Comic Book Blockbuster Blunders

After getting over a very nasty virus (who am I kidding – I’m still coughing from it), I had a really good laugh at my local comic store the other day.

Every Wednesday when the new comics arrive, I get there shortly after opening as I have a busy day ahead of me usually. In fact, Wednesday’s are my only day off from my real-life job.

That’s beside the point.

There are regulars that come in every Wednesday like myself. A lot of the folks who come in are your typical comic nerds, while a few of them are the ones who are the stereotypical “living in your mothers basement and only come out on Wednesdays” kind of fans. I guess you could dub them the “social rejects” solely because their entire lives are based around comics. I’m sure you know what I’m talking about – the people who talk and argue totally for the sake of hearing their own voice; the people who are socially inept to have any conversation outside of comics; the type of person who will walk up to you while you’re minding your own business and say something out loud in hopes that you respond to it.

Yeah, those people.

Usually when those folks come into my LCS on Wednesday’s, everyone goes running and just tries to avoid them at all costs.

Well this past Wednesday, one of them actually said something worth-while. The conversation goes as follows:

LSC Owner: “So who do you think is going to win Avengers versus X-Men?”

Customer in a loud, boisterous voice: “I don’t know. But I can tell you who is going to lose. The fans, that’s who!”

The entire store erupted in laughter. Every week this customer comes in and just babbles on nonsense about comics which we all hear day-in and day-out. However this one comment really struck a chord with everyone.

I’ve been left thinking about it since Wednesday. Why, out of everything this customer said in the past, have they finally said something worth-while laughing to?

I think the answer is simple: He’s right.

Marvel’s big push with this whole AvX event is great for business, I’m sure, but also leaving a sour taste in comic fan’s mouths. How many more “life altering” or “status quo changing” events can we get each year? Last year’s Fear Itself was a major flop, while DC’s Brightest Day dragged on for so long that they rebooted their franchise! (And yes, I know that’s not why they started the New 52.)

How many more of these events can fans take until they realize that they’re being toyed with year in and year out?

The irony to this little discussion is that I’m currently collecting the Avengers vs. X-Men event. Not to mention, I also have the terrible Fear Itself that happened last year – the Siege that happened before it, Secret Invasion, Civil War, House of M, Avengers Disassembled, World War Hulk, and so on.

The core fans will still collect – regardless of how they’re treated because. . . I don’t know why.

After Fear Itself’s terrible story and The Avengers/New Avengers re-hashing the Siege’s “Dark Avengers,” I literally almost dropped comics all together. If it weren’t for my faith in a few titles for me – Uncanny X-Force, X-Factor, Swamp Thing, plus a few more, I wouldn’t have kept reading.

I collect most X-books now because of continuity, the sense of family, plus the history I have had with the comics.

Since Fear Itself hit me, I’ve branched out to many smaller comic companies and started reading things I never would have before, just so I could finally see what else was out there.

For example, I turned to Swamp Thing with DC’s new 52. (I’m aware that’s not a smaller company). But I’ve also picked up newer stories like Saucer Country, and am getting back in to The Walking Dead. I’ve picked up old trades of The Tick, and recently found the entire omnibus of Too Much Coffee Man. I’m on the look-out for newer horror series, and also some fun science-fiction plots. I’ve bought my first Star Wars comic (despite being a huge fan in real life) with Dark Horse’s “Dawn of the Jedi” series. Had I still been collecting the amount of Marvel books in the past, I never would’ve budgeted for anything outside of superhero books.

So let’s go back to the answer the customer at my LCS said: “But I can’t tell you who is going to lose. The fans, that’s who!”

Well I suppose that’s a matter of perspective. Although I “lost” because of some terrible story-crossovers, I’ve “won” by finding new stories and gems to now call my own.

If anything, the major crossovers make the major comic companies lose because their faithful ones like me start to drop particular books.

Thoughts?

Keep on Space Truckin’!

The Case Against Gary Friedrich

In case you haven’t heard, let’s get you up to speed:

Back in the 1970’s, writers and artists at Marvel were a “Work for Hire,” meaning they were paid as they were hired for the work they do. They had to sign contracts giving up their rights as creator and what-not – essentially allowing Marvel to generate all the proceeds over whatever characters are created via these WfH folks. This was done with Gary Friedrich in 1978.

Later in the 80’s, when Jim Shooter took over Marvel, he made sure all creators, writers and artists got their fair share when it came to royalties. Unfortunately, this was before Friedrich signed his contract.

Ghost Rider

In 2007, that Nic Cage “Ghost Rider” film popped up. It (somehow) made millions and Marvel collected big time. Friedrich sued Marvel claiming the character he created was exploited (as I’m sure the 1978 contract didn’t mention “major motion picture”) at the time. On December 28th, 2011, Friedrich lost his case against Marvel and that was to be the end of it. Alas.

Marvel counter-sued Friedrich over legal fees as well as unauthorized Ghost Rider material such as cards, postcards, shirts, and the kicker: sketches at conventions.

Marvel is demanding $17,000 in lost wages from Friedrich over his unlicensed use of their character. While I can understand that, let’s quote Jim Shooter here:

Gary Friedrich sued Marvel over rights to Ghost Rider. Gary lost. Marvel sued Gary for unauthorized exploitation of their trademarked Ghost Rider property. Gary lost. He is obliged to pay Marvel $17,000.

(Shooter also goes on to explain another great deal of legalities with the case that is quite interesting, so check that out too!)

