Wednesday’s Reviews: Empty Promises

With the X-Men’s Schism around the corner and the Fear Itself stories ramping up, I figured it would be best to review two very anticipated titles this week: X-Men Prelude to Schism #4 and Fear Itself: Black Widow #1.

But first, I must quickly mention Avengers: The Children’s Crusade #6. – Holy @*#$! What an ending! This is Marvel’s best series of the year. What a wild ride so far!

Now that that’s done:

X-Men Schism Prelude

X-Men Prelude to Schism #4 of 4
Paul Jenkins (writer), Clay Mann (pencils), Jay Leisten & Seth Mann (inks), Chris Sotomayor & Lee Loughridge (colours), Rob Steen (letters), Giuseppe Camuncoli & Dan Brown (cover). $2.99

I personally held off reviewing any of the Prelude to Schism stories until it became interesting. By the final issue, I’m really just reviewing it to complain.

In the prior three issues, readers get a brief history on the major players in the X-Universe: Cyclops, Professor X, and Magneto. By the fourth issue, we receive the same ideas, but with Wolverine. What the series ended up being is more a re-telling of each characters’ history, rather than pushing a story forward. Each issue, we’ve waited this much longer to find out what the threat to the X-Men is. We know that IT’S coming, but we have no idea what IT is. By the end of issue four *Not a spoiler alert* we STILL have no idea.

If you’re unfamiliar with the Wolverine Origin story, then this book is new for you. Aside from that, nothing new is teased for Schism. Well, I suppose one thing is that writer Paul Jenkins really likes is to make Wolverine look like a jerk. Alas.

Fortunately, Clay Mann’s art really shines in this issue. Flying through centuries of Wolverine’s past, Mann successfully shows us a descriptive story. From Wolverine and Rose, to Weapon X, to the 90’s X-Men roster, Mann shows a superb display of artistry. I love his rendition of 90’s Jean Grey. His colouring team of both Sotomayor and Loughridge also do an exceptional job in adjusting the colour schemes to fit the time line of each story.

Not trying to have this review as an entire tearing apart of the book, Prelude definitely served its purpose of getting people wondering what Schism is. This issue somewhat bonded Cyclops and Wolverine together, but also left a clue to what causes the split between the duo as well.

Although I’m still very eager to find out what Schism is, I just wished it hadn’t cost me $12 of already-familiar backstory that gets me nowhere.

Grade: 5/10

Fear Itself Black Widow

Fear Itself: Black Widow #1 (One-Shot)
Cullen Bunn (writer), Peter Nguyen (pencils, inks), Veronica Gandini (colours), Clayton Cowles (letters), Michael Ryan (cover). $3.99

After the Grey Gargoyle turns the city of Paris into stone, it’s up to the Black Widow to not do anything about it and take on Rapdio’s evil forces with Peregrine instead.

I was pretty excited for Fear Itself: Black Widow. After learning the fate of Bucky, I was sure she would have been interesting to follow through with. Turns out, she mentions him briefly, and argues that she must feel cold because she’s a spy. Right. While Paris is covered in stone, Rapdio decides to take advantage of the situation and gathers information of French missile codes to give to other crimelords. Knowing this, the Black Widow leaves America’s current turmoil to stop him. There, her and Peregrine fight to save the day, while Fear Itself becomes only a memory for the rest of the story. In fact, I have no idea what Black Widow actually feels during this entire story until the final page. And no, the feeling isn’t “Fear.”

What lacks in story is made up for with Nguyen’s stylistic art. Black Widow looks sharp, seductive, and surprisingly zipped-up (despite what the cover suggests) throughout most of the whole story. Gandini’s colours render well with Nguyen’s work as Black Widow slips in and out of shadows solely because of her attire. She is indeed dressed and made to look as a spy.

The point is that this Fear Itself story had nothing to add to “Fear Itself” and can, in fact, be entirely dismissed save for Nguyen and Gandini’s gorgeous renderings of Black Widow.

Grade: 6/10

There will be no Classic Comic Friday feature tomorrow because it’s Canada Day. However, it will arrive July 8th for sure.

And don’t forget to check out UncannyDerek on Facebook and Twitter!

So until next time, keep on Space Truckin’!

Wednesday’s Reviews: Part 1 – X-Men, X-Men, and X-Men

Interestingly enough, I fell ill again. Luckily, I am much better than I was yesterday – well enough to get reviews up this week, too!

But get this: There were so many comics this week, I have to split them up into two different posts! So this post will involve just some X-Men comics that came out. I’ll also be avoiding New Mutants #22 due to the fact that I already am doing another X-review in the next post.

So for now, here is X-Men Legacy, Uncanny X-Men, and just plain ‘ol X-Men.

The next post shall feature X-Men: To Serve and Protect, The Avengers, and the final issue to Fantastic Four, #588.

