Wednesday’s Reviews: Result!

On March 24, 2011March 24, 2011 By UncannyDerekIn Comic Blogging, Comic Reviews1 Comment

This was an incredible week for comics – even for Uncanny X-Men, which I’ve picked on a lot recently.

Given my massive pull-list, I’ve decided on doing mini-reviews for a few of the comics released this week. Enjoy!

FF #1
Jonathan Hickman (writer), Steve Epting (pencils, inks, cover), Paul Mounts (colours), Rus Wooton (letters). $3.99

After the death of the Human Torch, the family still goes through their mourning periods – most noticeably with The Thing who blaming himself for Johnny’s death. Reed plays a video of Johnny’s suggesting that in the case of his death, Spider-Man would be the best choice for his replacement. Of course, Spider-Man can’t say no to such an offer.

What intrigues me most about the story is how down-to-earth it has become. The family sits and has dinner together, while Reed’s father adds much-needed flavour to the established characters. Tossing in AIM and the Wizard as villains, I can already see the Future Foundation becoming an excellent series.

Of course, Epting crafts emotions brilliantly throughout the story – making the dinner scene one of my favourite panels this week.

However, I cannot go without saying how rushed I feel with the book. Maybe I’m out of the loop, but it was as if the Future Foundation was already planned-out and assembled between Fantastic Four #588 and now. If this was Marvels “.1” issue, I’d still be lost. My only other little tidbit is the action with AIM seemed a bit out of the blue. Either way you look at it, this is a very promising start for Marvel’s first family.

P.S. You cannot honestly tell me that Sue Storm does not look like Creepy Chan on the cover.

Grade: 7.5/10

Osborn #3 of 5
Kelly Sue DeConnick (writer), Emma Rios (pencils, inks), Jose Villarrubia (colours), Clayton Cowles (letters), Ben Oliver (cover). $3.99

Nothing is more sinister than a great villain book. Kelly Sue rocks the Marvel U with another incredible tale of Norman Osborn incarcerated – but for how much longer?

Mixed between insanity and clarity, Osborn continues his push to escape from prison, now with reporter Norah Winters as a potential ally. Wanting a story on Osborn, Winters listens to Osborn’s arguably mad rantings while rebutting him with some of her own. As calm as ever, Osborn seems to somehow have a grand scheme already planned out, and uses his keen manipulation skills to find his way to an escape pod with his new companions and Winters. But of course, he cannot do so without killing hundreds. This is Norman Osborn, after all.

What I cannot seem to get over is Emma Rios. If Marvel does not give her a contract, I’ll be ridiculously angry. Gorgeous, simply vibrant panels mix moods of chaos and wit together with genuine emotions of strength and cunningness. A truly fantastic visual experience. She nails Osborn right on the head as an insane mess. I seriously cannot get enough of her panels. Jose Villarrubia too, does a great job with the environment only having so-few colours. For an underwater jail, I feel as if I’m looking at a rainbow. What a creative team.

For the love of all that is amazing in the world, read Osborn already!

Grade: 9/10

Uncanny X-Men #534
Matt Fraction & Kieron Gillen (writers), Greg Land & Paul Renaud (pencils), Jay Leisten & Paul Renaud (inks), Justin Ponsor (colours), Joe Caramagna (letters), Greg Land & Justin Ponsor (cover). $3.99

As I said before, Uncanny has picked itself out of a rut with this issue. But maybe I only feel this way because the storyline is finally over. . . Regardless, Emma and Kitty’s story finally concludes with Shaw, while the X-Men put an end to Lobe, and Fantomex is – well, who knows.

The X-Men on Utopia decide to break quarantine to help Storm and gang battle rich science-made mutants. To their advantage with mutants now fighting mutants, everyone gets sick from the X-Men and thanks to Lobe, dying as he tries to destroy what’s left of the X-Men. Fail. Being sick himself, he can has to give the cure to everyone, thus ending the plague – because the sickness was controlled by a remote. Makes sense. On top of it all, the X-Men realize they may file a lawsuit for copyright infringement against Lobe for using the X-Men’s faces on his products. Yeesh!