Currently the internet is in an uproar of disgust towards Marvel (who remember is owned by Disney) for what they’re doing to Friedrich. Friedrich went on his Facebook to state:

Since the various news agencies and websites have reported the ruling against me on my claims against Marvel in the Ghost Rider lawsuit, and the assessment of a $17,000 judgment against me and my company instead, I have read an amazing amount of comments in my support on the internet, and have received many messages of support directly. Although the reports of my employment situation and financial difficulties as well as problems with my health are unfortunately true, I want to let everyone in the comic book world, especially my supporters and fans of the Ghost Rider character which I invented, created, and wrote, that I am going to appeal the Court’s ruling and continue to fight this as long as I am able and that your support of me means more than you will ever know. I have heard your voices. I thank you with alll my heart, and I appreciate your thoughts and best wishes as I soldier on.

Feel free to keep in touch with me via e-mail: fgroovygary@aol.com.

Thanks again and God bless you.

Gary Friedrich

Over at writer Steve Niles’ site, you can donate directly to Friedrich to help him out financially through a PayPal account set up for him.

But like I said – that kicker – no more sketches at conventions. While it’s not in place yet, it’s terrifying to know that at any time, these creators can be buckled down and told that they owe their parent companies money. Conventions have always been another way for a creator to get additional wages to their already-low pay. To take that away from them is down-right mean.

However, on the legal side of things, it’s considered right.

So is Marvel in the right? Is this going to be the new status quo for conventions now – the fear of creators getting sued for making extra cash on the side? If so, then what about fan art and things like Tumblr? I can only imagine it being a real-life SOPA for comic creators.

It’s About Time!

It’s definitely been over a month since I last talked about comics on this site which is about – hey! Comics!

What have I been enjoying?

Legion Of Monsters was an excellent four-part mini series that was killed in sales. It was so disheartening to see such a good book falter in sales the way it did. Dennis Hopeless and Juan Doe rocked the entire story. It was funny, sad, action-packed, and most of all – it worked. When this comes out as a TPB, I HIGHLY RECOMMEND you get it. It really was too good to pass-up. The best part is that you do not require any past knowledge of the characters to pick it up.

As of this week, Dan Abnett, Andy Lanning, and the Lopez duo brought upon New Mutants #37:

This story stole my heart as being simply adorable. Not to mention it was great for Amara to finally get some page-time. In a nutshell, many issues back, Amara made a deal with Mephisto to go on a date with him in order to save her friends. In NM #37, the devil’s come to claim his due. The results are magnificent. Please pick this up. It’s well worth your $2.99.

Old News & New News

As I’m sure you’ve all heard, DC is planning the prequel to The Watchmen. My take on this is that I don’t really care. While I am definitely interested in what DC is going to do, I definitely am shocked that they are going to be tampering with such a classic story.

I don’t know how well they’ll sort it all out – or even if it will do that well in sales. The catch is this: Comics are still a dying medium. DC, in two years, have pumped the world up with excitement over comics. Their reboot with the New 52 put sales of comics from all publishers up. Interest in comics are back. Even at my LCS, I’ve seen that it’s been busier. This is incredible. With DC rebooting an already popular franchise, surely this can only mean more sales not just for them – but the reinvigoration of comics in general.

Keep it up DC! You’re helping the medium tremendously.

The other big comic news was just dropped today: Tony Moore is suing Robert Kirkman over The Walking Dead.

For those who do not know, Tony Moore drew the first six issues of the series and did quite a few covers until issue 24. Apparently when Moore left The Walking Dead contracts were signed for him to get finances for movies and what-not. However, this didn’t include television shows. In a nutshell, he wants his due.

The clincher to the whole story is that Moore and Kirkman have been best friends since they were children. It’s heartbreaking to see something like this happen. I guess we’ll have to wait and see how the results pan-out.

Until next time, keep on Space Truckin’!

The Tragic Tale of Bill Mantlo

On Wednesday, November 9th, Bill Mantlo – writer of The Incredible Hulk, Micronauts, ROM the Space Knight, and creator Cloak & Dagger – turned 60.

For his birthday, LifeHealthPro.com wrote an incredible gut-wrenching and saddening story about Mantlo’s fight with Health Care and his current condition.

Bill Mantlo

From the article:

On Friday, July 17, 1992, Bill left work early for the weekend, and made his usual three-mile rollerblade journey through Brooklyn traffic to his apartment near Morningside Park. Just four blocks from home, a car came around a corner and hit Bill. The left side of Bill’s head impacted the windshield. He rolled across the hood of the car, and the right side of his head impacted the pavement. The driver never stopped and was never identified.

The accident jostled Bill’s head so violently that his brain squashed against the inside of his skull, and his brain stem severed. This did not paralyze him, but it would make it very difficult for Bill’s body—particularly his extremities—to accurately receive and process electrical messages from his brain.

The story includes interviews from fellow writer Chris Claremont and Marvel’s past Editor-in-Chief, Jim Shooter.

The last personal entry in Mantlo’s journal, dated Feb. 14, 1995:

“My name is Bill Mantlo. I want to go home.”

Off to the right of the website, I’ve had since day-one, a link to The Hero Initiative.

The Hero Initiative is a organization dedicated to helping comic creators in need whom may need financial aid or support for essentials of life.

Many auctions of books and original art are sold through the site. 100% of all proceeds go to the Hero Initiative. You can also make a direct donation by clicking here.

The Hero Initiative has given to Mantlo in the past. The idea however, is not only to help Mantlo, but all of the other creators – or even every-day-Joe’s in this same situation.

If you can donate, please do so. If they haven’t already, tell your local comic store about the Hero Initiative and have a collection box set up. Even yet, have them order in books which the Hero Initiative has published. I first heard of them with The Hulk 100 Project, when I blindly bought a copy of the book at my LCS.

So for Bill Mantlo and the others like him, please help out any way you can.