A Busy Week

Yet again I am struck with more work at my real-life job, leaving me no time to work on this website dealy.

However, I have been writing a lot recently (as you may have read from months ago, I am a striving writer), so I’m happy with how everything is turning out thus far.

What I have also been working on – unfortunately – is organizing comics. Working has strained me from the physical task of “putting away” things. (Oh, let’s just admit I’m lazy.) Either way, this is what I have to deal with today:

Comics!

If you look real closely, you may notice X-Men Legacy #250, as well as some old trades I haven’t sorted through since re-reading them. But yes, that implies it has been more than a month since my last organization. (There’s probably 70+ comics there.) So alas!

One thing I would love to show you folks is the GORGEOUS work Marko Djurdjevic did on New Mutants #27 this week. I absolutely fell in love with this cover, as it’s probably one of my favourites of his now. I love the simple backgrounds and the brutality of Sugar Man. It is, quite simply, an excellent cover.

New Mutants 27 Sugar Man

Maybe I’ll start posting writing tips again soon. . . Hmm.

Until next time, keep on Space Truckin’!

Reviews: New Mutants #24

Hey folks. My power has been out for a few days due to a storm, so I haven’t been able to respond to any replies or update the site at all since Thursday.

Just hang in there!

New Mutants

New Mutants #24
Mike Carey (writer), Steve Kurth (pencils), Allen Martinez (inks), Brian Reber (colours), Joe Caramanga (letters), Mico Suayan & Marte Gracia (cover). $2.99

The triumphant conclusion to the Age of X concludes in New Mutants #24, leaving with both desirable and undesirable results.

Spanning multiple issues, the Age of X began as a huge mystery for readers. The question, “What is the Age of X?” sprawled over comics for months prepping this event. As the story unfolded, readers began gathering pieces of what kind of world our favourite mutants were living in. Rogue looked like the main character to the story with Magneto as a potential villain and savior. Mutants were in disarray fighting a human army who were relentless on letting mutants stay alive. In the last two chapters, things started falling apart and we see Legion and Xavier as main characters, with Moira MacTaggert as an extension of Legion’s mind and being the true villain.

With a shift in characters from Rouge to Legion, instantaneously it throws readers for a loop. Not only was it a shocker to find that the Age of X is all Legion’s doing, but it is a shocker to see how characters completely disappeared with their importance in the story. By this last issue, Legion fights himself with Xavier by his side, while the inevitable Wolverine-getting-his-powers-back-moment finally arrived. A final brawl between humans and mutants leaves the conclusion to the story even more confusing. However, the ending does have some positive notes to it.

Firstly, most of the mutants still retain their memories from the Age of X. With Cyclops and Frenzy’s relationship in the AoX “universe,” they share a kiss in front of Emma Frost back on Utopia. I definitely sense some exciting problems in the future.

Secondly, some de-powered mutants are back! Most importantly a favourite of mine, Chamber!

But alas, this only comes with confusing pitfalls. If Chamber was de-powered in real life, but was in the AoX with powers, when he returned he got his powers back in the real universe. That makes sense to me. However, since Cannonball died in the Age of X (as he did in this issue), is he alive now? It’s inconsistencies like this which throw me for a loop. Also, why was Chamber in the AoX if he was not on Utopia to begin with? What about the Age of X Universe? If it all was in Legion’s head, how do other players fit into this? Obvious continuity issues plague the Age of X leaving me to wonder if the story was as well thought out as it seemed.

On a more positive note, Steve Kurth it a pretty good job on the artwork in the battles. Great detail and spreads made the action very intense, leaving much to the imagination on the chaos the battle raged. Kurth had some issues with individuals doing some awkward faces or postures. On the second page, the running mutant army is making all sorts of odd stances, while on the Cyclops/Frenzy revelation page, Frenzy is making the weirdest contortions, and Emma Frost has quite the mannish face. Little things like these make the battles look awesome, but the serious moments seem silly.

The Age of X definitely has shaken up the X-Men’s universe. I just wish it was done a lot better.

Grade: 5/10

Keep on Space Truckin’!

Wednesday’s Reviews: Result!

This was an incredible week for comics – even for Uncanny X-Men, which I’ve picked on a lot recently.

Given my massive pull-list, I’ve decided on doing mini-reviews for a few of the comics released this week. Enjoy!

FF #1
Jonathan Hickman (writer), Steve Epting (pencils, inks, cover), Paul Mounts (colours), Rus Wooton (letters). $3.99

FF

After the death of the Human Torch, the family still goes through their mourning periods – most noticeably with The Thing who blaming himself for Johnny’s death. Reed plays a video of Johnny’s suggesting that in the case of his death, Spider-Man would be the best choice for his replacement. Of course, Spider-Man can’t say no to such an offer.