X-Men Legacy

X-Men Legacy #245
Mike Carey (writer), Clay Mann (pencils), Jay Leisten (inker), Brian Reber (colours), Cory Petit (letters), Leinil Yu & Marte Gracia (cover). $2.99

And so chapter one of the Age of X begins, and boy, do we get some action here. In fact, three quarters of the book is really introducing characters and placing them in context of the story. We see Rogue, or “Legacy” or “Reaper” – depends on who is speaking to her – as an executioner to injured mutants. Cannonball orders Cyclops around. Legion helps forge the shield around the base. Danger runs the jail. . . Well, I guess not everyone is doing something different than their Earth-616 counterpart.

But what where the story really shines is post-battle. Wolverine – powerless – runs the bar. We see Psylocke, Iceman, Colossus, Gambit, and many others chatting about the battle and giving some back story involving how they got to where they are. Some involving the Phoenix destroying Albany, and others involving the Mutant Liberation Front.

Rogue, or Legacy, or Reaper, eventually finds a downed soldier who fought the mutants and turns out to be a mutant herself named “Katherine Pryde.” She is held in the jail by Danger, amongst many other psychic mutants. One being a unconscious Charles Xavier.

Although skeptical with the first issue, slowing seeing things unfold really adds intrigue to the pacing of the story. Not to mention seeing mutants use their powers for other means rather than what we’ve been used too really adds a neat spin on things. The second chapter in New Mutants #22 definitely throws a lot more into the story and changes focus for Rogue to be the main character – as she has been with Carey being the main writer.

Clay Mann’s artwork certainly shone in this issue as a particular scene involving Legion’s “Force Warriors” really wowed me. He perfectly gave them an appearance of hierarchy, but down-to-earth people.

A good first chapter with a bit too much fighting and little story to want readers to hang on. However, once you pick up chapter two in New Mutants #22, you’ll not want to stop reading.

Grade: 6/10

Uncanny X-Men

Uncanny X-men #533
Matt Fraction & Kieron Gillen (writers), Greg Land (pencils), Jay Leisten (inker), Justin Ponsor (colours), Joe Caramagna (letters), Greg Land & Justin Ponsor (cover). $3.99

Two major stories continue in the fourth installment of Quarantine. Emma Frost and Kitty Pryde fight Sebastian Shaw, while the X-Men off of Utopia, managed by Angel, try to snuff out the Sublime corporation who is now trying to sell off the X-Gene like a drug to rich people. – Yes, suddenly is “cool” to be a mutant – especially if you’re rich, for some reason.

Meanwhile, Sebastian beats up Emma Frost, making her run away (for a good reason, I’m sure), leaving Fantomex and Kitty Pryde to remain with Shaw.

Regardless, Angel’s X-Men crash the party which leads Sublime to hand out doses of Wolverine and Deadpool to everyone in the audience – leaving the X-Men greatly outnumbered. Cyclops, now aware of Sublime’s intentions, decides it’s time for the X-Men to break quarantine and fight back.

Although finally finding its place for pacing, the story is still a bit jumbled up. For example, the Shaw story could easily have been concluded already and is being stretched out for god-knows-what-reason. Secondly, I cannot figure out why people would want to be mutants. I think Fraction tried to justify it with Sublime’s “X-Men” looking cool saving people – but so what? The story seems forced by this means.

And I’m done talking about Greg Land. I’ve seen all of these faces in the book before. There’s nothing new here with his static characters. One particular panel had me literally laughing out loud. If you accused him of tracing Emma Frost before, then in this panel, he did it with a rabbit.

If it wasn’t for the art, this book would have scored at least a five.

Grade: 3/10

X-Men

X-Men #8
Victor Gischler (writer), Chris Bachalo (pencils, colours), Tim Townsend, Wayne Faucher, Jaime Mendoza & Al Vey (inkers), Joe Caramagna (letters), Terry & Rachel Dodson (cover). $3.99

Spinning from Spider-Man’s earlier issues for the storyline “Shed,” the X-Men team up with the wallcrawler to figure out why people have gone missing into New York’s sewers. By now, they’ve discovered it involves lizards, but of what design? Spider-Man suggests Kurt Connors’ but no one really has any answers. When a few children go missing, the team figures it has something to do with being loners and losers at school. Discovering their social networking sites, they find the children have one thing in common: they’ve been talking to someone and told to meet up at a certain location. Luckily with Wolverine already out in the field, he goes in to watch one kid get kidnapped by a lizard. Unfortunately he gets beat up and the kid is taken away – for research.

If there is one thing that drives this story, it’s Chris Bachalo. He, hands-down, draws the best Wolverine. The final few pages with Wolverine fighting the lizards is probably some of the best action I’ve seen him in all-year (minus Uncanny X-Force). His exaggeration with Spider-Man’s eyes also draw great attention and sets moods. Bachalo is flawless with his storytelling through art and is great at showing expressions.

Although not much progress is given through this issue from Gischler, the new X-Men series has a lot of promise as it picks up tons of steam – especially with Bachalo at the artistic helm.

Grade: 7/10