Unfortunately, I still saw Land doing some things he’s done in the past. I even showed some friends, comparing this recent book to pictures in my blog about Land at an earlier time. HOWEVER, I will say that his work between Shaw & Emma is an incredible change of pace in terms of his art style. The final pages with Shaw were excellent. As for Ponsor, all I will say is yellow backgrounds ftw. That, and the Emma/Kitty scenes were greatly polished with colour. For Uncanny, this has definitely been a step-up.

To top it off, Avengers Academy #1 is reprinted in the issue. Two major books for $3.99? Count me in!

Grade: 6/10

New Mutants #23
Mike Carey (writer), Steve Kurth (pencils), Allen Martinez (inks), Brian Reber (colours), Joe Caramagna (letters), Leinil Yu & Marte Gracia (cover). $2.99

The Age of X continues with another unexpected twist in story. Who knew that Magneto didn’t know that Xavier knew this wasn’t the world they know of? If you had to re-read that sentence because it was mind-boggling, now you know how I felt with New Mutants! So many twists and turns leave me begging for more!

As expected, Rouge, er, Legacy and Gambit were not killed in the last issue, but actually saved by Magneto, despite it seeming to be the other way around. However, to the rest of the mutants, it still looks Magneto’s a murderer. Distrust fills Fortress X and mutants begin to question Magneto’s leadership. Unfortunately for Magneto, after rescuing Xavier from his own prison, he is knocked out of his leadership role, changing the way mutants in the Age of X will live. Meanwhile, Legacy and Gambit uncover the secret to what really is going on.

As mentioned, this story has more twists and turns than a kid putting together a Hot Wheels racetrack. Strong writing and intense scenes put this story ahead of its parent-title by a long shot.

Kurth’s work is good, but nothing out of the ordinary. For example, I loved his panel with Legacy and Gambit with just their lips. It was an unusual panel, but very well rendered. But when I look at Magneto I can’t stop thinking “baby face.” Overall, for a lack of action-book, it feels action-packed. It was on my second read-through did I realize no “fighting” actually took place. I’m also left wondering where Wolverine and “Cyclops” are.

With Age of X nearing its conclusion, it reassures me that Mike Carey needs to be given more major crossover stories.

Grade: 7/10

X-Men #8
Victor Gischler (writer), Chris Bachalo (pencils, colours), Tim Townsend, Wayne Faucher, Jaime Mendoza & Al Vey (inks), Joe Caramagna (letters), Terry & Rachel Dodson (cover). $3.99

Thanks to Gischler & Bachalo, another great issue of X-Men is in my hands. Unlike Spider-Man’s take on this tale in the “Shed” storyline, the villain is a surprise all-together – and one I did not see coming.

Opening up from where we left off – Wolverine is taking out lizard-folk, Bachalo-style. From there, a good portion of the story focuses on the children captured by the new villain. I really start to feel for these characters – which is amazing given their short page-time in the book. The fact that I begin to empathize with minor characters the way Gischler makes me, shows that the creative team in this book really are ahead of the game. And despite the unexpected villain, the book ends on a ridiculous cliffhanger leaving Emma in a whole lot of trouble.

I cannot stress (still) how great Bachalo is with this book. I wish he could draw Wolverine all of the time. Heck, let him colour too. He’s doing an incredible job. Of course, we also get four inkers again this month leaving me to wonder who did what. I wish I could get a feel for inkers the way I can with colourists. It’s frustrating!

X-Men went from a decent first story arc to something incredible in no-time! Not to mention that the Dodson’s rocked the cover.

Grade: 8/10

X-Force #6
Rick Remender (writer), Esad Ribic (pencils, cover), John Lucas (inks), Matt Wilson (colours), Cory Petit (letters). $3.99

I think it’s great when I can say, “this is the worst Uncanny X-Force book to date,” yet the story is still impressive.

Deathlok’s appearance at the end of last issue actually meant he was on Fantomex’s side. Admittedly, I didn’t see that one coming. The rest of X-Force eventually meet up with Fantomex and Deathlok to discover why random cyborgs are trying to kill them. Turns out they’re from the future and superheroes are not allowed to exist! But luckily Fantomex comes up with a great plan to defeat them – to destroy the future in the next issue! Despite all of that, the issue seemed like a miss for me.