What intrigues me most about the story is how down-to-earth it has become. The family sits and has dinner together, while Reed’s father adds much-needed flavour to the established characters. Tossing in AIM and the Wizard as villains, I can already see the Future Foundation becoming an excellent series.

Of course, Epting crafts emotions brilliantly throughout the story – making the dinner scene one of my favourite panels this week.

However, I cannot go without saying how rushed I feel with the book. Maybe I’m out of the loop, but it was as if the Future Foundation was already planned-out and assembled between Fantastic Four #588 and now. If this was Marvels “.1” issue, I’d still be lost. My only other little tidbit is the action with AIM seemed a bit out of the blue. Either way you look at it, this is a very promising start for Marvel’s first family.

P.S. You cannot honestly tell me that Sue Storm does not look like Creepy Chan on the cover.

Grade: 7.5/10

Osborn #3 of 5
Kelly Sue DeConnick (writer), Emma Rios (pencils, inks), Jose Villarrubia (colours), Clayton Cowles (letters), Ben Oliver (cover). $3.99

Osborn

Nothing is more sinister than a great villain book. Kelly Sue rocks the Marvel U with another incredible tale of Norman Osborn incarcerated – but for how much longer?

Mixed between insanity and clarity, Osborn continues his push to escape from prison, now with reporter Norah Winters as a potential ally. Wanting a story on Osborn, Winters listens to Osborn’s arguably mad rantings while rebutting him with some of her own. As calm as ever, Osborn seems to somehow have a grand scheme already planned out, and uses his keen manipulation skills to find his way to an escape pod with his new companions and Winters. But of course, he cannot do so without killing hundreds. This is Norman Osborn, after all.

What I cannot seem to get over is Emma Rios. If Marvel does not give her a contract, I’ll be ridiculously angry. Gorgeous, simply vibrant panels mix moods of chaos and wit together with genuine emotions of strength and cunningness. A truly fantastic visual experience. She nails Osborn right on the head as an insane mess. I seriously cannot get enough of her panels. Jose Villarrubia too, does a great job with the environment only having so-few colours. For an underwater jail, I feel as if I’m looking at a rainbow. What a creative team.

For the love of all that is amazing in the world, read Osborn already!

Grade: 9/10

Uncanny X-Men #534
Matt Fraction & Kieron Gillen (writers), Greg Land & Paul Renaud (pencils), Jay Leisten & Paul Renaud (inks), Justin Ponsor (colours), Joe Caramagna (letters), Greg Land & Justin Ponsor (cover). $3.99

Uncanny X-Men

As I said before, Uncanny has picked itself out of a rut with this issue. But maybe I only feel this way because the storyline is finally over. . . Regardless, Emma and Kitty’s story finally concludes with Shaw, while the X-Men put an end to Lobe, and Fantomex is – well, who knows.

The X-Men on Utopia decide to break quarantine to help Storm and gang battle rich science-made mutants. To their advantage with mutants now fighting mutants, everyone gets sick from the X-Men and thanks to Lobe, dying as he tries to destroy what’s left of the X-Men. Fail. Being sick himself, he can has to give the cure to everyone, thus ending the plague – because the sickness was controlled by a remote. Makes sense. On top of it all, the X-Men realize they may file a lawsuit for copyright infringement against Lobe for using the X-Men’s faces on his products. Yeesh!

Unfortunately, I still saw Land doing some things he’s done in the past. I even showed some friends, comparing this recent book to pictures in my blog about Land at an earlier time. HOWEVER, I will say that his work between Shaw & Emma is an incredible change of pace in terms of his art style. The final pages with Shaw were excellent. As for Ponsor, all I will say is yellow backgrounds ftw. That, and the Emma/Kitty scenes were greatly polished with colour. For Uncanny, this has definitely been a step-up.

To top it off, Avengers Academy #1 is reprinted in the issue. Two major books for $3.99? Count me in!

Grade: 6/10

New Mutants #23
Mike Carey (writer), Steve Kurth (pencils), Allen Martinez (inks), Brian Reber (colours), Joe Caramagna (letters), Leinil Yu & Marte Gracia (cover). $2.99

New Mutants

The Age of X continues with another unexpected twist in story. Who knew that Magneto didn’t know that Xavier knew this wasn’t the world they know of? If you had to re-read that sentence because it was mind-boggling, now you know how I felt with New Mutants! So many twists and turns leave me begging for more!

As expected, Rouge, er, Legacy and Gambit were not killed in the last issue, but actually saved by Magneto, despite it seeming to be the other way around. However, to the rest of the mutants, it still looks Magneto’s a murderer. Distrust fills Fortress X and mutants begin to question Magneto’s leadership. Unfortunately for Magneto, after rescuing Xavier from his own prison, he is knocked out of his leadership role, changing the way mutants in the Age of X will live. Meanwhile, Legacy and Gambit uncover the secret to what really is going on.

