Wednesday’s Reviews: Uncanny X-Fear Itself

In case you thought we were all done with Fear Itself, it only ramps up in Fear Itself: Uncanny X-Force #1. Not to mention, it has one gorgeous cover.

Fear Itself Uncanny X-Force

Fear Itself: Uncanny X-Force #1 of 3
Rob Williams (writer), Simone Bianchi (pencils, inks, cover), Simone Peruzzi (colours, cover), Joe Sabino (letters). $2.99

What can Fear Itself bring to one of the most ruthless teams in the Marvel U?

Up to now, Rick Remender has developed this covert-ops X-team into a tight family. Through his series, we’ve seen some pretty interesting things when it comes to our heroes and their emotions – especially with Deadpool. With Rob Williams’ take on the team in Fear Itself, those emotions carry over, building up into one fear-invoking story.

And what’s best is this Fear Itself story has not changed at all how the team operates with Remender’s run the book. There are a ton of moments where I worried about the team and how they would react to particular events. Since Remender wrote UXF as a family, I can only think of them as such – doing things father says and questioning the consequences later. Those types of moments are building in this story. It leads to some action-packed moments with the team, but also doesn’t answer many real questions to what X-Force is doing in Fear Itself. It’s just a lot of teasing at this point. Also, Kick-Ass anyone?

I do welcome Bianchi’s art to the book. It’s rough, brutal, and tied in with Peruzzi’s colours, it makes for a nice gritty comic – exactly what UXF is. I love Bianchi’s work on the teams faces with their surroundings. I love escarpments! As for faces, they’re great looking in detail – especially with Psylocke and Deadpool. But despite the faces, Bianchi does falter on a few places. Body parts are drastically larger or disproportionate than they should be. Psylocke’s breasts are literally all over the place, while a particular full-page spread shows Wolverine much wider than ever. What I found interesting with Peruzzi’s colours is the use of white-space during some action scenes. While battles are usually fast-paced, these single coloured or simply non-coloured backgrounds really add some effect to the action.

A dysfunctional family at best, I cannot fathom what else will come to X-Force in the next two issues ahead. But I’m very excited to see how it will look.

Grade: 7/10

But on to that cover: Look how badass everyone is. The expression Psylocke is making, an “as if” during a mushroom cloud? Love it. Archangel’s wings fraying? Awesome. Wolverine, Fantomex and Deadpool slowly exploding? Brilliant. This is probably one of the coolest UXF covers made (And they’ve all been great, thus far!)

And don’t forget to check out UncannyDerek on Facebook and Twitter!

So until next time, keep on Space Truckin’!

Classic Comic Fridays w/ Wednesday Reviews?!

Tuesday marked my one-month anniversary of the blog, meaning in one month’s time, I’ve had 680 views! I think that’s pretty fantastic so far, so thank you everyone who has supported this idea! Last week’s article about Women in Comics was a huge success. Thank you for the comments and feedback received. Believe me, I’ll definitely be doing more posts like that in the near-future.

As for this week, I was late getting my comics on Wednesday hence no review. So instead of doing two separate blog posts, I’ll slam together one epic-post involving my weekly reviews, plus my Classic Comic feature. Sounds good? Okay!

So I am planning on doing three reviews for comics I grabbed this week, plus the Classic Comic, thus my reviews will be a bit shorter than usual as I want to cram everything in and not bore anyone. Also, please keep ***SPOILER ALERT*** in mind for when you read these reviews.

So without further adieu, let’s start with the Classic Comic!

As I’m sure you’ve heard about The Increduble Hulk coming back to television, so is a favourite of mine, Cloak and Dagger.

So as such, I shall review Cloak and Dagger Vol. 2 #1 from July of 1985. The second volume only lasted eleven issues, as it followed from a four-issue limited series. Bill Mantlo wrote both series, while Rick Leonardi penciled Volume 1, and up to issue four on Volume 2, only to have each issue after that drawn by different artists. Needless to say, this was to be Cloak and Daggers big break.

