Secret Avengers #25 Rick Remender (writer), Gabriel Hardman (pencils, inks), Bettie Breitweiser (colours), Chris Eliopoulos (letters), Arthur Adams & Peter Steigerwald (cover). $3.99
Rick Remender’s current story line to Secret Avengers comes to a conclusion with some major surprises along the way, leaving us begging for the next issue.
Featuring a full-scale battle against robotic clones of Avengers – both old and new – Remender’s Secret Avengers team featuring new leader Hawkeye brings thrills and some life-changing moments.
Remender lets every Avenger get some time to shine throughout the story: from the sudden resurrection of Ant-Man getting some butt-kicking scenes, to the Human Torch leaving the story with a frightening conclusion; no one character outshines another. Everyone has a voice in the book and much like in Uncanny X-Force, Remender finds a way to give the story a perfect balance of characterization.
What can definitely be taken away from this book is how well Remender turns around our opinions of Ant-Man’s sudden return. Much like how people are beginning to feel about the recent amount of deaths in comics only-to-come-back issues later, the previous issues final page showing Eric O’Grady’s death followed by his reappearance one issue later flustered me beyond belief. How could Remender do something so ridiculous like bringing back a character one issue later? To leave spoilers out of it, the final pages of this issue make you realize that the author always has something up his sleeve.
To make the already great story even better, artist Gabriel Hardman really kicks it up with some fast-paced noir-style action in this issue. Punches are thrown, explosions are had, and beat up bodies scour each page with deep inks and colours. It took a few issues for me to realize it, but for a secret ops book, the art style matches the story perfectly. Panels are scary when necessary while lines are crisp and intense. Hardman really hits the nail on the head with this issue with very clean storytelling and even cleaner visuals.
Nothing could be done without Bettie Breitweiser’s colours, however. The balance of colours when people like The Human Torch fly across the panels, or a various city landscapes with varying blues and street lights give depth – all of it adds to the noir-style that Hardman creates. Breitweiser should stick to Hardman like how Dean White does with Opena, Brooks, and Ribic on Uncanny X-Force. (Jeez, I can’t get enough Remender, can I?)
With the arc coming to a close and Avengers versus X-Men now rearing its crossover head, I’m sure we’ll have a lot more excitement in-store for the stealthy Avengers.
I haven’t done one of these in a long time! Time has flown by!
In Secret Avengers, as seen by the cover – Venom joins the team. Oh, and by the way, Venom is now Peter Parker’s old high school colleague Flash Thompson. I’ll admit, I haven’t been catching up with my Spider-Man lore at all. When I saw Flash Thompson for the first time in years, I couldn’t believe he was missing his legs. He lost them due to fighting in the Iraq War. I had no idea Marvel went down that route at all. Kudos to them.
Secret Avengers #23 Rick Remender (writer), Gabriel Hardman (pencils, inks), Bettie Breitweiser (colours), Chris Eliopoulos (letters), Arthur Adams & Peter Stiegerwald (cover). $3.99
The last time I can recall reading a story with so much intensity due to dialogue was Fred Van Lente’s Taskmaster mini-series. Writer Rick Remender does such an incredible job at giving everyone important moments and nails every voice along the way. I’ve always been iffy with Hawkeye because I find writers never know what to do with him. He’s either too much of a jerk or a complete goof. Remender nails the character and even gives subtle hints to why the character is that way. The same goes for Ant-Man. I was wondering why Warren Ellis just forgot about the character during his brief stint in the series. Turns out Remender had something special planned with his characterization.
The story moves on a very strong pace. Nothing is filler and everything is useful. Reading through the book, I felt as if Remender overdid himself with the story – there is just that much happening all of the time in the book. The conversations that need to be had are said. This is a solid story.
Art by Gabriel Hardman is also exceptional. The wonderful noir feeling throughout the whole issue is completely tasteful to the changing scenery. From the view of the Lighthouse in space, to a hospital scene, to another world and a gritty city – the transitions are flawless in his storytelling capabilities.