As mentioned, this story has more twists and turns than a kid putting together a Hot Wheels racetrack. Strong writing and intense scenes put this story ahead of its parent-title by a long shot.

Kurth’s work is good, but nothing out of the ordinary. For example, I loved his panel with Legacy and Gambit with just their lips. It was an unusual panel, but very well rendered. But when I look at Magneto I can’t stop thinking “baby face.” Overall, for a lack of action-book, it feels action-packed. It was on my second read-through did I realize no “fighting” actually took place. I’m also left wondering where Wolverine and “Cyclops” are.

With Age of X nearing its conclusion, it reassures me that Mike Carey needs to be given more major crossover stories.

Grade: 7/10

X-Men #8
Victor Gischler (writer), Chris Bachalo (pencils, colours), Tim Townsend, Wayne Faucher, Jaime Mendoza & Al Vey (inks), Joe Caramagna (letters), Terry & Rachel Dodson (cover). $3.99

X-Men

Thanks to Gischler & Bachalo, another great issue of X-Men is in my hands. Unlike Spider-Man’s take on this tale in the “Shed” storyline, the villain is a surprise all-together – and one I did not see coming.

Opening up from where we left off – Wolverine is taking out lizard-folk, Bachalo-style. From there, a good portion of the story focuses on the children captured by the new villain. I really start to feel for these characters – which is amazing given their short page-time in the book. The fact that I begin to empathize with minor characters the way Gischler makes me, shows that the creative team in this book really are ahead of the game. And despite the unexpected villain, the book ends on a ridiculous cliffhanger leaving Emma in a whole lot of trouble.

I cannot stress (still) how great Bachalo is with this book. I wish he could draw Wolverine all of the time. Heck, let him colour too. He’s doing an incredible job. Of course, we also get four inkers again this month leaving me to wonder who did what. I wish I could get a feel for inkers the way I can with colourists. It’s frustrating!

X-Men went from a decent first story arc to something incredible in no-time! Not to mention that the Dodson’s rocked the cover.

Grade: 8/10

X-Force #6
Rick Remender (writer), Esad Ribic (pencils, cover), John Lucas (inks), Matt Wilson (colours), Cory Petit (letters). $3.99

X-Force

I think it’s great when I can say, “this is the worst Uncanny X-Force book to date,” yet the story is still impressive.

Deathlok’s appearance at the end of last issue actually meant he was on Fantomex’s side. Admittedly, I didn’t see that one coming. The rest of X-Force eventually meet up with Fantomex and Deathlok to discover why random cyborgs are trying to kill them. Turns out they’re from the future and superheroes are not allowed to exist! But luckily Fantomex comes up with a great plan to defeat them – to destroy the future in the next issue! Despite all of that, the issue seemed like a miss for me.

Surprisingly, the most exciting part of this book for me was when Psylocke had tea with her brother, Captain Britain. She spoke her feelings about how X-Force conducted themselves with Apocalypse. She feels like she’s a changing person and she needed to know that someone understood her. Remender delves into Psylocke’s character with great emotional detail. I can tell he has great plans for her. Not to mention the twist with Captain Britain too. What a doozy!

I really cannot complain about Ribic’s work. He’s a very strong artist and takes what Opena did in the last arc and sharpens it up a bit – leaving us with a less gritty attitude. However, I have realized what feels the most different in the artwork – the colouring. Although Matt Wilson does great work, in comparison Dean White in the last arc, I feel as if the colours on the characters are too bright and plain in comparison to the pencils. I only say that with the characters because Wilson does an excellent job on everything else – particularly on landscapes.

It’s another strong issue for X-Force, but admittedly it’s their weakest too. And in accordance to the story, the cover of the book seems to be ahead of itself by about a month.

Grade: 6.5/10

As a side, see if you can spot the two Star Wars references in Wolverine & Jubilee #3 this week too. An obvious one was mentioning the “Death Star.” You get bonus points for finding the other.

Until next time, keep on Space Truckin’!

Wednesday’s Reviews: Part 1 – X-Men, X-Men, and X-Men

Interestingly enough, I fell ill again. Luckily, I am much better than I was yesterday – well enough to get reviews up this week, too!

But get this: There were so many comics this week, I have to split them up into two different posts! So this post will involve just some X-Men comics that came out. I’ll also be avoiding New Mutants #22 due to the fact that I already am doing another X-review in the next post.

So for now, here is X-Men Legacy, Uncanny X-Men, and just plain ‘ol X-Men.

The next post shall feature X-Men: To Serve and Protect, The Avengers, and the final issue to Fantastic Four, #588.