C&D1

The comic opens with the duo stopping a child sex-ring, which makes the story start pretty dark for characters who flew out of the Spider-Man comics. A battle ensues with the gang who steals the women, where Cloak and Dagger both put an end to the nonsense. They manage to hold off any death until the police arrive, and they head back to their home – The Holy Ghost Church – their sanctuary.

There, the Father believes Cloak is a bad influence on Dagger and believes he is persuading her in a life of crime. They discuss with the Father that they are runaways (it’s written in bold in the book and thus explaining their cameo in the Runaways series) and give a brief story about who they are, and explain how Cloak saved Dagger and they are a team.

While taking refuge in the church for a few days, Cloak inexplicably attacks church goers and makes them see their darkest fears. Dagger attacks back, believing Cloak must have been angry at the Father for his judgment. However, during the battle, two red eyes appear from the darkness making the reader assume Cloak has been possessed. Dagger, unknown to this, thinks Cloak is arrogant and leaves him, giving the reader the understanding that the duo is no more. So ends the comic.

Cloak and Dagger #1 is dark and gritty – exactly how the duo are upon facing crime. They are misunderstood and believe in high-morals, fighting for what’s right while still dealing with their own demons. The first issue really emphasized the image of C&D, especially with inker Terry Austin at the helm giving us the looks of a grungy city.

Story-wise, it ended weak with Dagger being almost ridiculous with her reaction to Cloak. It seemed like something out of Degrassi. However, that lull at the end does not overshadow the true nature of the comic throughout. It was unfortunate that the series only lasted eleven issues. Although the two were back for Volume 3 in the late 80’s, their run only lasted nineteen issues and left the duo to guest star in comics from there on out.

They had been most recently seen in the Uncanny X-Men storyline during the Dark Reign saga under the belief that they were mutants. However, in the Cloak and Dagger one-shot released after Siege, the two discovered they were not mutants and went back out into the wild to find their place in the world. Apparently that may be seen in television next.

Grade: 7.5/10

As for the rest of the comics, I wanted to review three this week which I found were unbelievably awesome: New Mutants #18, Chaos War #2, and Kick-Ass 2 #1.

New Mutants as of late, have been trying to get some R&R post-Second Coming, but unfortunately they’ve been pulled into limbo and are fighting government-bred mutants over the life of Illyana.

NewMutants18

Written by Zeb Wells and drawn by my favourite local artist, Leonard Kirk, New Mutants #18 was a blast. Literally. The entire issue was dedicated to fighting for Illyana’s life – the New Mutants versus the government mutants. Each page splashed with colour of explosions and drama.

But what really makes this comic exceptional is Wells’ work on individual characters, such as the government mutants, mixed in with Kirk’s take on how to explain with art. For example, Cannonball flies towards a government mutant named Toko at full speed only to be repelled back instantly. What’s Toko’s power? Who is she? We can only see what is given to us, and it’s done so beautifully. When you take in the wonderful mix of bright red and orange colours, you get incredible contrasts which usually are not found in many comics today.

This comic was a pleasant surprise despite being all-action. Story is told through the little dialogue, but pushes enough through so someone picking up the series for the first time would not be lost. Over all, a great read.

Grade: 8/10

Now I feel bad for bashing Chaos War #1 two weeks ago. Pak and Van Lente definitely kicked butt with this comic. Keeping the plot line brief: the world is doomed and no hero is left to help but gods themselves.

ChaosWar2

All superheros/people in the world have been put into a coma by the Chaos King. Planes crash, people “die,” but are not really dead because the underworld is being turned upside-down. It’s a long story.

We see the underworld get turned into a crap-storm as characters such as Ares, Zeus, Banshee, The Abomination, and more, are summoned as dead heroes by Pluto (Lord of the Dead) stating he will set them free if they fight for him against the Chaos King. Immediately we see Zeus slain by the Chaos King, showing that in death, one can still die.

