Wednesday’s Reviews – Back in Action

Well I’ve been away for awhile. Sometime life throws you some curve balls. In my case, it was working a lot and a humidex ruining my will to stay awake. I also must apologize for the lack of Classic Comic Friday’s this month. It simply can not happen with how hectic everything has been both with work and me getting my new computer actually running. HOWEVER, I definitely will be doing some reviews this week and later on this month, tackling the whole, “Superman’s not American Anymore” topic. I may be a bit late to the game in talking about it, but I do have a reason for it. I will give my explanation to why in time.

Also, UncannyDerek.com is on Facebook! Click on the loveable blue “F” on the right of the screen to join the group. In a nutshell, it’s the easiest way to get updates.

But for now:

Iron Age Alpha

Iron Age Alpha #1 (one-shot)
Rob Williams (writer), Rebekah Isaacs (pencils, inks), Andres Mossa (colours), Jared K. Fletcher (letters), Ariel Olivetti (cover). $2.99

This was a story I was dreading since its announcement: The return of Phoenix – in an IRON MAN book? Was this current continuity or some sort of Ultimate universe? Well it’s current continuity, and surprisingly, it is not what I had expected at all.

Iron Man gets kidnapped by a old disgruntled employee, the Phantom! (Yes, even I had to do research to find out who this guy was). Talk about pulling back from Iron Man’s past. Anyway, his plans are to have Iron Man watch the Phantom kill himself and the world. The plan involves one of Dr. Doom’s old time machines pulling the Dark Phoenix out of the 70’s to destroy everything we know. Conceivably, it’s a great plan. It even works! But Stark jumps into time machine before the world is destroyed and is now stuck in the past. What is a boy to do?

Fortunately for us readers, we can see how this story can easily be retconned making it an irrelevant story in the long run, and possibly just a ploy to bring the Phantom back into the Marvel mainstream. Maybe I’m wrong. What I do know is the story is definitely not trying to bring Dark Phoenix back into the Marvel continuity. It just feels wrong with the way she enters and exits the story with so little emphasis. I digress.

What is a fair decent coupe-de-grace is Isaac’s artwork. It’s nothing ground breaking by any standards, but many excellent panels lift the book above what the rest of the story gives. All scenes with Phoenix and the final page really shows her versatility as an artist – complimenting two art styles and setting them in one book. It’s a lot of tough work, so she deserves her kudos.

Although the start was interesting, I feel like I already know how this story will end. Dark Phoenix is already out of the game and seemed really like only a marketing strategy to get readers like myself on board. It worked, Marvel. But good try. I’m already done with the Iron Age.

Grade: 5/10

X-Men Legacy

X-Men Legacy #250
Mike Carey (writer), Khoi Pham & Steve Kurth (pencils), Tom Palmer & Jay Leisten (inks), Marte Gracia & Brian Reber (colours), Cory Petit (letters), Mico Suayan & Marte Gracia (cover). $4.99

A super-sized 250th issue of X-Men gives us three stories in one giant tome. Two of the stories are written by Carey, while a reprint of New Mutants #27 by Claremont’s and Sienkiewicz appears as the third story.

Carey’s first story continues the dilemma after the Age of X. However, unlike the Age of X, this story makes sense (Cyclops even agrees with me). As the Age of X concluded, mutants long-gone (ie. Chamber) were brought back into the real world. Naturally, five of Legion’s personalities would also escape – and it’s up to a unlikely band of mutants to stop them: Legion, Xavier, Magneto, Rogue, Gambit and. . . Frenzy? If you told me about this lineup a year ago, I would’ve laughed. But Carey has been able to reshape X-Men Legacy so naturally that it feels completely natural.

For the second story, we finally get to see what Rachel, Havok, Polaris & friends are up to – and it’s not pretty. Cleverly using Rogue’s powers and the Age of X storyline, Carey makes a way to retrace where our favourite lost-in-space mutants have been. Admittedly, I’ve been confused to how the Age of X tied in with Rachel’s reappearance a few issues back, but now it is blatantly clear. I’m most excited with this storyline, as I loved the War/Realm of Kings stories.

What comes as a shocker is Khoi Pham. I absolutely love his art. Yet for his work in the first story, I’m floored to how rushed it feels. Faces seem quickly thrown together, and for the most part – emotionless. A particular panel with Frenzy yelling at Xavier makes her look sleepy rather than angry. It became rather hard not to laugh with the serious emphasis on her words and watching her face non-reacting. Kurth has always been hit and miss for me. For the most part, he draws great faces and proportions right (at least in this story). His work on Rachel was fantastic and riddled with me empathizing for the character. Rogue on the other hand, comes off rather mannish in more than one panel while some characters, like Dr. Nemesis, seem unusually stiff. Comparing the two art forms, I preferred Kurth’s paired with Reber’s colours over Pham’s and Gracia’s.