Surprisingly, the most exciting part of this book for me was when Psylocke had tea with her brother, Captain Britain. She spoke her feelings about how X-Force conducted themselves with Apocalypse. She feels like she’s a changing person and she needed to know that someone understood her. Remender delves into Psylocke’s character with great emotional detail. I can tell he has great plans for her. Not to mention the twist with Captain Britain too. What a doozy!

I really cannot complain about Ribic’s work. He’s a very strong artist and takes what Opena did in the last arc and sharpens it up a bit – leaving us with a less gritty attitude. However, I have realized what feels the most different in the artwork – the colouring. Although Matt Wilson does great work, in comparison Dean White in the last arc, I feel as if the colours on the characters are too bright and plain in comparison to the pencils. I only say that with the characters because Wilson does an excellent job on everything else – particularly on landscapes.

It’s another strong issue for X-Force, but admittedly it’s their weakest too. And in accordance to the story, the cover of the book seems to be ahead of itself by about a month.

Grade: 6.5/10

As a side, see if you can spot the two Star Wars references in Wolverine & Jubilee #3 this week too. An obvious one was mentioning the “Death Star.” You get bonus points for finding the other.

Until next time, keep on Space Truckin’!

Wednesday’s Reviews: Part 1 – X-Men, X-Men, and X-Men

On February 24, 2011 By UncannyDerekIn Comic Reviews2 Comments

Interestingly enough, I fell ill again. Luckily, I am much better than I was yesterday – well enough to get reviews up this week, too!

But get this: There were so many comics this week, I have to split them up into two different posts! So this post will involve just some X-Men comics that came out. I’ll also be avoiding New Mutants #22 due to the fact that I already am doing another X-review in the next post.

So for now, here is X-Men Legacy, Uncanny X-Men, and just plain ‘ol X-Men.

The next post shall feature X-Men: To Serve and Protect, The Avengers, and the final issue to Fantastic Four, #588.

X-Men Legacy #245
Mike Carey (writer), Clay Mann (pencils), Jay Leisten (inker), Brian Reber (colours), Cory Petit (letters), Leinil Yu & Marte Gracia (cover). $2.99

And so chapter one of the Age of X begins, and boy, do we get some action here. In fact, three quarters of the book is really introducing characters and placing them in context of the story. We see Rogue, or “Legacy” or “Reaper” – depends on who is speaking to her – as an executioner to injured mutants. Cannonball orders Cyclops around. Legion helps forge the shield around the base. Danger runs the jail. . . Well, I guess not everyone is doing something different than their Earth-616 counterpart.

But what where the story really shines is post-battle. Wolverine – powerless – runs the bar. We see Psylocke, Iceman, Colossus, Gambit, and many others chatting about the battle and giving some back story involving how they got to where they are. Some involving the Phoenix destroying Albany, and others involving the Mutant Liberation Front.

Rogue, or Legacy, or Reaper, eventually finds a downed soldier who fought the mutants and turns out to be a mutant herself named “Katherine Pryde.” She is held in the jail by Danger, amongst many other psychic mutants. One being a unconscious Charles Xavier.

Although skeptical with the first issue, slowing seeing things unfold really adds intrigue to the pacing of the story. Not to mention seeing mutants use their powers for other means rather than what we’ve been used too really adds a neat spin on things. The second chapter in New Mutants #22 definitely throws a lot more into the story and changes focus for Rogue to be the main character – as she has been with Carey being the main writer.

Clay Mann’s artwork certainly shone in this issue as a particular scene involving Legion’s “Force Warriors” really wowed me. He perfectly gave them an appearance of hierarchy, but down-to-earth people.

A good first chapter with a bit too much fighting and little story to want readers to hang on. However, once you pick up chapter two in New Mutants #22, you’ll not want to stop reading.

Grade: 6/10

Uncanny X-men #533
Matt Fraction & Kieron Gillen (writers), Greg Land (pencils), Jay Leisten (inker), Justin Ponsor (colours), Joe Caramagna (letters), Greg Land & Justin Ponsor (cover). $3.99

Two major stories continue in the fourth installment of Quarantine. Emma Frost and Kitty Pryde fight Sebastian Shaw, while the X-Men off of Utopia, managed by Angel, try to snuff out the Sublime corporation who is now trying to sell off the X-Gene like a drug to rich people. – Yes, suddenly is “cool” to be a mutant – especially if you’re rich, for some reason.