X-Men Legacy

X-Men Legacy #245
Mike Carey (writer), Clay Mann (pencils), Jay Leisten (inker), Brian Reber (colours), Cory Petit (letters), Leinil Yu & Marte Gracia (cover). $2.99

And so chapter one of the Age of X begins, and boy, do we get some action here. In fact, three quarters of the book is really introducing characters and placing them in context of the story. We see Rogue, or “Legacy” or “Reaper” – depends on who is speaking to her – as an executioner to injured mutants. Cannonball orders Cyclops around. Legion helps forge the shield around the base. Danger runs the jail. . . Well, I guess not everyone is doing something different than their Earth-616 counterpart.

But what where the story really shines is post-battle. Wolverine – powerless – runs the bar. We see Psylocke, Iceman, Colossus, Gambit, and many others chatting about the battle and giving some back story involving how they got to where they are. Some involving the Phoenix destroying Albany, and others involving the Mutant Liberation Front.

Rogue, or Legacy, or Reaper, eventually finds a downed soldier who fought the mutants and turns out to be a mutant herself named “Katherine Pryde.” She is held in the jail by Danger, amongst many other psychic mutants. One being a unconscious Charles Xavier.

Although skeptical with the first issue, slowing seeing things unfold really adds intrigue to the pacing of the story. Not to mention seeing mutants use their powers for other means rather than what we’ve been used too really adds a neat spin on things. The second chapter in New Mutants #22 definitely throws a lot more into the story and changes focus for Rogue to be the main character – as she has been with Carey being the main writer.

Clay Mann’s artwork certainly shone in this issue as a particular scene involving Legion’s “Force Warriors” really wowed me. He perfectly gave them an appearance of hierarchy, but down-to-earth people.

A good first chapter with a bit too much fighting and little story to want readers to hang on. However, once you pick up chapter two in New Mutants #22, you’ll not want to stop reading.

Grade: 6/10

Uncanny X-Men

Uncanny X-men #533
Matt Fraction & Kieron Gillen (writers), Greg Land (pencils), Jay Leisten (inker), Justin Ponsor (colours), Joe Caramagna (letters), Greg Land & Justin Ponsor (cover). $3.99

Two major stories continue in the fourth installment of Quarantine. Emma Frost and Kitty Pryde fight Sebastian Shaw, while the X-Men off of Utopia, managed by Angel, try to snuff out the Sublime corporation who is now trying to sell off the X-Gene like a drug to rich people. – Yes, suddenly is “cool” to be a mutant – especially if you’re rich, for some reason.

Meanwhile, Sebastian beats up Emma Frost, making her run away (for a good reason, I’m sure), leaving Fantomex and Kitty Pryde to remain with Shaw.

Regardless, Angel’s X-Men crash the party which leads Sublime to hand out doses of Wolverine and Deadpool to everyone in the audience – leaving the X-Men greatly outnumbered. Cyclops, now aware of Sublime’s intentions, decides it’s time for the X-Men to break quarantine and fight back.

Although finally finding its place for pacing, the story is still a bit jumbled up. For example, the Shaw story could easily have been concluded already and is being stretched out for god-knows-what-reason. Secondly, I cannot figure out why people would want to be mutants. I think Fraction tried to justify it with Sublime’s “X-Men” looking cool saving people – but so what? The story seems forced by this means.

And I’m done talking about Greg Land. I’ve seen all of these faces in the book before. There’s nothing new here with his static characters. One particular panel had me literally laughing out loud. If you accused him of tracing Emma Frost before, then in this panel, he did it with a rabbit.

If it wasn’t for the art, this book would have scored at least a five.

Grade: 3/10

X-Men

X-Men #8
Victor Gischler (writer), Chris Bachalo (pencils, colours), Tim Townsend, Wayne Faucher, Jaime Mendoza & Al Vey (inkers), Joe Caramagna (letters), Terry & Rachel Dodson (cover). $3.99

Spinning from Spider-Man’s earlier issues for the storyline “Shed,” the X-Men team up with the wallcrawler to figure out why people have gone missing into New York’s sewers. By now, they’ve discovered it involves lizards, but of what design? Spider-Man suggests Kurt Connors’ but no one really has any answers. When a few children go missing, the team figures it has something to do with being loners and losers at school. Discovering their social networking sites, they find the children have one thing in common: they’ve been talking to someone and told to meet up at a certain location. Luckily with Wolverine already out in the field, he goes in to watch one kid get kidnapped by a lizard. Unfortunately he gets beat up and the kid is taken away – for research.

If there is one thing that drives this story, it’s Chris Bachalo. He, hands-down, draws the best Wolverine. The final few pages with Wolverine fighting the lizards is probably some of the best action I’ve seen him in all-year (minus Uncanny X-Force). His exaggeration with Spider-Man’s eyes also draw great attention and sets moods. Bachalo is flawless with his storytelling through art and is great at showing expressions.