But what I must point out is how incredible Bettie Breitweiser’s colouring job is. Hands-down, the colours are the best thing about the story. Images truly come alive with Breitweiser’s great work on tones and highlights. Looking at the light pollution from the city gives so much more life to the buildings, while the transitions onto the final few pages carries the same energy to the climactic cliffhanger. Facial features are accented beautifully, and nothing is ever overdone. Dean White has a run for his money with Breitweiser on the prowl.
Criticizing the story however, I find that Remender is trying to buff his team up with as much “awesome” as possible. Last issue Captain Britan joined, while in this issue, both Jim Hammond (The Human Torch) and Venom have jumped on-board. While I do not mind the great variety of the series, I found that the previous writers: Ellis, Spencer, and Brubaker, couldn’t incorporate everyone into the story because it was stretching itself on the cast. Remender was able to give mostly everyone a voice, but the larger cast will certainly leave some heroes out of place.
While currently Remender is keeping a fine job with the cast on Uncanny X-Force (and passing characters off to Jason Aaron), I’d just hope Remender can keep doing stories like #23 – fully encapsulating and balanced enough for everyone to have a say.
It has been a while since I last did a review, let alone many reviews. I’ve been unbelievably busy, so I have had this on the back burner. Despite the lack of updates, traffic on my site has still been exceptional.
I really have to give a big thank you to my readers for making me want to update this more often. Without you, this site would have no meaning. (Did I just discover the reason for life, itself?)
I definitely have two major updates these next few days. The first is reviews, as you can probably tell from this title. The second will be a discussion about a recent movie I watched: Superman & Batman: Apocalypse. But more on that later.
P.S.: Two weeks of back-to-back Uncanny X-Force is mind-blowing.
Avengers #12 Brian Michael Bendis (writer), John Romita Jr. (pencils, cover), Klaus Janson (inks, cover), Dean White (colours, cover), Cory Petit (letters). $3.99
Indeed, Iron Man wields the Infinity Gauntlet with the final chapter of the Avengers versus Parker Robbins story. With the last issue leaving us at a complete jaw-dropping standstill between Robbins and Thanos, who knew what would come next?
A very delicate, yet powerful conversation between the titan of death and Robbins stirs up a whirlwind of excitement for the reader. What will Thanos do to Robbins? More importantly, what will Robbins do to Thanos? All of it leads up to a climatic battle and a rekindling friendship all in this issue.
When the Avengers get tied into the mix and Red Hulk has a Power gem, you know there is hell to pay. It all leads to a vengeful slug-fest between Robbins and Hulk, with Robbins finally using the Reality gem to show how ridiculously powerful these Infinity gems are.
Brilliant pacing throughout the story makes each page another excitement to turn. I would argue this is Romita’s best work in Avengers so far, with very few issues on character feeling too stiff. The battle between Red Hulk and Robbins is truly a wonder to see, as a great panel-by-panel fight features art in the background of old Marvel events long-gone due to the Reality gems magic. Oddly enough, the events were actually ripped out from the original works and Romita simply placed the Rulk/Robbins fight over top of them. With two very contrasting styles of art, it literaly makes the panels pop-out at you. This too is because of White’s dynamics of red and brown tones over the gray-scales.
With very few problems in this issue, I am floored by how great this arc concluded. And most importantly, by the end of this issue, the reader will get yet another Marvel U shattering ordeal that only Bendis could effectively pull-off.
Sure, I could nick off marks for suddenly leaving the Watcher out of the story. I could also nick off marks for seeing yet another page like this. But they are minuscule in the grand scheme of how powerful of an issue Avengers #12 was.
Grade: 7/10
Uncanny X-Force #8 Rick Remender (writer), Billy Tan (pencils, inks), Dean White (colours), Cory Petit (letters), Esad Ribic (cover). $3.99
The team goes to rescue a captive Deadpool, while Psylocke battles the Shadow King in yet another explosive issue of Uncanny X-Force. Oh, and Archangel’s about to burst.
Right off the bat, the reader is dropped into a plot where Deadpool’s on a reconnaissance mission, while Psylocke is helping Warren deal with the Death persona. Fantomex also shows Deathlok around the base, making me wonder if he will be a permanent part of the team. (Eee!) Lots happen within the short timespan of this book, yet all is paced so ridiculously well, that you know this is a Remender book.
