Review: Swamp Thing #7

Can you believe it?! A DC Comic review!

I’m not going to lie, I’ve been reading Swamp-Thing since the New 52 began because I’m a sucker for horror. This is quite possibly one of the best decisions I’ve made. But on to the review, shall we?

Swamp Thing

Swamp Thing #7
Scott Snyder (writer), Yanick Paquette (pencils, inks), Nathan Fairbairn (colours), Travis Lanham (letters), Paquette & Fairbairn (cover). $2.99

It may have taken seven issues, but we finally have our Swamp Thing. However, if you were complaining about not seeing our monster-hero of the Green until now, then I’d have to question if you’ve been reading the same series of Swamp Thing that I have.

Scott Snyder has built this series up without the “hero” being present, yet still drew in readers each month. How? He created a world where a hero was needed by keeping the soon-to-be Swamp Thing – Alec Holland – human. He re-established the story for new readers, while keeping it still interesting enough for older ones to want to come back to read. Building suspense and story along the way, the true horrors of the Rot were what kept everyone coming back. Each issue would end with the reader asking, Where is our hero? Not because Swamp Thing wasn’t there, but because there was no glimmer of hope left for the world.

Issue seven brings Holland with his last breath of air – the Rot has overcome him while the Parliament of Trees die, condemning Holland for not becoming the Swamp Thing sooner. Scott Snyder makes Holland remain human as long as possible not only to make his inevitable change into Swamp Thing that much more important, but to give the fear behind the series that much more power. The assimilation of the Rot, the terror it brings, and the death it creates – all of it boils into the climatic moment where Holland finally accepts his fate.

To sharpen the point, Yanick Paquette completely obliterates any sort of safe feelings with his artwork. An acid trip with trees and fire, Paquette truly adds depth and chaos to the story with his impeccable take on the nature Snyder built. Details are unbarred – the grit, the grain, the green – all building to the single-page awakening of the Swamp Thing puts any panels he’s done prior in this series to shame.

Colours are absorbent with rich shades of greens and stings of orange. The balance of colours for Fairbairn are something to strive for as a colourist. Even with such a limited colour palette, the book glows with emotion and power.

As if they were meant for each other, Snyder, Paquette, and Fairbairn meld their story-telling into something glorious.

And that something glorious, to paraphrase Snyder is: “The monster.”

Grade: 10/10

And just hang in there! This review is posted over at The Blood Theatre! Check it out!

Wednesday’s Reviews: The Incredible Widow Maker

This week wasn’t a big week for comics. Neither will next week. January lull, I assume. Then again, come the 26th, I’ll be overwhelmed with comics. Until then, this week we have Chaos War continuing in The Incredible Hulks #620, while the identity to Ronin is revealed in Widow Maker #3.

Incredible Hulks

The Incredible Hulks #620
Greg Pak (writer), Paul Pelletier (penciler), Danny Miki (inker), Paul Mounts (colours), Simon Bowland (letters), Paz and D’Armata Pagulayan (cover). $3.99

Chaos War crushes on in The Incredible Hulks story. In last issue, the Hulks took on Abomination, Demon Zom, and the Hulk’s father as the Chaos King rises the dead to kill A-Bomb’s ex-wife, Marlo, as she recently gained powers of Death (long story). Fortunately for the Hulk, he has people in life who come back, thanks to Marlo. Doc Samson, Glenn Talbot, as well as his ex-wife Jarella appear to aid in the fight.

Surprisingly, with all of the action happening in this comic, there is a great amount of relationships between every character. Although the primary story is focused between Hulk and his father, little snippets of feelings from A-Bomb and Marlo, to Hulk with Jarella, and Betty with Talbot, all get attention in the story. Albeit minor, the dialogue they share is significant enough to really generate some empathy from the readers. Pak’s balance of characters really shines through. A powerful scene with all of the Hulks lined up against Hulk’s father stands as a powerful statement that Hulk really does have a family now.

Pelletier makes good use of full-page spreads with many scenes of action taking over multiple pages and generating a feel of strength with the Hulks. And I do not mean physical strength. Tied in with Mounts’ excellent mixes of greens and “death” red colours, this book was a surprise hit – tackling a lot in one book.

Grade: 7/10

Widow Maker

Widow Maker #3 of 4
Jim McCann (writer), David Lopez (penciler), Alvaro Lopez (inker), Nathan Fairbairn (colours), Cory Petit (letters), Phil Noto (cover). $3.99

With the first two stories leading a tremendous build up of who Ronin is, this story does not disappoint. Our three heroes, Black Widow, Hawkeye, and Mockingbird, with mercenary Dominic Fortune, finally discover the secret of Ronin. Not only that, our dynamic relationship duo – Hawkeye and Mockingbird – seem to be on good terms again. Near the ending of the book, Ronin’s identity is releaved, and as are his ultimate plans for domination. Leaving the book with our heroes entirely overran with villains, it’ll be interesting to see how the story concludes itself.

Despite the surprise twist with Ronin’s identity, the story ends up falling a bit flat on a few different levels. Firstly, the characters, while all having a history together – never touch upon it. You would figure the first part of the book featuring Hawkeye and Black Widow alone would feature much more interesting dialogue. Dominic’s only place in the book now, it seems, is to be comic relief as he only adds in funny dialogue when there seems to be nothing else to say – which is surprising, considering Hawkeye is supposed to be the funny one. By the end of the book, Ronin also gives away his “ultimate plan” in a stereotypical villain rant which we’ve seen in every cartoon series known to man.

But despite the books short-comings, the Lopez’s and Fairbairn pick up the pieces with nice colours and tons of action. Albeit, there was a few panels which were questionable: Some faces changed in quality depending on the panel, while one particular scene with Black Widow has her suit zipped right up before battle. The very next panel, her suit is zipped down, suggesting cleavage helps fighting gifted ninja girls. Yes, I did say that. But all aside, the art was solid and the story definitely only needed to be four issues long.

Grade: 5/10

Until next time, keep on Space Truckin’!