Wednesday’s Reviews: Uncanny X-Force, Generation Hope, Wolverine, Jubilee and “I Told Ya So!”

Now that I’m feeling 90% better, I can refocus on reviews again.

But first, I want to say how excited I am for an upcoming Marvel maxi-event. As I suggested in an earlier post, Alpha Flight would be back. Turns out I was right! What’s even better is that the Chaos War duo, Greg Pak and Fred Van Lente, are at the helm of this eight-issue series. Given the two are some of Marvel’s best writers, I am beyond excited to see how this series turns out. I clearly have foresight. Watch out during election time.

But on to the reviews!

Uncanny X-Force

Uncanny X-Force #5
Rick Remender (writer), Esad Ribic (pencils, cover), John Lucas (inker), Matt Wilson (colours), Cory Petit (letters). $3.99

Just when the triumphant ending of the last-issue could not make Uncanny X-Force any better of a comic, Remender continues his brilliant run with a brand-new arc featuring Fantomex. (And arguably, given the last issue, anyone could’ve seen this coming – and it’s awesome). In a nutshell, the X-Force team are trying to gather themselves post last issues events. The team gathers without Fantomex in Warren’s bunker to find out that Deadpool has called a meeting to discover Deadpool actually has feelings – and remorseful ones at that! Already Deadpool has been seen as an entirely different character in X-Force with hardly any humour coming from him at all. It’s also great when Wolverine recognizes that he’s being “pulled in all directions” when he complains he doesn’t have much time for meetings.

Meanwhile, early in the story, we learn Fantomex is growing a world. However, due to last issue’s events, he visits his “mother” in the French Alps when he is suddenly attacked by a cyborg Cyclops, Captain America, Elektra, and a few others! Barely escaping with EVA, they crash land only to be found by a particular cyborg who invokes “death.”

As previously stated, Remender’s run with Uncanny X-Force has been great so far. Necessary characterization push the stories boundaries to places where other writers seem to miss. However, I really want to speak about the art in this book – which really has carried the stories. Changing artists, Esad Ribic takes the helm of X-Force and really slams this comic home. One thing I usually dislike about changing artists is how the styles change so drastically between books. Ribic’s artwork, while on its own level, still echoes that of Jerome Opena’s, making the book have a great art transition. Then, of course, John Lucas and Matt Wilson take over with inks and colours which add incredible depths to the many different locations they have to work with. From winter, to underground, to a burning building with a cyborg-Thing being lit by fire – the duo accent Ribic’s art flawlessly, taking the grey-white tones from the previous arc on to a different level.

Why are you still reading this? Read or re-read Uncanny X-Force!

Grade: 8/10

Generation Hope

Generation Hope #4
Kieron Gillen (writer), Salvador Espin & Scott Koblish (pencils, inks), Frank Martin (colours), Dave Sharpe (letters), Olivier Coipel & Chris Sotomayor (cover). $2.99

One may ask why I continuously review this book after the hell I’ve put it through. Well, it’s because of issues like this – where it defies everything I’ve said in the past and pushes forward with an excellent story. That’s right: Generation Hope #4 has an excellent story and brilliant artwork. And you know what? It could’ve have happened without the past three-issues.

Generation Hope #4 really excels at storytelling as there is very little action to drown in. The Five Lights make it to Utopia unscathed, but all are shocked about the events which transpired in Tokyo. Remorse and excitement fills the new mutants as they try to figure out their own paths. After landing, Wolverine and Theo get the scuffle they wished to have in prior issues, while the rest settle in. Kenji – the villain in the first three issues – is brought before Scott and Emma to decide his fate. After revealing his sorrow and Emma finding out that the Tokyo incident was truly and accident, they accept Kenji into the island. Meanwhile, Dr. Nemesis puts the other Four Lights in tests to figure out their powers and limitations. Teon becomes like a protective dog to Hope, Hope kisses Gabriel, and Kenji becomes unsure with the future.

Definitely taking a change of pace, the storyline revolves around how the Five Lights interact with one another. No longer are they showing off their powers as so much they are trying to find themselves. In doing so, we get to see how they are as people, rather than weapons. I’d also have to give credit to both artists and colourists for making this the prettiest book I’ve seen from Generation Hope. Mixing Western art with anime in particular panels literally put a smile on my face – particularly one with Gabriel and Dr. Nemesis.

I’m already set for the next issue as this one – despite the lack of action – has me pumped for more.