Needless to say, if you’re a Psylocke fan you’re in for a huge treat. This is her book. After Deadpool fails to check in with X-Force, the team goes to find him. Upon arrival, most of X-Force becomes mind-controlled (minus Fantomex due to his neural implants) – leaving Psylocke the only one able to fight up against their foe – the Shadow King.
If it’s not good enough that this story is primarily about Psylocke, we’re also given huge depth with Warren about his Death personality. In so-few pages, Remender intertwines all of the subplots in one grand scheme with an absolute flawless script.
By no-means is Wolverine or Deadpool the main-characters of these stories. This book is a Psylocke/Archangel/Fantomex story guest-starring everyone else.
Tan’s art is nothing less than incredible. A particular panel with Archangel screaming shows his anger and near-insanity. Don’t even get me started on how beautiful Psylocke is drawn in her old costume.
Dean White was on double-duty this month doing both Avengers #12 and this issue. While you can see similarities with both books for colours, he definitely has a knack for not over-doing things, yet still placing emphasis where needed. I definitely prefer his colouring style with Tan’s art. Actually, it would have been great with Ribic’s and Opena’s too. Of course he did a great job in The Avengers too with Romita.
A few weeks ago, Uncanny X-Force released a .1 issue and it stood out as a great one-shot. The idea of the .1 issues were to get new readers on board.
Uncanny X-Force #8 arguably repeats the same process while still continuing the main storyline. I think I’ve said this at the end of every Uncanny X-Force review, but it needs to be said again.
If you haven’t started reading Uncanny X-Force, START!
And doesn’t Esad Ribic deserve a “best cover” award? Look at those colours! Wonderful!
This was an incredible week for comics – even for Uncanny X-Men, which I’ve picked on a lot recently.
Given my massive pull-list, I’ve decided on doing mini-reviews for a few of the comics released this week. Enjoy!
FF #1 Jonathan Hickman (writer), Steve Epting (pencils, inks, cover), Paul Mounts (colours), Rus Wooton (letters). $3.99
After the death of the Human Torch, the family still goes through their mourning periods – most noticeably with The Thing who blaming himself for Johnny’s death. Reed plays a video of Johnny’s suggesting that in the case of his death, Spider-Man would be the best choice for his replacement. Of course, Spider-Man can’t say no to such an offer.
What intrigues me most about the story is how down-to-earth it has become. The family sits and has dinner together, while Reed’s father adds much-needed flavour to the established characters. Tossing in AIM and the Wizard as villains, I can already see the Future Foundation becoming an excellent series.
Of course, Epting crafts emotions brilliantly throughout the story – making the dinner scene one of my favourite panels this week.
However, I cannot go without saying how rushed I feel with the book. Maybe I’m out of the loop, but it was as if the Future Foundation was already planned-out and assembled between Fantastic Four #588 and now. If this was Marvels “.1” issue, I’d still be lost. My only other little tidbit is the action with AIM seemed a bit out of the blue. Either way you look at it, this is a very promising start for Marvel’s first family.
Osborn #3 of 5 Kelly Sue DeConnick (writer), Emma Rios (pencils, inks), Jose Villarrubia (colours), Clayton Cowles (letters), Ben Oliver (cover). $3.99
Nothing is more sinister than a great villain book. Kelly Sue rocks the Marvel U with another incredible tale of Norman Osborn incarcerated – but for how much longer?
Mixed between insanity and clarity, Osborn continues his push to escape from prison, now with reporter Norah Winters as a potential ally. Wanting a story on Osborn, Winters listens to Osborn’s arguably mad rantings while rebutting him with some of her own. As calm as ever, Osborn seems to somehow have a grand scheme already planned out, and uses his keen manipulation skills to find his way to an escape pod with his new companions and Winters. But of course, he cannot do so without killing hundreds. This is Norman Osborn, after all.
What I cannot seem to get over is Emma Rios. If Marvel does not give her a contract, I’ll be ridiculously angry. Gorgeous, simply vibrant panels mix moods of chaos and wit together with genuine emotions of strength and cunningness. A truly fantastic visual experience. She nails Osborn right on the head as an insane mess. I seriously cannot get enough of her panels. Jose Villarrubia too, does a great job with the environment only having so-few colours. For an underwater jail, I feel as if I’m looking at a rainbow. What a creative team.