Although not much progress is given through this issue from Gischler, the new X-Men series has a lot of promise as it picks up tons of steam – especially with Bachalo at the artistic helm.

Grade: 7/10

Wednesday’s Reviews: So Many Marvel Titles!

This week was absolutely crazy for comics. There’s so many to chose from that I decided on picking the most-anticipated issues this week – aside from the Fantastic Four #587. Sorry folks! I’m doing something different here. So let’s get started!

Age of X: Alpha

Age of X: Alpha #1 (one-shot)
Mike Carey (writer), Mirco Pierfederici, Gabriel Hernadez Walta, Carlo Barberi, Paco Diaz, Paul Davidson (pencilers), Walden Wong, Diaz and Davidson (inkers), Antonio Fabela, Matt Milla, Brian Reber (colours), Joe Caramanga (letters), Chris Bachalo and Tim Townsend (cover). $3.99

Age of X: Alpha has been teased to readers for quite some time. Now that the issue is released, I’m left asking myself, “What?” Age of X jumps right into whatever world they are in and begins with stories being told by X-Men at a camp. There, we get stories of Basilisk (Cyclops), the Guthrie’s, as well as Wolverine and Magneto. All eventually tie in together to create the basis for the world of Age of X. Although a lot of the story is introductions, it serves well to establish what sort of world our mutants are living in. Basilisk’s story was easily my favourite, based on Arcade taking Cyclops and having him execute other mutants against his will. Some disturbing details about the story I’ll leave to you.

Given there were five individual stories running through the book, various artists were welcomed. Pierfederici made great drama with the groundwork of the multiple story lines, while Paco Diaz hit another home run with a great visuals with Wolverine. Barberi, on the other hand, does not know how to draw women as Husks’ breasts are grossly disproportioned, while Davidson’s art still runs flat with bland faces. What was especially welcomed was mutants who I haven’t seen since M-Day – most notably a personal favourite of mine: Chamber. Thank you, Mr. Carey!

A great cross-over premise with interesting stories and zero ideas on what is going on, will leave reader’s both frustrated, yet demanding more.

Grade: 6/10

Chaos War

Chaos War #5 of 5
Greg Pak and Fred Van Lente (writers), Khoi Pham (penciler), Thomas Palmer and Bob McLeod (inkers), Sunny Gho (colours), Simon Bowland (letters), Brandon Peterson (cover). $3.99

The Chaos War comes to an end as all of Marvel’s remaining heroes crash down upon the Chaos King! Hercules gives it his all as he battles down upon the Chaos King himself. On Earth, Amadeus Cho is busy trying to evacuate everyone and defeat the King. After Herc goes through a bloody beating, a swift hit knocks the King onto the ground, leaving all of Earth’s forces to beat upon him. Still to no avail! Fortunately, Amadeus figures out a way to stop the Chaos King from spreading without killing him at all. Needless to say, it works, and surprisingly leaves Alpha Flight alive by the end. Seriously? Not the Dead X-Men or Avengers? Just Alpha Flight? Oh, and Hercules is no longer a god it seems.

. . . What? Read the book.

Pak and Van Lente have been favourites of mine for quite some time. Their writing skills are uncanny, and to put them together was a great idea. However, by this issue the Chaos War dwindled on me. It became exhausting just to see everyone lose knowing that it will just come down to Herc vs. the King. That battle, however. Wow. Khoi Pham is a brilliant artist and should be commended for some of the best layouts I’ve seen. Great two-page spreads of Herc and the King really stood out as brilliant works. A few particular pages with Palmer during the bloody mess Herc gets himself into leaves a jaw-dropping good time.

Although it began with a great premise, the Chaos War did nothing else to Marvel continuity but bring back second-rate heroes and show that Hercules had another story to tell.

Grade: 5/10

The Avengers

The Avengers #9
Brian Michael Bendis (writer), John Romita Jr. (penciler), Klaus Janson, Tom Palmer and Scott Hanna (inkers), Laura Martin, Morry Hollowell, and Matt Milla (colours), Cory Petit (letters), John Romita Jr. (cover). $3.99

Last issue featured the Illuminati’s return to the Marvel-verse. We hadn’t seen them since Secret Invasion, so their welcome was very exciting. By this issue though, we can safely say, it will be their last appearance. After Steve Rogers discovers with the New and Secret Avengers teams that the Illuminati exists, he wants answers. And so begins the arguing. A second story brings us to Parker Robbins in jail, showing us how he escaped, as well as how he knew where the Infinity Gems were. In a nutshell, we have very interesting conversation going on throughout the whole book – and it’s welcome.

