts. The final line, “Page ages,” is repetitive and has no commas. It looks strange to the reader and requires some attention when performing it out loud. Should “Color mahogany” have a colon to read “Color: mahogany”?

While Stein’s poem can fit under the same category as the Fantômas and Devin Townsend albums posted above, I feel it is much harder to cater to a literary audience than a musical one due to what some could say “universal standards” put in place with reading.

Someone listening to an album can (mostly) understand when they hear guitar, drums, saxophone, trumpets, piano, or vocals.
But when someone reads or performs poetry, grammar and understanding can get lost in translation.

To ALMOST Conclude

I can play a guitar solo – regardless how awful it would be – but people would still understand it as a guitar solo.

I can perform poetry – regardless how chaotic it would be – but people would have a difficult time understanding it.

With these “universal standards” put in place with reading, such as periods needing to come at the end of sentences, I feel many readers and listeners to poetry may just miss the point. As someone who goes to poetry readings, I often get scoffed at when telling people I’m going. Is it because they think poetry is pretentious, or is it because they simply don’t understand it? Would a “universal standard” to poetry help? Is there even a way to create such a thing?

There’s nothing really conclusive here. It’s more meant to stir the pot and flesh out more ideas.

What are your thoughts on the matter?

Comic News Explosion!

There’s been so many little interesting things happening in the comic world that it boggles the mind how one can keep up with it. So here’s some stuff I found to be the most exciting in the past little while:

Uncanny X-Men Returns!

If you haven’t heard me complain about Marvel canceling Uncanny X-Men yet, don’t fret. I was right. They WILL be back – even sooner than expected. But starting at #1.

Am I psychic? No. I just am aware how comics work.

Both Comic Book Resources and ICv2 report (Oh, and Marvel too, I guess), much like the Looney Toons, the X-Men are back in action. And as I said before with too many X-titles on the market – sure enough, another one will hit the stands too. Wolverine & The X-Men. *Sigh*

It just doesn’t stop. And I doubt this has anything to do with the cartoon series.

Uncanny X-Men Back

Leonard Kirk Joins X-Factor!

This is the most exciting part to my news, in my humble opinion. Firstly, my first (or second, I’m still undecided) X-book is getting my local hometown artist on board! Leonard Kirk joins writer Peter David and artist Emanuela Lupacchino for a killer new arc in X-Factor. This is so freaking exciting! You can see some of Kirk’s sketches here on Marvel’s website. His versions of Wolfsbane and Layla are gorgeous.

Black Widow Archie?

Speaking of stuff not stopping, remember when Betty and Veronica from Archie were both Black Widows? I suppose Veronica is Natasha while Betty is Yelena? Does Archie comics even know there is a second Black Widow? Regardless, here are the covers:

Black Widow Betty

Black Widow Veronica

Avengers 1959

If you haven’t been reading The New Avengers, you missed out on some ridiculous retconning as of late. Turns out in 1959, Nick Fury created a band of Avengers before the Avengers ever came to be. What’s even more over-the-top is that the team consists of villains like Sabretooth, Kraven the Hunter and Namora (well she’s turned around now). This five-issue mini series will chronicle the missions the team worked with Fury on.

So not only was the Avengers 1959 story tacked-on to the New Avengers story poorly, but now it’s getting its own mini series. Mind boggling. Writer/artist Howard Chaykin will be taking the helm with the story. You can check it out this October.

“Namor: The First Mutant” Canceled

And to go off of Namora, Namor: The First Mutant has officially been canceled with issue #11. No – it will not be seeing a reboot any time soon, but it shows me that Namor is better off in the X-Men. His stories weren’t bad at all – it was just that Namor has never had a home. When he did with X-Men, he was great. His own spinoff was unfortunately not worth it. However, I’ll never forget how great Namor: The First Mutant #5 was. It definitely places Namor in a completely different light.

You can still read about Marvel’s best anti-hero currently in many X-books, as well as in the Fear Itself: The Deep mini series.

Alpha Flight’s Villain

Announced and only teased to readers today, Alpha Strike will be the main villains in the Alpha Flight maxi series. Is that Wendigo? And who is the mysterious lady in the shadows?

Alpha Strike

Total anarchy!

As a complete side note, I’ve been listening to Devin Townsend’s “Deconstruction” album consistently for two days straight. (It was released Tuesday).

Update: 06/24
Rest in Peace Gene Colan

Legendary comic book artist Gene Colan passed away yesterday at the age of 84 due to complications with hip and liver disease.

Colan is known for co-creating such characters as Ms. Marvel, Captain Marvel, Blade, Super-Adaptoid and Dracula. He’s also known for exceptional runs on Daredevil, Captain America and Doctor Strange. He was recently given an Eisner Award for Best Single Issue with his work in 2009’s Captain American #601.