For the love of all that is amazing in the world, read Osborn already!
Grade: 9/10
Uncanny X-Men #534 Matt Fraction & Kieron Gillen (writers), Greg Land & Paul Renaud (pencils), Jay Leisten & Paul Renaud (inks), Justin Ponsor (colours), Joe Caramagna (letters), Greg Land & Justin Ponsor (cover). $3.99
As I said before, Uncanny has picked itself out of a rut with this issue. But maybe I only feel this way because the storyline is finally over. . . Regardless, Emma and Kitty’s story finally concludes with Shaw, while the X-Men put an end to Lobe, and Fantomex is – well, who knows.
The X-Men on Utopia decide to break quarantine to help Storm and gang battle rich science-made mutants. To their advantage with mutants now fighting mutants, everyone gets sick from the X-Men and thanks to Lobe, dying as he tries to destroy what’s left of the X-Men. Fail. Being sick himself, he can has to give the cure to everyone, thus ending the plague – because the sickness was controlled by a remote. Makes sense. On top of it all, the X-Men realize they may file a lawsuit for copyright infringement against Lobe for using the X-Men’s faces on his products. Yeesh!
Unfortunately, I still saw Land doing some things he’s done in the past. I even showed some friends, comparing this recent book to pictures in my blog about Land at an earlier time. HOWEVER, I will say that his work between Shaw & Emma is an incredible change of pace in terms of his art style. The final pages with Shaw were excellent. As for Ponsor, all I will say is yellow backgrounds ftw. That, and the Emma/Kitty scenes were greatly polished with colour. For Uncanny, this has definitely been a step-up.
To top it off, Avengers Academy #1 is reprinted in the issue. Two major books for $3.99? Count me in!
Grade: 6/10
New Mutants #23 Mike Carey (writer), Steve Kurth (pencils), Allen Martinez (inks), Brian Reber (colours), Joe Caramagna (letters), Leinil Yu & Marte Gracia (cover). $2.99
The Age of X continues with another unexpected twist in story. Who knew that Magneto didn’t know that Xavier knew this wasn’t the world they know of? If you had to re-read that sentence because it was mind-boggling, now you know how I felt with New Mutants! So many twists and turns leave me begging for more!
As expected, Rouge, er, Legacy and Gambit were not killed in the last issue, but actually saved by Magneto, despite it seeming to be the other way around. However, to the rest of the mutants, it still looks Magneto’s a murderer. Distrust fills Fortress X and mutants begin to question Magneto’s leadership. Unfortunately for Magneto, after rescuing Xavier from his own prison, he is knocked out of his leadership role, changing the way mutants in the Age of X will live. Meanwhile, Legacy and Gambit uncover the secret to what really is going on.
As mentioned, this story has more twists and turns than a kid putting together a Hot Wheels racetrack. Strong writing and intense scenes put this story ahead of its parent-title by a long shot.
Kurth’s work is good, but nothing out of the ordinary. For example, I loved his panel with Legacy and Gambit with just their lips. It was an unusual panel, but very well rendered. But when I look at Magneto I can’t stop thinking “baby face.” Overall, for a lack of action-book, it feels action-packed. It was on my second read-through did I realize no “fighting” actually took place. I’m also left wondering where Wolverine and “Cyclops” are.
With Age of X nearing its conclusion, it reassures me that Mike Carey needs to be given more major crossover stories.
Grade: 7/10
X-Men #8 Victor Gischler (writer), Chris Bachalo (pencils, colours), Tim Townsend, Wayne Faucher, Jaime Mendoza & Al Vey (inks), Joe Caramagna (letters), Terry & Rachel Dodson (cover). $3.99
Thanks to Gischler & Bachalo, another great issue of X-Men is in my hands. Unlike Spider-Man’s take on this tale in the “Shed” storyline, the villain is a surprise all-together – and one I did not see coming.
Opening up from where we left off – Wolverine is taking out lizard-folk, Bachalo-style. From there, a good portion of the story focuses on the children captured by the new villain. I really start to feel for these characters – which is amazing given their short page-time in the book. The fact that I begin to empathize with minor characters the way Gischler makes me, shows that the creative team in this book really are ahead of the game. And despite the unexpected villain, the book ends on a ridiculous cliffhanger leaving Emma in a whole lot of trouble.