What isn’t welcomed is what should have been solved with a bi-monthly series called Avengers: Prime. As I reviewed before, Prime was supposed to solve all the problems between Rogers and Stark. Although the Illuminati is yes, a special case, it read as if these two never had a conversation together since Roger’s return. It was more mind-boggling than anything.

As for the book on its own, The Avengers was really well-paced and a decent read. I was really more focused on how Parker Robbins escaped prison than the Iron Man/Steve Rogers story however. Another issue I had was something I feel Bendis is doing too-often now. Remember in Avengers #1 where everyone was talked to in two pages? It happened again! It feels like a cop-out. But I digress.

Romita kicked butt this issue! Various spreads of full Avengers line-up in a blizzard really shone. Pure and simple. Mixing in his ink and colour team, this is easily the best-drawn Avengers book yet.

Dialogue is the action in the book – which is fine by me when Romita pumps out a gem like this!

Grade: 6/10

Uncanny X-Force

Uncanny X-Force #4
Rick Remender (writer), Jerome Opena (penciler), Dean White (ink and colours), Cory Petit (letters), Esad Ribic (cover). $3.99

I really, really, really cannot stress how excellent of a story Uncanny X-Force has been. The conclusion to “The Apocalypse Solution” ends with a bang as our X-Force members fight to kill Apocalypse – who unfortunately is reincarnated into a little boy who does not know any better. After a huge beat-down by Apocalypse’s Horsemen in last issue, X-Force rallies what strength they have left to end Apocalypse once-and-for-all!

Remender knows his characterization. Everyone in the story has real emotions – real limits to what they can do. To top it all off, it still has humour amidst all the violence. An early scene with Deadpool and Archangel really had me laughing, but by the end of the book, I could help but empathize for each individual character. Thanks to Opena and White, I could see how they all felt, too. This book looks brilliant. Raw emotions, mixed with action, and a mood that isn’t quite dark, but definitely isn’t light, throttles this story to become something beyond a stereotypical comic.

This is what story-telling is all about. If you haven’t yet, start reading Uncanny X-Force now!

Grade: 10/10

New Avengers

New Avengers #8
Brian Michael Bendis (writer), Daniel Acuna (penciler, inker and colours), Joe Caramanga (letters), Mike Deodato and Rain Beredo (cover). $3.99

Luke Cage and Jessica Jones finally get to go out on a date! Yes, since Civil War back in 2006, the married couple really haven’t had a chance to take some time off, with Squirrel Girl as their nanny. So as they go out for dinner, we witness their humorous conversation involving Luke wanting Jess’ name to be “Power Woman,” while a poor waitress watches on just to take their order. The conversation is so big, that a full-page spread is half-covered in word bubbles – all of it funny. Unfortunately, the date is cut short as Ms. Marvel fights a Doom-Bot in front of the restaurant (coincidence, eh?). After its defeat, the heroes go back to Avengers Mansion to discuss what just happened. That’s it in a nutshell, folks!

And you know what, I don’t mind it either. From both Avengers and New Avengers, Bendis gave the heroes some time off to not really battle. Arguably, this is the second New Avengers title in a row where there was very little action. There’s absolutely no problem with that when the dialogue is as quick-witted as Luke and Jessica’s was. Daniel Acuna’s art also made it very much exciting, where beautiful water colours amongst a dark skyline really brought the “action-less” characters to life.

Although not much happens here, it is nice to see heroes breath a little bit while setting up a new story arc.

Grade: 7/10

As a side note, the cover of the week totally goes to both Esad Ribic from Uncanny X-Force and Dave Wilkins on New Mutants #21 for his excellent work of Legion.

New Mutants

Although there were tons more to review, that’s all the time I have for now folks! Until next time, keep on Space Truckin’!

Classic Comic Fridays w/ Wednesday Reviews?!

Tuesday marked my one-month anniversary of the blog, meaning in one month’s time, I’ve had 680 views! I think that’s pretty fantastic so far, so thank you everyone who has supported this idea! Last week’s article about Women in Comics was a huge success. Thank you for the comments and feedback received. Believe me, I’ll definitely be doing more posts like that in the near-future.

As for this week, I was late getting my comics on Wednesday hence no review. So instead of doing two separate blog posts, I’ll slam together one epic-post involving my weekly reviews, plus my Classic Comic feature. Sounds good? Okay!

So I am planning on doing three reviews for comics I grabbed this week, plus the Classic Comic, thus my reviews will be a bit shorter than usual as I want to cram everything in and not bore anyone. Also, please keep ***SPOILER ALERT*** in mind for when you read these reviews.

So without further adieu, let’s start with the Classic Comic!

As I’m sure you’ve heard about The Increduble Hulk coming back to television, so is a favourite of mine, Cloak and Dagger.