Hercules feeling his fathers death, realizes he needs to set up a team to defeat the Chaos King. Of all things, ETERNITY, is summoned from Hercules. If you don’t know who Eternity is, take the strongest thing in the universe and put it into this guy. Regardless, Hercules wants help, and Eternity says he cannot give it as the Chaos King is an Anti-God, Eternity’s opposite, and cannot fight him as it would be like fighting himself.

So lost, Herc calls upon some strong friends: Amadeus Cho, Venus, and Thor are already there, so he calls upon Sersi of the Eternals, followed by Galactus and the Silver Surfer, making them the God Squad.

It’s really a page-by-page, jaw-dropping comic. Beautiful art again by Pham shows us the immensity of the other worlds. Fire and brimstone trickle the battle fields and Hela’s appearance at Hades with her army really shows the immensity of this battle about to explode. Although the first comic failed to impress, sticking around really showed me wrong.

Grade: 9/10

And alas, the inevitable Kick-Ass 2, #1. Still written by Mark Millar and drawn by John Romita Jr., I can see where Romita Jr. put all his attention when he was drawing the Avengers comics. We get to see his great art again!

Taking off from the hit-comic-series-turned-movie, Kick-Ass is back, and kick-assier than ever! The comic kicks-off pretty much how the first comic ended, and we see Hit-Girl training Kick-Ass to be a better fighter. Although it doesn’t explain it, it seems like awhile has passed since the first comic.

KickAss21

I say that because shortly after training, we see our hero Kick-Ass, or Dave Lizewski, meeting up with another hero, Doctor Gravity. They walk the street and are approached by a gang – which in turn, they fight, split up, and meet up again at a underground lair where other superheroes have joined together, calling themselves Justice Forever. Superheroes are becoming a norm it seems.

Mindy is also battling her new dad, Marcus, about being a superhero. She is hiding it from him, but being a detective, he knows she’s lying. So she’s banned herself from being Hit-Girl as she promises Marcus she will not do it anymore.

Also, much like in the first comic, we get a small flash-forward to what is to come – Red Mist’s super villain army versus Kick-Ass’s superhero army in the middle of the streets. So we know what’s to come.

Over all, there’s no real threat aside from what was teased to us earlier in the issue. It is also hinted that Red Mist is gathering villains, but it is not really explained how it is known. We also see that someone Kick-Ass knows is brain-damaged, while his house is also blown up. I’m not a big fan of spoilers, but it seems as if we are given a bit too much information too early on. I already feel like I know the ending before the story began.

However! Kick-Ass 2 is, so far, a lot better than the first series. I enjoyed the first series greatly, but I suppose with already established characters, I feel connected to these people a lot more. It also seemed a bit darker – which Millar was going for – but I only got that feeling when he gave us a hint of what will happen, rather than what is happening. Mix the forward-moving story with great art finally coming out of JRJR, I have to say, Kick-Ass 2 did not disappoint!

Grade: 7.5/10

I also think this is an interesting read: Click here to read it. It’s the blog from the person who won the bid for lunch with Joe Quesada. The proceeds went to charity, The Hero Initiative, and he got a great day out of it! What really stands out is that he has the same views I have with breaking into the comics industry: the feeling of getting closer to the dream with each step you take.

And on a heavier, unrelated note, I had the KFC Double-Down the yesterday. Do not believe the hype. Although it may be two patties of chicken which replaces bread, the sandwich itself is no bigger than the palm of my hand. I had it down in four bites and it does not fill you what-so-ever. Is it worth the bragging rights? I don’t even know anymore. But I felt fine after eating it!

Until then, keep on Space Truckin’!

“It Will be Mine”

Oh yes. It will be mine.

What the devil am I talking about?

Being a writer. It’s not an easy thing to do. I mean, having a degree is one thing, but for the most part, that is never enough. You have to build your way up.