I cannot stress (still) how great Bachalo is with this book. I wish he could draw Wolverine all of the time. Heck, let him colour too. He’s doing an incredible job. Of course, we also get four inkers again this month leaving me to wonder who did what. I wish I could get a feel for inkers the way I can with colourists. It’s frustrating!
X-Men went from a decent first story arc to something incredible in no-time! Not to mention that the Dodson’s rocked the cover.
Grade: 8/10
X-Force #6 Rick Remender (writer), Esad Ribic (pencils, cover), John Lucas (inks), Matt Wilson (colours), Cory Petit (letters). $3.99
I think it’s great when I can say, “this is the worst Uncanny X-Force book to date,” yet the story is still impressive.
Deathlok’s appearance at the end of last issue actually meant he was on Fantomex’s side. Admittedly, I didn’t see that one coming. The rest of X-Force eventually meet up with Fantomex and Deathlok to discover why random cyborgs are trying to kill them. Turns out they’re from the future and superheroes are not allowed to exist! But luckily Fantomex comes up with a great plan to defeat them – to destroy the future in the next issue! Despite all of that, the issue seemed like a miss for me.
Surprisingly, the most exciting part of this book for me was when Psylocke had tea with her brother, Captain Britain. She spoke her feelings about how X-Force conducted themselves with Apocalypse. She feels like she’s a changing person and she needed to know that someone understood her. Remender delves into Psylocke’s character with great emotional detail. I can tell he has great plans for her. Not to mention the twist with Captain Britain too. What a doozy!
I really cannot complain about Ribic’s work. He’s a very strong artist and takes what Opena did in the last arc and sharpens it up a bit – leaving us with a less gritty attitude. However, I have realized what feels the most different in the artwork – the colouring. Although Matt Wilson does great work, in comparison Dean White in the last arc, I feel as if the colours on the characters are too bright and plain in comparison to the pencils. I only say that with the characters because Wilson does an excellent job on everything else – particularly on landscapes.
It’s another strong issue for X-Force, but admittedly it’s their weakest too. And in accordance to the story, the cover of the book seems to be ahead of itself by about a month.
Grade: 6.5/10
As a side, see if you can spot the two Star Wars references in Wolverine & Jubilee #3 this week too. An obvious one was mentioning the “Death Star.” You get bonus points for finding the other.
Now that I’m feeling 90% better, I can refocus on reviews again.
But first, I want to say how excited I am for an upcoming Marvel maxi-event. As I suggested in an earlier post, Alpha Flight would be back. Turns out I was right! What’s even better is that the Chaos War duo, Greg Pak and Fred Van Lente, are at the helm of this eight-issue series. Given the two are some of Marvel’s best writers, I am beyond excited to see how this series turns out. I clearly have foresight. Watch out during election time.
But on to the reviews!
Uncanny X-Force #5 Rick Remender (writer), Esad Ribic (pencils, cover), John Lucas (inker), Matt Wilson (colours), Cory Petit (letters). $3.99
Just when the triumphant ending of the last-issue could not make Uncanny X-Force any better of a comic, Remender continues his brilliant run with a brand-new arc featuring Fantomex. (And arguably, given the last issue, anyone could’ve seen this coming – and it’s awesome). In a nutshell, the X-Force team are trying to gather themselves post last issues events. The team gathers without Fantomex in Warren’s bunker to find out that Deadpool has called a meeting to discover Deadpool actually has feelings – and remorseful ones at that! Already Deadpool has been seen as an entirely different character in X-Force with hardly any humour coming from him at all. It’s also great when Wolverine recognizes that he’s being “pulled in all directions” when he complains he doesn’t have much time for meetings.
Meanwhile, early in the story, we learn Fantomex is growing a world. However, due to last issue’s events, he visits his “mother” in the French Alps when he is suddenly attacked by a cyborg Cyclops, Captain America, Elektra, and a few others! Barely escaping with EVA, they crash land only to be found by a particular cyborg who invokes “death.”