What I’m worried about is how the two plots will be balanced. If Bendis’ work on New Avengers and Fractions run on Uncanny X-Men tell me anything, writers are having a tough time running two-or-more stories in one arc. Even Carey in the Age of X became lost with the Rogue/Gambit, Magneto/Force Warriors, Legion/Moira, and Wolverine/Cyclops/Cannonball plots all trying to intertwine.

But with X-Men Legacy #250, it feels very promising. Let’s hope it gets executed well.

Grade: 6/10

Also, if you haven’t read it yet, pick up Uncanny X-Force #10 and #11. It’s currently starring in the Age of Apocalypse, folks!

As for my computer, it’s finally completed. I called it “The Hulk” because it’s a monster and a powerhouse. Oh, and it’s green.

Computer 1

Computer 2

Computer 3

Computer 4

Until next time, keep on Space Truckin’!

Wednesday’s Reviews: Avengers & X-Force

It has been a while since I last did a review, let alone many reviews. I’ve been unbelievably busy, so I have had this on the back burner. Despite the lack of updates, traffic on my site has still been exceptional.

I really have to give a big thank you to my readers for making me want to update this more often. Without you, this site would have no meaning. (Did I just discover the reason for life, itself?)

I definitely have two major updates these next few days. The first is reviews, as you can probably tell from this title. The second will be a discussion about a recent movie I watched: Superman & Batman: Apocalypse. But more on that later.

P.S.: Two weeks of back-to-back Uncanny X-Force is mind-blowing.

Avengers

Avengers #12
Brian Michael Bendis (writer), John Romita Jr. (pencils, cover), Klaus Janson (inks, cover), Dean White (colours, cover), Cory Petit (letters). $3.99

Indeed, Iron Man wields the Infinity Gauntlet with the final chapter of the Avengers versus Parker Robbins story. With the last issue leaving us at a complete jaw-dropping standstill between Robbins and Thanos, who knew what would come next?

A very delicate, yet powerful conversation between the titan of death and Robbins stirs up a whirlwind of excitement for the reader. What will Thanos do to Robbins? More importantly, what will Robbins do to Thanos? All of it leads up to a climatic battle and a rekindling friendship all in this issue.

When the Avengers get tied into the mix and Red Hulk has a Power gem, you know there is hell to pay. It all leads to a vengeful slug-fest between Robbins and Hulk, with Robbins finally using the Reality gem to show how ridiculously powerful these Infinity gems are.

Brilliant pacing throughout the story makes each page another excitement to turn. I would argue this is Romita’s best work in Avengers so far, with very few issues on character feeling too stiff. The battle between Red Hulk and Robbins is truly a wonder to see, as a great panel-by-panel fight features art in the background of old Marvel events long-gone due to the Reality gems magic. Oddly enough, the events were actually ripped out from the original works and Romita simply placed the Rulk/Robbins fight over top of them. With two very contrasting styles of art, it literaly makes the panels pop-out at you. This too is because of White’s dynamics of red and brown tones over the gray-scales.

With very few problems in this issue, I am floored by how great this arc concluded. And most importantly, by the end of this issue, the reader will get yet another Marvel U shattering ordeal that only Bendis could effectively pull-off.

Sure, I could nick off marks for suddenly leaving the Watcher out of the story. I could also nick off marks for seeing yet another page like this. But they are minuscule in the grand scheme of how powerful of an issue Avengers #12 was.

Grade: 7/10

Uncanny X-Force

Uncanny X-Force #8
Rick Remender (writer), Billy Tan (pencils, inks), Dean White (colours), Cory Petit (letters), Esad Ribic (cover). $3.99

The team goes to rescue a captive Deadpool, while Psylocke battles the Shadow King in yet another explosive issue of Uncanny X-Force. Oh, and Archangel’s about to burst.

Right off the bat, the reader is dropped into a plot where Deadpool’s on a reconnaissance mission, while Psylocke is helping Warren deal with the Death persona. Fantomex also shows Deathlok around the base, making me wonder if he will be a permanent part of the team. (Eee!) Lots happen within the short timespan of this book, yet all is paced so ridiculously well, that you know this is a Remender book.

Needless to say, if you’re a Psylocke fan you’re in for a huge treat. This is her book. After Deadpool fails to check in with X-Force, the team goes to find him. Upon arrival, most of X-Force becomes mind-controlled (minus Fantomex due to his neural implants) – leaving Psylocke the only one able to fight up against their foe – the Shadow King.