Meanwhile, Sebastian beats up Emma Frost, making her run away (for a good reason, I’m sure), leaving Fantomex and Kitty Pryde to remain with Shaw.

Regardless, Angel’s X-Men crash the party which leads Sublime to hand out doses of Wolverine and Deadpool to everyone in the audience – leaving the X-Men greatly outnumbered. Cyclops, now aware of Sublime’s intentions, decides it’s time for the X-Men to break quarantine and fight back.

Although finally finding its place for pacing, the story is still a bit jumbled up. For example, the Shaw story could easily have been concluded already and is being stretched out for god-knows-what-reason. Secondly, I cannot figure out why people would want to be mutants. I think Fraction tried to justify it with Sublime’s “X-Men” looking cool saving people – but so what? The story seems forced by this means.

And I’m done talking about Greg Land. I’ve seen all of these faces in the book before. There’s nothing new here with his static characters. One particular panel had me literally laughing out loud. If you accused him of tracing Emma Frost before, then in this panel, he did it with a rabbit.

If it wasn’t for the art, this book would have scored at least a five.

Grade: 3/10

X-Men #8
Victor Gischler (writer), Chris Bachalo (pencils, colours), Tim Townsend, Wayne Faucher, Jaime Mendoza & Al Vey (inkers), Joe Caramagna (letters), Terry & Rachel Dodson (cover). $3.99

Spinning from Spider-Man’s earlier issues for the storyline “Shed,” the X-Men team up with the wallcrawler to figure out why people have gone missing into New York’s sewers. By now, they’ve discovered it involves lizards, but of what design? Spider-Man suggests Kurt Connors’ but no one really has any answers. When a few children go missing, the team figures it has something to do with being loners and losers at school. Discovering their social networking sites, they find the children have one thing in common: they’ve been talking to someone and told to meet up at a certain location. Luckily with Wolverine already out in the field, he goes in to watch one kid get kidnapped by a lizard. Unfortunately he gets beat up and the kid is taken away – for research.

If there is one thing that drives this story, it’s Chris Bachalo. He, hands-down, draws the best Wolverine. The final few pages with Wolverine fighting the lizards is probably some of the best action I’ve seen him in all-year (minus Uncanny X-Force). His exaggeration with Spider-Man’s eyes also draw great attention and sets moods. Bachalo is flawless with his storytelling through art and is great at showing expressions.

Although not much progress is given through this issue from Gischler, the new X-Men series has a lot of promise as it picks up tons of steam – especially with Bachalo at the artistic helm.

Grade: 7/10

Wonderful Wednesdays!

On November 17, 2010November 17, 2010 By UncannyDerekIn Comic ReviewsLeave a comment

Since the Green Lantern trailer was a big hit, of course the Cowboys & Aliens trailer becomes posted this week as well. Click HERE for the trailer.

I am also thankful for everyone who checked out my blog on Sunday about Body Image in Comics. If you haven’t read it yet, it wouldn’t hurt to click HERE to check it out.

And as for comics this week, I was pleasantly surprised by all my picks. X-Men #5, Avengers #7, Thunderbolts #150 and Osborn #1 all blew me away. Only one blew me away over how bad it was though.

Out of the four, X-Men trailed the weakest due to a lack of everything. Avengers #7 continues Bendis’ and JRJR’s run with a new storyline already seeming better than the prior six issues. I blindly picked up Thunderbolts #150 today as I haven’t followed them with Marvel’s “Heroic Age” franchise. I was awed by how wonderful the story was and where each character stood in the Thunderbolts team. It also featured a re-print of Thunderbolts #1 from 1997. Yes, this book was 96 pages and well-worth the read.

Osborn1

Osborn #1

However, my favourite story this week comes from Kelly Sue DeConnick (wife of Matt Fraction), and artist Emma Rios. Osborn #1 is the continuation of Norman Osborn’s jail-time post his Dark Reign.
The story surprisingly features little of Osborn himself, but the events going around him. I will definitely keep this story spoiler-free so you all go out and BUY this book immediately.