Grade: 7/10

Wolverine and Jubilee

Wolverine and Jubilee #2
Kathryn Immonen (writer), Phil Noto (pencils, inks, colours), Nathan Fairbairn & John Raunch (colours), Clayton Cowles (letters), Nimit Malavia (cover). $2.99

The Curse of the Mutants Aftermath continues as Jubilee was last seen in a shipping container with tons of dead bodies. Fortunately with Wolverine being at her side, he took her to Siberia – where the shipping container originated from. (Yes, the book just starts there.) Turns out, Wolverine recognized the shipping serial code and wants to believe Jubilee is innocent for the killings. He just can’t trust her yet. Due to Siberia’s constant overcast, Jubilee can go outside unharmed. Convenient!

Wolverine decides to take Jubilee out to fight her – for some “tough love,” and the two later settle in for the night at their hotel. The two are approached by the hotel’s owner and are told about how people and animals in the town are disappearing and the undead are walking. The two go to check out the area and Jubilee ends up fighting off a horde of zombie-esque creatures. Back at the hotel, Wolverine is then awoken to Jubilee kneeling at the door with the mysterious woman from the first issue grabbing on to her.

I want to love this issue, but I can’t due to the lack of intrigue. While I enjoy the Wolverine/Jubilee dynamics, I don’t really have a grasp to what is happening in Siberia until the last few pages. To top it off, the final page cliffhanger really was not so much of a shock as I don’t know who this woman is, nor do I necessarily care. I know she’s responsible for the massacre in the container, but I’m just not attached to the threat as of yet.

What saves the book is Noto’s great pencils. Seeing Jubilee in her X-uniform was very nostalgic for me and Noto’s great use of her costume when battling Wolverine certainly shone. I also have to comment on his work on faces as the large diversity in expressions gave a lot of character to the two as they are really the only ones in the book. The doom-and-gloom of Siberia’s landscape with colours and inks definitely held strong throughout the story. Days felt like nights with the longing forecast disallowing any positive moods to come from the town.

With a promising first issue and decent second one, Wolverine and Jubilee still have a lot of story to tell in two more issues.

Grade: 6/10

As for favourite covers, this week’s favourite totally goes to Carlo Pagulayan for Silver Surfer #1.

Silver Surfer

Until next time, keep on Space Truckin’!

Wednesday’s Reviews

I really hope everyone had a great holiday and New Years!

As for what’s new here, there will be a bit of a format change for how reviews will be done – meaning, how I review them will shorten up. By doing so, I’ll focus on key points on the book, but also do more reviews in a posting. It’s win-win, in my eyes.

Childrens Crusade

Avengers: The Children’s Crusade #4 of 9
Allan Heinberg (writer), Jim Cheung (penciler), Mike Morales & Jim Cheung (inker), Justin Ponsor (colours), Cory Petit (letters), Jim Cheung & Justin Ponsor (cover). $3.99

The continuing saga of the Children’s Crusade moves forward as the hunt for the Scarlet Witch – somewhat – comes to a conclusion. Wiccan finds Wanda to discover that she does not remember anything about her past or who she was. Oh, and that she’s going to marry Dr. Doom the next day. With the both the Avengers and Young Avengers storming Latveria, an all-scale assault begins to bring Wanda Home.

Allan Heinberg is constantly kicking all other mini-stories butt with this title. Rich developments still come from each character, despite the massive cast in this story, brings this title to stand above all other Avenger’s titles. Tossing in Jim Cheung, Mark Marales, and Justin Ponsor as artist, inker, and colourist, multiple page spreads of action and wonder of Latveria generates a jaw-dropping gaze on each page. I’m still saddened that this is just a limited series, and is only out bi-monthly. Easily the best pick of the week.

Grade: 9/10

Avengers Prime

Avengers Prime #5 of 5
Brian Michael Bendis (writer), Alan Davis (penciler), Mark Farmer (inker) Javier Rodriguez (colours), Chris Eliopoulos (letters & production), Davis, Farmer & Rodriguez (cover). $3.99

The conclusion to the post-Siege Avengers mini comes to an end! The big three, Steve Rogers, Iron Man and Thor are trapped in a different dimension due to Hela and her Twilight Sword. After the multiple issues of build-up, the final battle begins with the big three, the Enchantress, and their army, versus Hela’s demon army. Unfortunately, despite its bi-monthly release schedule, no exciting conclusions were found by the end of the book – leaving the reader to ask, “why did this take so long to finish?”

Despite a great start to the series, the story began to dwindle down with real means of characterization. The first issue dealt with how the big three felt about each other and Siege – but all seemed forgotten until the final pages of the last book – making the story seem tacked on by the end. Davis’ brilliant spreads however, picked the book up from a “forget about it” to a “not that bad,” status. With Rodriguez’s bright, majestic colours on each page, the book literally shone with each turn of the page. Unfortunately, the conclusion of this book made the story not worth the wait as the story is arguably forgettable.