If it’s not good enough that this story is primarily about Psylocke, we’re also given huge depth with Warren about his Death personality. In so-few pages, Remender intertwines all of the subplots in one grand scheme with an absolute flawless script.

By no-means is Wolverine or Deadpool the main-characters of these stories. This book is a Psylocke/Archangel/Fantomex story guest-starring everyone else.

Tan’s art is nothing less than incredible. A particular panel with Archangel screaming shows his anger and near-insanity. Don’t even get me started on how beautiful Psylocke is drawn in her old costume.

Dean White was on double-duty this month doing both Avengers #12 and this issue. While you can see similarities with both books for colours, he definitely has a knack for not over-doing things, yet still placing emphasis where needed. I definitely prefer his colouring style with Tan’s art. Actually, it would have been great with Ribic’s and Opena’s too. Of course he did a great job in The Avengers too with Romita.

A few weeks ago, Uncanny X-Force released a .1 issue and it stood out as a great one-shot. The idea of the .1 issues were to get new readers on board.

Uncanny X-Force #8 arguably repeats the same process while still continuing the main storyline. I think I’ve said this at the end of every Uncanny X-Force review, but it needs to be said again.

If you haven’t started reading Uncanny X-Force, START!

And doesn’t Esad Ribic deserve a “best cover” award? Look at those colours! Wonderful!

Grade: 9/10

Until next time, keep on Space Truckin’!

Wednesday’s Reviews

I really hope everyone had a great holiday and New Years!

As for what’s new here, there will be a bit of a format change for how reviews will be done – meaning, how I review them will shorten up. By doing so, I’ll focus on key points on the book, but also do more reviews in a posting. It’s win-win, in my eyes.

Childrens Crusade

Avengers: The Children’s Crusade #4 of 9
Allan Heinberg (writer), Jim Cheung (penciler), Mike Morales & Jim Cheung (inker), Justin Ponsor (colours), Cory Petit (letters), Jim Cheung & Justin Ponsor (cover). $3.99

The continuing saga of the Children’s Crusade moves forward as the hunt for the Scarlet Witch – somewhat – comes to a conclusion. Wiccan finds Wanda to discover that she does not remember anything about her past or who she was. Oh, and that she’s going to marry Dr. Doom the next day. With the both the Avengers and Young Avengers storming Latveria, an all-scale assault begins to bring Wanda Home.

Allan Heinberg is constantly kicking all other mini-stories butt with this title. Rich developments still come from each character, despite the massive cast in this story, brings this title to stand above all other Avenger’s titles. Tossing in Jim Cheung, Mark Marales, and Justin Ponsor as artist, inker, and colourist, multiple page spreads of action and wonder of Latveria generates a jaw-dropping gaze on each page. I’m still saddened that this is just a limited series, and is only out bi-monthly. Easily the best pick of the week.

Grade: 9/10

Avengers Prime

Avengers Prime #5 of 5
Brian Michael Bendis (writer), Alan Davis (penciler), Mark Farmer (inker) Javier Rodriguez (colours), Chris Eliopoulos (letters & production), Davis, Farmer & Rodriguez (cover). $3.99

The conclusion to the post-Siege Avengers mini comes to an end! The big three, Steve Rogers, Iron Man and Thor are trapped in a different dimension due to Hela and her Twilight Sword. After the multiple issues of build-up, the final battle begins with the big three, the Enchantress, and their army, versus Hela’s demon army. Unfortunately, despite its bi-monthly release schedule, no exciting conclusions were found by the end of the book – leaving the reader to ask, “why did this take so long to finish?”

Despite a great start to the series, the story began to dwindle down with real means of characterization. The first issue dealt with how the big three felt about each other and Siege – but all seemed forgotten until the final pages of the last book – making the story seem tacked on by the end. Davis’ brilliant spreads however, picked the book up from a “forget about it” to a “not that bad,” status. With Rodriguez’s bright, majestic colours on each page, the book literally shone with each turn of the page. Unfortunately, the conclusion of this book made the story not worth the wait as the story is arguably forgettable.

Grade: 6/10

Generation Hope

Generation Hope #3
Kieron Gillen (writer), Salvador Espin & Scott Koblish (penciler), Jim Charalampidis (colours), VC’s Clayton Cowles (letters), Olivier Coipel, Mark Morales & Chris Sotomayor (cover). $2.99

Hope and her new mutants (not to be confused with New Mutants – capitalization is important here, people!), are in Tokyo with Cyclops, Wolverine and Rogue, battling a massive beast-mutant which is hell-bent on destroying everything for his “art.” (Yup). After a few different attack approaches, Hope comes up with a new plan to finally take the monster down and uses it to prove her “messiah” title to Cyclops.