That’s not a bad thing, though. I mean it is labour-intensive, but that’s part of the fun, right?

No?

Let me start over:
I’ve always loved writing. I’ve enjoyed doing it since I was a wee one watching cartoons. Cartoons were able to express what I wanted to see. Not everyone can afford big-budget movies or TV shows to allow wild imaginations and still execute it properly.

Cartoons could do what real-life could not. Expand.
I grew up with Transformers, X-Men, Exo Squad, Eek the Cat and so on. Needless to say, my imagination was wild.

Then you throw in comics. My first comic was X-Men #36 from 1994. Since then, I’ve kind of grown from there. We were probably traveling to Lindsay, Ontario, and I always liked having something to look at on the car ride up. Turns out this one featured Sabretooth as being a part of the X-Men’s team – so that threw me for a loop.

Sabretooth Dies

I digress. . .
My imagination as a child was booming. Then you throw Star Wars into the mix and suddenly my mind wouldn’t stop. I became the weird kid at school because I was too involved in things too “childish” for others.

My first story was about time-traveling Dinosaurs attacking Earth. Of course, I was in probably grade four at the time. Maybe. Then in my late grade-school years, I remember that I started writing a Star Wars book – entirely unaware that the Expanded Universe was considered Star Wars canon! Boy, was I in for a shock.

Following in grade nine and ten, I was accused of plagiarism in two of my short stories – one a science-fiction, the other a regular fiction – because it was something entirely different than how I was in class – which was being an over-excited-yet-lazy teenager.

It really was not until I was accused of plagiarizing that I figured I could make writing a professional thing.

I then followed up with meeting people on the good old Much Music message boards (R.I.P.) and writing for a Toronto-based webzine for heavy metal music. I got to interview some gnarly musicians and had my work published. Following that, I wrote for my University’s newspaper for the first year – followed by a slump of me trying to figure out what I wanted to do with school. It wasn’t until my final year did I realize I should smarten my act up and actually start putting words to a page.

At my old job, I could stand around for hours without having customers. I began to write on scrap paper when I could behind the counter – and suddenly I had a chapter of something! I couldn’t believe it. On a roll, I ended up buying a small book to write in while in class (as English and Writing lectures became a great inspirational session – studying came last). Then I suddenly started writing a whole different genre from my first story. I had two going!

Throughout my childhood, I’ve always followed the X-Men. I hadn’t always bought their comics, but I knew these characters because I grew up with them. It wasn’t until I purchased a few rare comics in my youth, did I really start wanting to follow them.

After a few years I began a lovely pull-list around the time of Marvel’s Secret Invasion storyline and was hooked since.

It came to me that I loved comics because they were my cartoons. They were what I could use to expand my imagination, yet still tell a story. They were my bread and butter.

Now to only get started on it.
What about motivation?

Now back to the beginning of this blog. It’s labour-intensive.
How am I motivated?
Aside from being able to meet Leonard Kirk (yes, I linked my last blog), and finding a hometown hero so-to-speak, there are Indie comics which have taken off.

I mean, sure you’ve heard of X-Men, Spider-Man, Batman, et al.
But did you know of Kick-Ass, the Watchmen, V for Vendetta, Scott Pilgrim vs. The World, Big Guy and Rusty the Boy Robot, Green Hornet, Akira, The Tick, Transformers, Gi*Joe, and so on were all comics first? (Transformers released their comic the same month the TV series started).
If you answered no to at least one of these, you have to know that they took off because people took interest.

The Tick

Here are some figures of Indie comic book sales up-to-date (July 2010), and tell me that it’s not possible to make this happen.

Sure, it will take a lot of work. Sure, it’ll be labour-intensive. But as I’ve sort of hinted at – my plagiarism, my laziness, whatever you want to call it – it’s not work to me. It’s just me using my imagination.

By the way, over 100 views in less than two days is incredible. Thanks for all the support thus far, folks!

Keep on Space Truckin’.