Ben Urich uses his fellow Front Line writer Norah Winters to make a story about how Osborn is dealing with life in the Raft.
We are also introduced to a priest who speaks with other high-risk inmates and eerily has a Green Goblin tatoo on the back of his neck.
Also introduced are a senate sub-committee on Human Rights whom discuss what to do with Osborn – since he has not been charged with anything as of yet.
Needless to say, as the story progresses, Winter’s discovers that she cannot write a story about Osborn because he has been transferred. Where? No one knows. Only the committee and priest does.

Where the hell is this story going?!

So please, please, PLEASE pick up this book. It is such a sinister story. No doubt in my mind that it will be an amazing mini-series.

Major praise goes to Ben Oliver for that wonderful and eerie cover page with Osborn staring down at the reader. It creeps me right out.

Grade: Infinity/10

X-Men #5

This story for sure was a let-down. After months of building up a huge battle between both the vampires and the mutants, we literally get maybe four pages of actual fighting. The rest continues from X-Men #4, where speaking through video screens – bickering at each other – is the main source of action.

XMen5

The reader also learns how Wolverine turned into a vampire and how it is to be cured. All aside, this has been the weakest issue of the new X-Men series, despite it arguably being the most-anticipated one in terms of getting sh!t done. Also, you would figure Wolverine leading a vampires to kill the X-Men would be a lot more exciting. Alas. . .

Although I will give credit to humour – especially when Cyclops accidentally suggests that Emma Frost is “tough skin,” followed by her gloating personality, describing herself as “glamorous” rather than a “form of mine and lump.”

I also cannot knock Paco Medina’s art. Despite the lack of action, the scenery and spreads of the ocean, as well as the short battle were all penciled with great attention to detail. One specific panel where Archangel sheds to his Death appearance – just wow. I highly recommend that you pick up his run of Deadpool Vol 2 in 2008. He definitely is a great artist.

I really hope Gischler really gets this story together – either to make this vampire run conclude with a bang, or set up a new plot for the team.

Grade: 4/10

Also, I’ve updated my “Pull-List” page until the end of January, while also updating my “Who am I?” page too.

Expect a Classic Comic for Friday. Or else!

Keep on Space Truckin’!

Hulk, X-Men, and Vampires

On October 14, 2010October 14, 2010 By UncannyDerekIn Comic Reviews2 Comments

Sorry about the delay, folks. Yesterday’s comics were pretty good. Black Cat’s limited series finally concluded (and with a decent plot), while Incredible Hulks rampages on in issue #614 – fighting the Secret Avengers, while X-Men #4 battles on with the vampires. I also picked up Tick’s Edlund Epic #5 and #6, but they are comics from the 80’s reprinted in colour (and may eventually appear in my “classic reviews”), while I also picked up Shadowland #4. Unfortunately, I’m still lacking Shadowland #3, so I refuse to read on until I grab that. Damn lack of second-printing! New Avengers #5 also was released and is shaping up to be a decent story.

So this week we have two great books to go under the knife. Hulks and X-Men.

Incredible Hulks #614 – written by Planet Hulk/World War Hulk great, Greg Pak, featuring art from Barry Kitson. This run has been called the “Dark Son” series, and we’re on part three of six. In a nutshell, Hulk has another son – Skaar’s twin brother who has more of the Old Power than Skaar does. Pretty much, his new son, named Hiro-Kala, wants to destroy the remaining Old Power (so Skaar – and despite him having the Old Power himself – which is addressed in IH #613) so he’s sending his planet, K’ai, towards Earth to destroy it.

Hulks614

If that wasn’t bad enough, the government missiles and weapons aren’t doing any damage to the oncoming assault. The government decides to send up thousands of soldiers to fight it. Cut to Cape Canaveral, and the Hulks are on a rampage destroying tons of military equipment. The Secret Avengers jump in to fight off the Hulks until Black Widow and Beast show up with a gun which could teleport the Hulks into the Negative Zone instantly. So yes, the Hulks surrender and talk to Steve Roger’s about why they were damaging everything.

Hulk tells him that the government would just be sending soldier’s to their death, so they had to destroy all the equipment so people would not go up in space. Plus, it would create jobs for the economy. Really, they mention that.

After deliberation, both Rogers and the President allow the Hulks to go into space – via the Stone Flagship used to bombard Earth during World War Hulk! The final panel, the President is shown saying, “God help us. . . the Hulks are running the show now.”