So as such, I shall review Cloak and Dagger Vol. 2 #1 from July of 1985. The second volume only lasted eleven issues, as it followed from a four-issue limited series. Bill Mantlo wrote both series, while Rick Leonardi penciled Volume 1, and up to issue four on Volume 2, only to have each issue after that drawn by different artists. Needless to say, this was to be Cloak and Daggers big break.

C&D1

The comic opens with the duo stopping a child sex-ring, which makes the story start pretty dark for characters who flew out of the Spider-Man comics. A battle ensues with the gang who steals the women, where Cloak and Dagger both put an end to the nonsense. They manage to hold off any death until the police arrive, and they head back to their home – The Holy Ghost Church – their sanctuary.

There, the Father believes Cloak is a bad influence on Dagger and believes he is persuading her in a life of crime. They discuss with the Father that they are runaways (it’s written in bold in the book and thus explaining their cameo in the Runaways series) and give a brief story about who they are, and explain how Cloak saved Dagger and they are a team.

While taking refuge in the church for a few days, Cloak inexplicably attacks church goers and makes them see their darkest fears. Dagger attacks back, believing Cloak must have been angry at the Father for his judgment. However, during the battle, two red eyes appear from the darkness making the reader assume Cloak has been possessed. Dagger, unknown to this, thinks Cloak is arrogant and leaves him, giving the reader the understanding that the duo is no more. So ends the comic.

Cloak and Dagger #1 is dark and gritty – exactly how the duo are upon facing crime. They are misunderstood and believe in high-morals, fighting for what’s right while still dealing with their own demons. The first issue really emphasized the image of C&D, especially with inker Terry Austin at the helm giving us the looks of a grungy city.

Story-wise, it ended weak with Dagger being almost ridiculous with her reaction to Cloak. It seemed like something out of Degrassi. However, that lull at the end does not overshadow the true nature of the comic throughout. It was unfortunate that the series only lasted eleven issues. Although the two were back for Volume 3 in the late 80’s, their run only lasted nineteen issues and left the duo to guest star in comics from there on out.

They had been most recently seen in the Uncanny X-Men storyline during the Dark Reign saga under the belief that they were mutants. However, in the Cloak and Dagger one-shot released after Siege, the two discovered they were not mutants and went back out into the wild to find their place in the world. Apparently that may be seen in television next.

Grade: 7.5/10

As for the rest of the comics, I wanted to review three this week which I found were unbelievably awesome: New Mutants #18, Chaos War #2, and Kick-Ass 2 #1.

New Mutants as of late, have been trying to get some R&R post-Second Coming, but unfortunately they’ve been pulled into limbo and are fighting government-bred mutants over the life of Illyana.

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Written by Zeb Wells and drawn by my favourite local artist, Leonard Kirk, New Mutants #18 was a blast. Literally. The entire issue was dedicated to fighting for Illyana’s life – the New Mutants versus the government mutants. Each page splashed with colour of explosions and drama.

But what really makes this comic exceptional is Wells’ work on individual characters, such as the government mutants, mixed in with Kirk’s take on how to explain with art. For example, Cannonball flies towards a government mutant named Toko at full speed only to be repelled back instantly. What’s Toko’s power? Who is she? We can only see what is given to us, and it’s done so beautifully. When you take in the wonderful mix of bright red and orange colours, you get incredible contrasts which usually are not found in many comics today.

This comic was a pleasant surprise despite being all-action. Story is told through the little dialogue, but pushes enough through so someone picking up the series for the first time would not be lost. Over all, a great read.

Grade: 8/10

Now I feel bad for bashing Chaos War #1 two weeks ago. Pak and Van Lente definitely kicked butt with this comic. Keeping the plot line brief: the world is doomed and no hero is left to help but gods themselves.

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All superheros/people in the world have been put into a coma by the Chaos King. Planes crash, people “die,” but are not really dead because the underworld is being turned upside-down. It’s a long story.

We see the underworld get turned into a crap-storm as characters such as Ares, Zeus, Banshee, The Abomination, and more, are summoned as dead heroes by Pluto (Lord of the Dead) stating he will set them free if they fight for him against the Chaos King. Immediately we see Zeus slain by the Chaos King, showing that in death, one can still die.

Hercules feeling his fathers death, realizes he needs to set up a team to defeat the Chaos King. Of all things, ETERNITY, is summoned from Hercules. If you don’t know who Eternity is, take the strongest thing in the universe and put it into this guy. Regardless, Hercules wants help, and Eternity says he cannot give it as the Chaos King is an Anti-God, Eternity’s opposite, and cannot fight him as it would be like fighting himself.