Grade: 6/10

Generation Hope

Generation Hope #3
Kieron Gillen (writer), Salvador Espin & Scott Koblish (penciler), Jim Charalampidis (colours), VC’s Clayton Cowles (letters), Olivier Coipel, Mark Morales & Chris Sotomayor (cover). $2.99

Hope and her new mutants (not to be confused with New Mutants – capitalization is important here, people!), are in Tokyo with Cyclops, Wolverine and Rogue, battling a massive beast-mutant which is hell-bent on destroying everything for his “art.” (Yup). After a few different attack approaches, Hope comes up with a new plan to finally take the monster down and uses it to prove her “messiah” title to Cyclops.

Generation Hope has yet to really jump out at me. I mean, when I finished the book, I flipped to the cover to made sure I only spent $2.99 for it, because I do not feel like this is really happening. The book is too fast-paced with so little dialogue that I do not feel involved with these characters at all. I know Gillen can do better than this, and I’m waiting for him to show it. As for the art, individual characters really shine through. Hope versus the beast, for example, has some really great spreads of the two against each other. But that is really where the focus is. The backgrounds disappear in particular panels, while one panel with Cyclops’ visor suggests that he has eyes on his forehead. Rogue also looks like an anime high-schooler, but hey – to each their own.

Grade: 4/10

Until next time, keep on Space Truckin’!

For Now. . .

Hey folks!

I have to apologize for holding off on the Wednesday Reviews and Classic Comic Friday feature this week because I’ve been busy putting my writing skills to other uses.

I have vacation time coming up next week, where I am killing my router and working on, well, work. I love to write, and I have spent too much time not writing on what I want to accomplish. Given I never really take holidays from work, this is absolutely rare and valuable time for me. I will be taking the next week off from both my real job and this blog. I will be hopefully finishing a story I’ve been working on this past year. Of course, I will make it known to the world about my progress made on my week back, plus a new feature, and probably some other mumbo-jumbo I can come up with. I have been writing a lot this past week, getting ahead of myself for my upcoming vacation, so unfortunately, I’ve lacked entirely on this blog. Forgiveness, please!

DoomWar

But I can still touch upon a bit of what I read from this week – just not as full-blown and in-depth as my reviews in the past have been. From my pull-list, this week had conclusions to two major storylines – those both being Shadowland and Taskmaster. I also picked up Generation Hope #2, and randomly, Chaos War: God Squad (one-shot).

Aside from Taskmaster, the other three were quite lackluster. Most notably, Generation Hope. Taskmaster is probably one of the best mini’s I’ve read in years and it changes the Marvel U’s view on Taskmaster ENTIRELY. By the end, you’ll either be crying, or feeling sadness towards Taskmaster. Mr. Van Lente wrote an incredible story for this character, and I’m sad to see it end.

Generation Hope is dwindling down to nothing. I mean, Cyclops character is not consistent to how he’s been in the past few years. He seems very nervous, always. Hope, on the other hand, is trying to be the hero of the team, but her constant fumbles in the story really makes her weak – especially being the title character. Although Kieron Gillen is joining Uncanny shortly and hopefully giving it a breath of fresh air, I really hope Fraction keeps him in check.

Chaos War: God Squad was an interesting take on the heroes during Chaos War. If you haven’t read DoomWar recently, you probably should just to get a feel of who the Wakanda spirit is and understand how she plays out in the story. Although there was not much progress made in this one-shot, it still brought a bunch of characters together to tell an interesting story. It was a good divide from the constant panic within the parent story.

And with the conclusion of Shadowland, Marvel pretty much just hit the reset button on Daredevil. That’s okay, though! It was doine pretty tastefully, but in all honesty, it somewhat made Shadowland a bit unnecessary. I mean, it did not affect the rest of the Marvel U at all, aside from the Daredevil title. Arguably, it did sell-out every issue, going into multiple reprints, but as for other mini’s this year, such as Siege or Second Coming, Shadowland was very lackluster after the first issue. *Spoiler* Although I’m glad Bullseye did NOT come back. Thank god.

So until next week, I shall be back with some reviews, features, and maybe some neat snippets from what I’ve been working on. Who knows!

Until then, keep on Space Truckin’!

What a Wednesday!

This week was an extraordinary week for comics. Especially for me, given most of them were X-related titles.

X-Force, Uncanny X-Men, X-Men Legacy, New Mutants, and Chaos War: Alpha Flight were all on the docket for comics this week. One really screwed up with consistencies in the story, while the other one really disappointed me with art direction.

Unfortunately, they are the two major X-titles: Uncanny and Legacy.