If you have been reading Hulk, this definitely was a “wow” for me. It was such a great feeling seeing the Stone Flagship rise out of the ground. Of course, the comic made the event seem much more epic than how I described it.

I love Pak’s writing. Ever since he’s been attached to the Hulk, I’ve tried to read everything he’s done. He literally is responsible for turning the Hulk into such a great character – in my eyes. As for story, we really get to see the power of the planet K’ai in this issue and see that it can wipe-out quite a bit. On top of that, we get half the story of the Hulks smashing. Full-spreads of damage, plus Kitson’s take on the Secret Avengers. It’s great to see them in such a different light – literally – than Dedato’s drawings. I find Beast looking a lot more menacing, while Valkyrie and Rogers share a lot of the spotlight. Bright blue colours of the characters against a red skyline for most of the comic contrast very well.

Needless to say, this story was not only fast-paced, we get information about how the world would have reacted against K’ai, plus the intervention of other heroes with the Hulk. Quite frankly, this was a great surprise following two issues of character build-up. The Incredible Hulk’s story, plus a bonus-story at the end between Bruce and Skaar really place the $3.99 price tag at a great value, with a fantastic story.

Grade: 9/10

X-Men #4 is a continuation with the Curse of the Mutants storyline where the X-Men are against vampires. To summarize quickly, the vampires want the X-Men to become vampires so that their race can be the most power ever with mutants on their side. They argue that vampires are like mutants – shunned from society. Since the mutants are now at an all-time low-number, the vampires feel it best to strike now.

Xmen4

And as you can see from this GORGEOUS cover by Adi Granov, yes Wolverine became a vampire and is on their side now. You’re all probably like, “but his healing factor would’ve fought that.” And you’re absolutely right. It’s how Wolverine did not become a Brood, or ever hold a virus for long in his body. Well, from a FanExpo Canada panel back in August, C.B. Cebulski mentioned that it would be explained in the comic. However not in X-Men #3 or #4 where Wolverine is a vampire, so I’m still waiting.

The story, by Victor Gischler, with art by Paco Medina, is mostly Wolverine/Cyclops-focused. There’s a small subplot of Blade and Angel/Archangel searching for vampires and finding them – only to run away immediately, while the rest of the story is done through video intercom. Yup. Never judge a book by its cover.

Wolverine brags how great it is being a vampire and he explains how he feels being one. Dr. Nemesis cannot figure out a cure to vampirism, and Cyclops calls Xarus (lord of the vampires who killed Dracula and became the leader), and tries to persuade Xarus that the X-Men will fight. Xarus brags some more (as it seems vampires do a lot), and shows off both Jubilee and Wolverine both turned into vampires. They both brag how great it is and ask Scott to join. Of course, he refuses and Xarus wants to bring the fight to them.

The only really exciting moment is seeing the final panel of an army of vampires which will be led by Wolverine in the next issue to attack the X-Men.

If my review sounded boring and drab to you, that’s how the comic was too. I apologize for it. I’m sure Gischler would not. What I cannot knock is Medina’s art. Great use of panels shows us the action split between words. For example, Cyclops describes fighting vampires on one page. Within said page, we get three different panels of action in different parts of the city, featuring Colossus, Pixie, Rogue, Storm, Psylocke and Gambit. All of that is broken up by Cyclops’ sentences. It’s done extremely well, and each page tells its own story. Angel and Blade’s stumbling upon a vampire lair also spreads a full page of them pretty much overwhelmed by vampires. Pages like those, with beautiful dark colours by Marte Gracia, give this Curse of the Mutants plot a grim feeling.

However, given a lot of action is done in dialogue buffed up between two egos, it really dwindles the story. It’s like watching school children say, “I’m better because of this,” “Oh yeah? Well I’m better!” Only somehow this involves the leaders of X-Men and vampires. What a battle!

Grade: 6/10

In other news, the Spider-Man movie villain has been discovered as the Lizard, played by Rhys Ifans. Also, congratulations goes out to Christopher Hastings, and Anthony Clark, writer, drawer, and colourist to the web comic Dr. McNinja. Their recent Volume 4 has been picked up by Darkhorse Comics! Once again, this goes to show you that persistence in the art universe is key!

We’ll see what tomorrow will bring with my classic comics! Until then!

Keep on Space Truckin’.