So lost, Herc calls upon some strong friends: Amadeus Cho, Venus, and Thor are already there, so he calls upon Sersi of the Eternals, followed by Galactus and the Silver Surfer, making them the God Squad.

It’s really a page-by-page, jaw-dropping comic. Beautiful art again by Pham shows us the immensity of the other worlds. Fire and brimstone trickle the battle fields and Hela’s appearance at Hades with her army really shows the immensity of this battle about to explode. Although the first comic failed to impress, sticking around really showed me wrong.

Grade: 9/10

And alas, the inevitable Kick-Ass 2, #1. Still written by Mark Millar and drawn by John Romita Jr., I can see where Romita Jr. put all his attention when he was drawing the Avengers comics. We get to see his great art again!

Taking off from the hit-comic-series-turned-movie, Kick-Ass is back, and kick-assier than ever! The comic kicks-off pretty much how the first comic ended, and we see Hit-Girl training Kick-Ass to be a better fighter. Although it doesn’t explain it, it seems like awhile has passed since the first comic.

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I say that because shortly after training, we see our hero Kick-Ass, or Dave Lizewski, meeting up with another hero, Doctor Gravity. They walk the street and are approached by a gang – which in turn, they fight, split up, and meet up again at a underground lair where other superheroes have joined together, calling themselves Justice Forever. Superheroes are becoming a norm it seems.

Mindy is also battling her new dad, Marcus, about being a superhero. She is hiding it from him, but being a detective, he knows she’s lying. So she’s banned herself from being Hit-Girl as she promises Marcus she will not do it anymore.

Also, much like in the first comic, we get a small flash-forward to what is to come – Red Mist’s super villain army versus Kick-Ass’s superhero army in the middle of the streets. So we know what’s to come.

Over all, there’s no real threat aside from what was teased to us earlier in the issue. It is also hinted that Red Mist is gathering villains, but it is not really explained how it is known. We also see that someone Kick-Ass knows is brain-damaged, while his house is also blown up. I’m not a big fan of spoilers, but it seems as if we are given a bit too much information too early on. I already feel like I know the ending before the story began.

However! Kick-Ass 2 is, so far, a lot better than the first series. I enjoyed the first series greatly, but I suppose with already established characters, I feel connected to these people a lot more. It also seemed a bit darker – which Millar was going for – but I only got that feeling when he gave us a hint of what will happen, rather than what is happening. Mix the forward-moving story with great art finally coming out of JRJR, I have to say, Kick-Ass 2 did not disappoint!

Grade: 7.5/10

I also think this is an interesting read: Click here to read it. It’s the blog from the person who won the bid for lunch with Joe Quesada. The proceeds went to charity, The Hero Initiative, and he got a great day out of it! What really stands out is that he has the same views I have with breaking into the comics industry: the feeling of getting closer to the dream with each step you take.

And on a heavier, unrelated note, I had the KFC Double-Down the yesterday. Do not believe the hype. Although it may be two patties of chicken which replaces bread, the sandwich itself is no bigger than the palm of my hand. I had it down in four bites and it does not fill you what-so-ever. Is it worth the bragging rights? I don’t even know anymore. But I felt fine after eating it!

Until then, keep on Space Truckin’!

“Almost therreeee. . .”

Last time I heard someone say that, they blew up over Yavin. . .

I haven’t really drawn in a long time. I completely forgot how elated it made me feel. Until I went to FanExpo in Toronto this year, I was completely unsure on how well being a comic book artist or writer could be. I mean, I’m just a University graduate with a writing degree who can draw mediocre pictures with some elaborate stories. (I’m giving myself that!)

I have recently been motivated to get a drawing board and actually work-out my thoughts and drawings. Heck, even if the drawings are garbage to others, at least I’ve conveyed the message of the comics through some sort of imagery.

Drawing Board

That motivation really didn’t strike me until I met Leonard Kirk for the second time (the first being a convention earlier last year). And only then did I realize how realistic and possible it was to “move up” writing comics.

Although he is a native American, he moved to my hometown when he was six and lived here ever since. How do I know? I chatted it up with him. Needless to say, he grew up in my neighborhood his whole life, and surprisingly, he draws for Marvel!

During the Dark Reign storyline, he did the Dark X-Men series, and now he is currently working on New Mutants, starting on issue #15 here.

The fact that I was just talking to a home-towner, and I greatly appreciated his work – it blew me away! I can say I’ve now pretty much idolized the man.

The other day, I read up on ComicsBeat that New Mutants #15 sold over 35,000 copies! That’s from a local artist! Mr. Kirk also told me about how drawing works within Marvel, and showed me some of his art catalog.

The moral of the story is that no matter what, you’re almost there. You just need to stick to it. And I guess also to not lose your starboard engine and crash into the Death Star.

Back to the drawing board!

Keep on Space Truckin’.