As previously stated, Remender’s run with Uncanny X-Force has been great so far. Necessary characterization push the stories boundaries to places where other writers seem to miss. However, I really want to speak about the art in this book – which really has carried the stories. Changing artists, Esad Ribic takes the helm of X-Force and really slams this comic home. One thing I usually dislike about changing artists is how the styles change so drastically between books. Ribic’s artwork, while on its own level, still echoes that of Jerome Opena’s, making the book have a great art transition. Then, of course, John Lucas and Matt Wilson take over with inks and colours which add incredible depths to the many different locations they have to work with. From winter, to underground, to a burning building with a cyborg-Thing being lit by fire – the duo accent Ribic’s art flawlessly, taking the grey-white tones from the previous arc on to a different level.
Why are you still reading this? Read or re-read Uncanny X-Force!
Grade: 8/10
Generation Hope #4 Kieron Gillen (writer), Salvador Espin & Scott Koblish (pencils, inks), Frank Martin (colours), Dave Sharpe (letters), Olivier Coipel & Chris Sotomayor (cover). $2.99
One may ask why I continuously review this book after the hell I’ve put it through. Well, it’s because of issues like this – where it defies everything I’ve said in the past and pushes forward with an excellent story. That’s right: Generation Hope #4 has an excellent story and brilliant artwork. And you know what? It could’ve have happened without the past three-issues.
Generation Hope #4 really excels at storytelling as there is very little action to drown in. The Five Lights make it to Utopia unscathed, but all are shocked about the events which transpired in Tokyo. Remorse and excitement fills the new mutants as they try to figure out their own paths. After landing, Wolverine and Theo get the scuffle they wished to have in prior issues, while the rest settle in. Kenji – the villain in the first three issues – is brought before Scott and Emma to decide his fate. After revealing his sorrow and Emma finding out that the Tokyo incident was truly and accident, they accept Kenji into the island. Meanwhile, Dr. Nemesis puts the other Four Lights in tests to figure out their powers and limitations. Teon becomes like a protective dog to Hope, Hope kisses Gabriel, and Kenji becomes unsure with the future.
Definitely taking a change of pace, the storyline revolves around how the Five Lights interact with one another. No longer are they showing off their powers as so much they are trying to find themselves. In doing so, we get to see how they are as people, rather than weapons. I’d also have to give credit to both artists and colourists for making this the prettiest book I’ve seen from Generation Hope. Mixing Western art with anime in particular panels literally put a smile on my face – particularly one with Gabriel and Dr. Nemesis.
I’m already set for the next issue as this one – despite the lack of action – has me pumped for more.
Grade: 7/10
Wolverine and Jubilee #2 Kathryn Immonen (writer), Phil Noto (pencils, inks, colours), Nathan Fairbairn & John Raunch (colours), Clayton Cowles (letters), Nimit Malavia (cover). $2.99
The Curse of the Mutants Aftermath continues as Jubilee was last seen in a shipping container with tons of dead bodies. Fortunately with Wolverine being at her side, he took her to Siberia – where the shipping container originated from. (Yes, the book just starts there.) Turns out, Wolverine recognized the shipping serial code and wants to believe Jubilee is innocent for the killings. He just can’t trust her yet. Due to Siberia’s constant overcast, Jubilee can go outside unharmed. Convenient!
Wolverine decides to take Jubilee out to fight her – for some “tough love,” and the two later settle in for the night at their hotel. The two are approached by the hotel’s owner and are told about how people and animals in the town are disappearing and the undead are walking. The two go to check out the area and Jubilee ends up fighting off a horde of zombie-esque creatures. Back at the hotel, Wolverine is then awoken to Jubilee kneeling at the door with the mysterious woman from the first issue grabbing on to her.
I want to love this issue, but I can’t due to the lack of intrigue. While I enjoy the Wolverine/Jubilee dynamics, I don’t really have a grasp to what is happening in Siberia until the last few pages. To top it off, the final page cliffhanger really was not so much of a shock as I don’t know who this woman is, nor do I necessarily care. I know she’s responsible for the massacre in the container, but I’m just not attached to the threat as of yet.
What saves the book is Noto’s great pencils. Seeing Jubilee in her X-uniform was very nostalgic for me and Noto’s great use of her costume when battling Wolverine certainly shone. I also have to comment on his work on faces as the large diversity in expressions gave a lot of character to the two as they are really the only ones in the book. The doom-and-gloom of Siberia’s landscape with colours and inks definitely held strong throughout the story. Days felt like nights with the longing forecast disallowing any positive moods to come from the town.