X-Force #2

But first, let me say that X-Force has the best art and nostalgia for any comic I’ve read in a while. There was a particular scene with Archangel and Wolverine going through a secret base of Warren’s. The base is considered the hideout for X-Force, but also a back-up base in case Utopia was ever to fall.
The insides are what counts. Great halls show old pictures of the various X-teams over the decades, plus a room with old costumes, such as Havok’s 60’s-80’s attire, Sunfire’s original helmet, and enemies as statues, such as an eerily stuffed Brood warrior. Essentially, Warren built an X-Museum. It looks glorious. Art with Jerome Opena – win!

But on to the reviews. Both stories were not too bad, it is that I am at my breaking point for comic art and the various cross-over issues. Uncanny X-Men #530 was a comic book with porno. Greg Land’s art is by far, getting to be too much. He is a great artist, and I respect that. However, he has no respect for the characters as it is clearly official that every X-character can produce an O-face at will. The book was physically demeaning to practically every female X-character, while Cyclops and Angel look like they’re ripped out of a cover for a romance novel.

Legacy failed with consistency in story for me. Firstly, did Mr. Mike Carey not get the memo that Magneto has left Utopia? I understand that the previous plot had Magneto in it, and I gave it some grace in terms of letting it catch up with the rest of the stories. But now we’ve started anew again, and Magento’s still here. Then the same day when I pick up Uncanny, Anole is suffering with a massive disease and the flu, yet in Legacy, he’s playing baseball. Doesn’t Colossus want to know where Kitty is? I mean, in Uncanny, she’s off with Frost – but then again, there’s also a flu outbreak. It really cannot connect well, and it’s becoming frustrating.

I, of course, have not even decided to discuss the Generation Hope/X-Men/Vampire storyline at all because I’d be in a real mess then.

Uncanny X-Men #530

Uncanny X-Men #530

But for storyline in each – individually, they do some things very well. Uncanny’s run with Fraction, I believe, needs a breath of fresh air. I know Kieron Gillen is joining the bandwagon, so let’s hope we get some boot-up there. Uncanny’s story with the Sublime Corp creating the original X-Men lineup with test subjects seems very interesting to me. I mean, sure, it could easily be Mimic again, but mixing a “new” mutant team with the X-Men stranded on Utopia definitely leaves a great opening for new possibilities. On top of that, only a few mutants are left outside of Utopia – refused back in due to the sudden pandemic which is affected a lot of mutants. Even Wolverine somehow has caught it.

The X-Men outside of Utopia consist of Angel, Dazzler, Storm, Pixie and a few others – making it a different team with characters who have not necessarily been explored in a long-while. As for figuring out what the Sublime X-team will do to the outsider X-Men – it’ll be an interesting plot.

Unfortunately for Land’s art, I found it detracted a lot of the story. Most particular in the first few pages with Emma completely posing like she is in Playboy, with random angles from behind of just her butt. I find the art great, but also unacceptable. For shame, Land.

Grade: 5/10

X-Men Legacy #242

Here, Mike Carey shows the readers what the X-Men can do to help San Fransisco post-Second Coming. The city is damaged, so Cyclops sends the X-Men to help. Of all mutants, Random is included (which in itself is random). It’ll be interesting to see what he will play in the upcoming arc. Included are also Rogue, Danger, Magneto, Colossus, Psylocke, and the others listed below.

X-Men Legacy #242

In the story Hellion has new hands, and went with the group to help rebuild. However, he is upset with Hope as he feels like he lost his hands for nothing. I find his pain completely understandable, while also feeling his frustration. Yes, Carey has made me feel for Hellion. We’ll see how far that goes.

Another body to help was Omega Sentinel/Karima Shapandar – who is mainly the plot point of the story. Without ruining too much, just remember she was turned into a Omega Sentinel by Bastion during Operation: Zero Tolerance. Also keep in mind that Bastion was the reason for Second Coming and tried to kill Hope Summers.

Oh, and Hope Summers went along to help the city, too.

Epic.

As for art, Paul Davidson both penciled and inked the story, which I always find commendable for any artist to do. No longer are Rogue’s breasts a focal point in Legacy, and the art has been toned-down to normal levels. I do have some complaints with faces, as Hope seems to be a different girl in almost every panel. The final page shows Karima in action with zero expression. Whether intentional or not, I found it dry.

However, I love it when comics try and tackle issues which are usually ignored after a massive battle. And also one that isn’t Damage Control. Add in a BRILLIANT cover by Leinil Yu, and you’re set for a new arc.

Grade: 7/10

Also, check out at Weekly Comic Book Review, Roman Colombo’s reviews of the Messiah series, or what he would like to call, “Messianic X Cycle.” (Just go with it). The reviews are greatly in-depth, and I share a lot of the same views with him. So go over and check them out:
Messiah CompleX, Messiah War, and Second Coming.

Until next time, keep on Space Truckin’!