He shall be missed.

Where Have I Been?

Whoa! Hi! I’m back. Where have I been all this time? I haven’t put my comics in their long-boxes for over a month now! I’m a terrible human being. But aside from what, where have I been?

Aside from reading comics and working, I went to a concert of Devin Townsend on Wednesday (yes, I updated the setlist). Keeping the details short, I met him – he is my idol – I was front row-center – and I walked away with the setlist and his guitar pick. Win! Then I performed a concert on Thursday with my band Superheroes (click to add us to Facebook!), while also spending the past two weeks practicing and recording Superheroes first EP for said show. We managed to sell a few copies yesterday, so thank you to everyone who supported us and came out! We had a blast!

As a side note, despite the name, we do not sing about superheroes. Sure, I may put a few action figures on my amp, but that’s the extent of it.

But what a week of interesting news! Martin Sheen is confirmed to be Uncle Ben in the new Spider-Man movie, while Sally Field is in-talks for Aunt May. Also, Scott Pilgrim comes out on Blu-Ray Tuesday, which I am very excited for. I loved the movie, as well as the books. The books were definitely better, however, the movie was done extremely well. I applaud both versions.

Well, I feel like a bit of a dink, not being able to give full-fledged updates as of late. I had planned on doing a full-blown last-and-this week’s comic review, plus one Classic Comic, but alas, I’ve just been too busy to keep up with it all. But I hope you all at least got a chance to see my Halloween costume as the Red Skull here? I really enjoyed doing it up. Unfortunately, living in the city I was in, no one knew who I was. And get this injustice:
Of course I went to a bar on the Saturday (the 30th) and I saw a guy dressed as Captain America. Going up to him as the Red Skull, he had no idea who I was! Brutal! My other friend dressed up as the Black Cat and ran into a Spider-Man/Spider-Girl couple costume. As she spoke with them, neither knew who she was as the Black Cat!

What sort of injustice is this?! Suddenly it’s cool to be dressed up as a superhero not knowing anything about it? That’s almost as bad as me dressing up as a Power Ranger and not knowing who Zordon was, or as Luke Skywalker and not noticing Darth Vader walking past me. I just think it’s ridiculous. Anyway.

I want to start fresh next week. (Please give me a second chance?!)

If you like, I’ll review my favourite comic of this week! Deal? Okay!
Despite a hefty week of comic collection for me: Chaos War #3, Namor #3, X-Men: To Serve and Protect #1, and Generation Hope #1, the best comic went to Taskmaster #3!

TaskMaster3

Taskmaster is a pretty unknown Marvel villain. I mean, he is popular, but there are more popular ones out there. This is Taskmaster’s second miniseries, but has been around the Marvel U for decades. You may have seen him recently in the Siege series, helping Osborn’s dark reign upon Asgard. Since the defeat of H.A.M.M.E.R., Taskmaster’s whereabouts have been unknown. To make a long story short, various villainous agencies, such as HYDRA, A.I.M., and so on have teamed together under one group called the Org, and are trying to stop Taskmaster from, well, being alive. Only, he doesn’t know why. Here, you should stop reading unless you want to hear ***SPOILERS***.

Well in the story, we find out from Nick Fury, talking to Steve Rogers, that Taskmaster is ex-SHIELD. I know, eh? And the reason why the Org is trying to stop him is because he knows too much. But Taskmaster doesn’t remember – and we find out why in the story (I’ll leave that spoiler for you to read). Regardless, the story develops so much in this third issue that there is so much to talk about!

Firstly, the cover! A Town of Hitlers! Yeah. Read the story. Secondly, the humour is off-the-charts with this book. I mean, it’s coming off as a more serious Deadpool comic to me. We have a wise-cracking villain who is trying to discover his past while the world of villains is being thrown against him. We get to see Taskmaster do some great moves with his powers (which we also find an origin for), while we are also introduced to a new villain named Redshirt. This villain, although very serious, has some of the funniest panels I’ve seen in recent comics.

Writer Fred van Lente is from The Incredible Hercules fame, so his story-telling would naturally have a sense of humour while still making massive plot still seem stable to the Marvel U. Mixed in with Jefte Palo’s art and Jean-Francois Beaulieu’s colours, and you have yourself a great story with fantastic images and a twist – literally – on every page.

Although it has some radical story-telling, Taskmaster has turned to be quite possibly one of my favourite mini-series this year.

Grade: 10/10

As for me folks, I plan on having an article posted sometime next week involving blogs and storytelling. It may not even be comic-related (although highly likely)!

Thanks for hanging in there folks!

Keep on Space Truckin’!