With a promising first issue and decent second one, Wolverine and Jubilee still have a lot of story to tell in two more issues.
Grade: 6/10
As for favourite covers, this week’s favourite totally goes to Carlo Pagulayan for Silver Surfer #1.
This week was absolutely crazy for comics. There’s so many to chose from that I decided on picking the most-anticipated issues this week – aside from the Fantastic Four #587. Sorry folks! I’m doing something different here. So let’s get started!
Age of X: Alpha #1 (one-shot) Mike Carey (writer), Mirco Pierfederici, Gabriel Hernadez Walta, Carlo Barberi, Paco Diaz, Paul Davidson (pencilers), Walden Wong, Diaz and Davidson (inkers), Antonio Fabela, Matt Milla, Brian Reber (colours), Joe Caramanga (letters), Chris Bachalo and Tim Townsend (cover). $3.99
Age of X: Alpha has been teased to readers for quite some time. Now that the issue is released, I’m left asking myself, “What?” Age of X jumps right into whatever world they are in and begins with stories being told by X-Men at a camp. There, we get stories of Basilisk (Cyclops), the Guthrie’s, as well as Wolverine and Magneto. All eventually tie in together to create the basis for the world of Age of X. Although a lot of the story is introductions, it serves well to establish what sort of world our mutants are living in. Basilisk’s story was easily my favourite, based on Arcade taking Cyclops and having him execute other mutants against his will. Some disturbing details about the story I’ll leave to you.
Given there were five individual stories running through the book, various artists were welcomed. Pierfederici made great drama with the groundwork of the multiple story lines, while Paco Diaz hit another home run with a great visuals with Wolverine. Barberi, on the other hand, does not know how to draw women as Husks’ breasts are grossly disproportioned, while Davidson’s art still runs flat with bland faces. What was especially welcomed was mutants who I haven’t seen since M-Day – most notably a personal favourite of mine: Chamber. Thank you, Mr. Carey!
A great cross-over premise with interesting stories and zero ideas on what is going on, will leave reader’s both frustrated, yet demanding more.
Grade: 6/10
Chaos War #5 of 5 Greg Pak and Fred Van Lente (writers), Khoi Pham (penciler), Thomas Palmer and Bob McLeod (inkers), Sunny Gho (colours), Simon Bowland (letters), Brandon Peterson (cover). $3.99
The Chaos War comes to an end as all of Marvel’s remaining heroes crash down upon the Chaos King! Hercules gives it his all as he battles down upon the Chaos King himself. On Earth, Amadeus Cho is busy trying to evacuate everyone and defeat the King. After Herc goes through a bloody beating, a swift hit knocks the King onto the ground, leaving all of Earth’s forces to beat upon him. Still to no avail! Fortunately, Amadeus figures out a way to stop the Chaos King from spreading without killing him at all. Needless to say, it works, and surprisingly leaves Alpha Flight alive by the end. Seriously? Not the Dead X-Men or Avengers? Just Alpha Flight? Oh, and Hercules is no longer a god it seems.
. . . What? Read the book.
Pak and Van Lente have been favourites of mine for quite some time. Their writing skills are uncanny, and to put them together was a great idea. However, by this issue the Chaos War dwindled on me. It became exhausting just to see everyone lose knowing that it will just come down to Herc vs. the King. That battle, however. Wow. Khoi Pham is a brilliant artist and should be commended for some of the best layouts I’ve seen. Great two-page spreads of Herc and the King really stood out as brilliant works. A few particular pages with Palmer during the bloody mess Herc gets himself into leaves a jaw-dropping good time.
Although it began with a great premise, the Chaos War did nothing else to Marvel continuity but bring back second-rate heroes and show that Hercules had another story to tell.