Generation Hope has yet to really jump out at me. I mean, when I finished the book, I flipped to the cover to made sure I only spent $2.99 for it, because I do not feel like this is really happening. The book is too fast-paced with so little dialogue that I do not feel involved with these characters at all. I know Gillen can do better than this, and I’m waiting for him to show it. As for the art, individual characters really shine through. Hope versus the beast, for example, has some really great spreads of the two against each other. But that is really where the focus is. The backgrounds disappear in particular panels, while one panel with Cyclops’ visor suggests that he has eyes on his forehead. Rogue also looks like an anime high-schooler, but hey – to each their own.

Grade: 4/10

Until next time, keep on Space Truckin’!

Classic Comic Fridays: Invincible Iron Man #69

Every Friday, I will review a classic comic from my personal collection.

Pulling from the archives, I yanked out Iron Man #69 from August of 1974. The bi-monthly comic had Mike Friedrich as the writer, while Goerge Tuska did the art. Legend Len Wein was also the EiC, and about to be seceded by Marv Wolfman in January of ’75 and go on to revitalize the X-Men. But that’s a different story. This issue also sported the Marvel Value Stamps. However, mine was cut out. 😦 Lame.

IronMan69

Well on with the story!

There honestly is not much happening with it. I feel bad for reviewing it, but it’s something I pulled out and was old. For what story there is, it starts off with Iron Man rocking his Mk IV armor, and going underwater to stop the Mandarin and rescue Sunfire. Mandarin has a base there (of course) and a battle ensues. What is really interesting during the battle is we get a close up of the Mandarin’s hands. With his rings providing his power, we actually see each individual ring – numbered. Then on the side, in the middle of a battle, there is a numbered definition to what each ring does. How about them apples? So in case you were wondering, on Mandarin’s let hand, 1 is Ice Blast, while 2 is the Mento-Intensifier (hypnosis), 3 is Electro-Blast. . . and so on. Just remember when Mandarin is giving you the middle finger from his right hand, he actually may be using his Vortex Beam, so watch out.

While Iron Man tries to save Sunfire, a side story of five panels (two half-pages) Happy tries to solve Pepper and his marriage problems through a letter which contents we do not learn of. In the middle of the second page, we get another two half-pages with Roxanne in Vietnam gets bombarded by bombers from the Saigon government despite a cease-fire. She is rescued by Marty March and the panel cuts quickly back to Iron Man versus Mandarin. Yes, two side-stories in less than three pages. They were that quick. And for a bi-monthly comic, that would be a brutal waiting period.

Regardless, Iron Man does save Sunfire in the end. After a few heavy blows from the Mandarin, Iron Man tries to take off. Not flying fast enough, the Mandarin hits Iron Man, knocking Tony Stark unconscious inside while his rockets fly him off into space uncontrollably.

Back at the Mandarin’s base, Yellow Claw is there trying to steal from the other villain when suddenly, Mandarin returns home and reawakens Ultimo. Because Iron Man is in space – expected to die – the Mandarin believes nothing is to stand in his way!

And so ends the story. It was definitely action-packed, which is not a problem at all. However, a lot of dialogue with Iron Man kills the pace as he describes every scene, rather than the art doing it for us. What also kills the pacing is four-pages in a row of ads. I’ve seen double-page ads with comics from this time – but back-to-back-to-back-to-back ads are almost as boring as you reading this sentence probably.

With the tacked on sub-plots, it really is a wonder why Iron Man was not given a monthly release. There is clearly a lot of story which needs to be developed, but the appropriate time was not given. Well at least now Iron Man is one of the most popular and beloved comic book characters of all-time – despite the bumpy start.

Unfortunately, due to lack of interesting content and really just flashes of battles on panels, I cannot give this comic a great review. I give it props for great art for the characters – but it does lack with scenery. Oh, Iron Man. Where did you turn awesome?

Grade: 4/10

CloakDagger

As a side note, a new live-action Hulk series is in the works for ABC and you can read about it here.

There you can also read that Marvel will try to put Cloak and Dagger on television! Win! WIN! BIG WIN!

A little known fact about my love for comics is that I simply LOVE Cloak and Dagger. They are Marvel’s tucked-away icons which tons of people wish to see. They first appeared in Spider-Man, and since then have gone in and out of comics for decades. They have recently been in the X-Men, but were given a one-shot a few months back only to leave the group and be off on their own again.

Aside from X-Men, I would be most-particular about who they chose to cast for these characters. They better not blow it. But then again, with Marvel on the helm of some of their characters, hey – they may do it right.

Keep on Space Truckin’!