Grade: 5/10
The Avengers #9 Brian Michael Bendis (writer), John Romita Jr. (penciler), Klaus Janson, Tom Palmer and Scott Hanna (inkers), Laura Martin, Morry Hollowell, and Matt Milla (colours), Cory Petit (letters), John Romita Jr. (cover). $3.99
Last issue featured the Illuminati’s return to the Marvel-verse. We hadn’t seen them since Secret Invasion, so their welcome was very exciting. By this issue though, we can safely say, it will be their last appearance. After Steve Rogers discovers with the New and Secret Avengers teams that the Illuminati exists, he wants answers. And so begins the arguing. A second story brings us to Parker Robbins in jail, showing us how he escaped, as well as how he knew where the Infinity Gems were. In a nutshell, we have very interesting conversation going on throughout the whole book – and it’s welcome.
What isn’t welcomed is what should have been solved with a bi-monthly series called Avengers: Prime. As I reviewed before, Prime was supposed to solve all the problems between Rogers and Stark. Although the Illuminati is yes, a special case, it read as if these two never had a conversation together since Roger’s return. It was more mind-boggling than anything.
As for the book on its own, The Avengers was really well-paced and a decent read. I was really more focused on how Parker Robbins escaped prison than the Iron Man/Steve Rogers story however. Another issue I had was something I feel Bendis is doing too-often now. Remember in Avengers #1 where everyone was talked to in two pages? It happened again! It feels like a cop-out. But I digress.
Romita kicked butt this issue! Various spreads of full Avengers line-up in a blizzard really shone. Pure and simple. Mixing in his ink and colour team, this is easily the best-drawn Avengers book yet.
Dialogue is the action in the book – which is fine by me when Romita pumps out a gem like this!
Grade: 6/10
Uncanny X-Force #4 Rick Remender (writer), Jerome Opena (penciler), Dean White (ink and colours), Cory Petit (letters), Esad Ribic (cover). $3.99
I really, really, really cannot stress how excellent of a story Uncanny X-Force has been. The conclusion to “The Apocalypse Solution” ends with a bang as our X-Force members fight to kill Apocalypse – who unfortunately is reincarnated into a little boy who does not know any better. After a huge beat-down by Apocalypse’s Horsemen in last issue, X-Force rallies what strength they have left to end Apocalypse once-and-for-all!
Remender knows his characterization. Everyone in the story has real emotions – real limits to what they can do. To top it all off, it still has humour amidst all the violence. An early scene with Deadpool and Archangel really had me laughing, but by the end of the book, I could help but empathize for each individual character. Thanks to Opena and White, I could see how they all felt, too. This book looks brilliant. Raw emotions, mixed with action, and a mood that isn’t quite dark, but definitely isn’t light, throttles this story to become something beyond a stereotypical comic.
This is what story-telling is all about. If you haven’t yet, start reading Uncanny X-Force now!
Grade: 10/10
New Avengers #8 Brian Michael Bendis (writer), Daniel Acuna (penciler, inker and colours), Joe Caramanga (letters), Mike Deodato and Rain Beredo (cover). $3.99
Luke Cage and Jessica Jones finally get to go out on a date! Yes, since Civil War back in 2006, the married couple really haven’t had a chance to take some time off, with Squirrel Girl as their nanny. So as they go out for dinner, we witness their humorous conversation involving Luke wanting Jess’ name to be “Power Woman,” while a poor waitress watches on just to take their order. The conversation is so big, that a full-page spread is half-covered in word bubbles – all of it funny. Unfortunately, the date is cut short as Ms. Marvel fights a Doom-Bot in front of the restaurant (coincidence, eh?). After its defeat, the heroes go back to Avengers Mansion to discuss what just happened. That’s it in a nutshell, folks!
And you know what, I don’t mind it either. From both Avengers and New Avengers, Bendis gave the heroes some time off to not really battle. Arguably, this is the second New Avengers title in a row where there was very little action. There’s absolutely no problem with that when the dialogue is as quick-witted as Luke and Jessica’s was. Daniel Acuna’s art also made it very much exciting, where beautiful water colours amongst a dark skyline really brought the “action-less” characters to life.
Although not much happens here, it is nice to see heroes breath a little bit while setting up a new story arc.
Grade: 7/10
As a side note, the cover of the week totally goes to both Esad Ribic from Uncanny X-Force and Dave Wilkins on New Mutants #21 for his excellent work of Legion.
Although there were tons more to review, that’s all the time I have for now folks! Until next time, keep on Space Truckin’!
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