Top Albums of 2020

And starting off at number fifteen. . .

15. Acid Mammoth – Under Acid Hoof (Greece – Heavy Psych Sounds)

For their second album, Acid Mammoth comes across like an even stonier version of Black Sabbath with some hints of Kyuss. With a healthy mix of psychedelia and metal, Under Acid Hoof jives and weighs heavily. With pounding bass tones and wailing guitars, Acid Mammoth delivers a hefty dose of doom and stoner metal to appease the senses.

Check out Acid Mammoth’s Bandcamp:
https://acidmammoth.bandcamp.com/album/under-acid-hoof

14. John Petrucci – Terminal Velocity (United States – Sound Mind Media)

A household name in both heavy and progressive metal, Dream Theater’s lead guitarist’s highly anticipated second solo album is everything you’d want not only as a guitarist, but as a Dream Theater fan as well. Reuiniting with long-time friend and drummer Mike Portnoy, there’s something familiar sounding within Terminal Velocity. I wrote extensively on the album, which you can read about here. Certainly one of the biggest surprises from this year.

Click here to Watch the official music video to the title track

13. Al-Namrood – Wala’at (Saudi Arabia – Shaytan Productions)

Something sinister from the Middle East, Al-Namrood’s seventh release, Wala’at was another album I tackled earlier this year. With incredibly jarring vocal arrangements from singer Humbaba, I became an instant fan. While I do not understand the literal lyrics, I understand the meaning behind them – thanks to the incredible emotion poured into this impressive black metal album.

Head to Shaytan Production’s Bandcamp page and check out Wala’at here:
https://shaytanproductions.bandcamp.com/album/walaat

12. Shezmu – À Travers Les Lambeaux (Canada – Krucyator Productions)

Out of Quebec, Canada, comes one of the more extreme albums from this year. Shezmu’s debut, À Travers Les Lambeaux, combines black, death, and doom metal into a conglomerate of sound. With vocal harmonies that feature both guttural and frightened shouts, the uneasiness from Shezmu’s music is chilling to the bone. As debuts go, nothing can be more impactful than this.

Check out Shezmu’s Bandcamp here:
https://shezmu.bandcamp.com/album/travers-les-lambeaux

11. Proscription – Conduit (Finland – Dark Descent Records)

A newcomer in the blackened death metal scene is Proscription’s debut, Conduit. With extreme tendencies, the album provides a look into the depths of Hell with its bleak resonance outpouring from the screams and tones from many of the moods in each song. With crunches and reverb in songs like Red Sacrament Black Communion, one can hear and appreciate how Proscription can sink one into the macabre.

Listen to the entire album here:
https://darkdescentrecords.bandcamp.com/album/conduit

10. Ulthar – Providence (United States – 20 Buck Spin)

I’ve reviewed a lot of albums this year, and Ultar’s Providence is one of them. While their first album made my Honourable Mentions in 2018, Providence ups the ante in every possible way, creating a sonic cacophony of beautiful, technical chaos. The clean production of the album stands out as a highlight: where most death metal becomes muddled (for good reason), Ulthar shines. With a bright pop in its insanity, Providence is yet another brilliant album in the band’s arsenal.

Listen to the whole album here:
https://listen.20buckspin.com/album/providence

9. Malokarpatan – Krupinské Ohne (Slovakia – Invictus Productions)

Into the band’s fourth album, prepared to be floored. With influences and genres coming from all over, on paper, one would expect a mess. Yet in Krupinské Ohne, cohesive arrangements come about in what I can only compare as Fantômas meets modern Darkthrone. Traditional heavy metal blends with black metal, meets with strange production and song samples, mixing the atmosphere of the album into something. . . strange. With delicious riffs all over, Krupinské Ohne is a real treat.

Listen to Krupinské Ohne in its entirety here:
https://invictusproductions666.bandcamp.com/album/krupinsk-ohne

8. Ulver – Flowers of Evil (Norway – House of Mythology)

With their last album reaching #2 on my favourite albums in 2017, Ulver continues to work on – and arguably perfect – their sound, which comes across like a darker version of Depeche Mode. Unlike the last album, however, Ulver’s song writing tightens up even greater. While it initially took some time to grow, Flowers of Evil is clearly a stronger leap forward to the band’s ever-progressing soundscape.

Listen to Flowers of Evil here:
https://ulver.bandcamp.com/album/flowers-of-evil

7. Fellwarden – Wreathed in Mourncloud (England – Eisenwald)

Into their second album, Fellwarden’s Wreathed in Mourncloud is a moody beast of an album. As I mentioned in my review of the album earlier this year, the natural feeling and tones within the album are truly epic and still filled with sorrow. To sum my review: “Passionate, intense, brutal, and with a ton of heart, Fellwarden’s Wreathed in Mourncloud is an outstanding album that delivers on every level.”

Check out the entire album here:
https://fellwarden.bandcamp.com/album/wreathed-in-mourncloud

6. Auðn – Vökudraumsins Fangi (Iceland – Season of Mist)

I’ve listened to a lot of incredible Icelandic black metal this year. When I heard Auðn was releasing a follow up to their second album Farvegir Fyrndar (my #9 in 2017), I couldn’t have been more excited. Auðn’s fresh and evolving sound keeps me wanting to go back for more. I don’t think there’s a better example of how what this band is trying to accomplish than the second track of their album, Eldborg – as it brings you something familiar, yet something dark and sinister at the same time.

Check out the entire album here:
https://audnofficial.bandcamp.com/album/v-kudraumsins-fangi

5. Núll – Entity (Iceland – Ván Records)

Featuring members from the Icelandic black metal band Misþyrming, 0 or “Núll” released this depressive blackish doom metal album which is filled with absolute agony and sorrow. A bleak and mournful album, Núll’s tones are intense and yet also very atmospheric while still being bitterly cold. A standout album for for reaching deep into your soul and taking your heart and leaving you to freeze.

Listen to Entity in its entirety here:
https://0000000.bandcamp.com/album/entity

4. Atramentus – Stygian (Canada – 20 Buck Spin)

The debut album of this funeral doom outfit from Quebec, Stygian slowly creeps its way into your mind with cathartic releases sprawled along its slow, 44-minute burn. The album’s three movements are intense with weight. It’s slow burn also acts as a slow build, with the final climax making the experience worthwhile as it pays in dividends. An absolutely brilliant, gorgeous album that has me excited to see what Atramentus will bring to the table next.

Check out the album here:
https://listen.20buckspin.com/album/stygian

3. Nyrst – Orsök (Iceland – Dark Essence Records)

Hands-down my favourite Icelandic black metal album of the year, but what makes it so different? The cold of the atmosphere? The frightening and chilling raspy vocals screaming into my essence? The fact that there’s been a permanent link on my desktop to play the album from my computer since its release? Nyrst keeps pulling me back in to its clutches with its encapsulating sounds and terrifying tones. I’ll be listening to this one for years to come.

Check out Orsök here:
https://nyrst.bandcamp.com/album/ors-k

2. Green Carnation – Leaves of Yesteryear (Norway – Season of Mist)

The distance between this album and my favourite album of the year is actually pretty close. After 14 years, Green Carnation returned with something familiar, yet different. These progressive metal titans have always stood out separate from other progressive metal bands as they created substance over flash – structure over solos. The result? Probably their best album and one of the greatest things to grace my ears in 2020. When the title track was released, I shed tears of joy. Green Carnation are back.

Pick up Green Carnation’s latest here:
https://greencarnationsom.bandcamp.com/album/leaves-of-yesteryear

1. Havukruunu – Uinuos Syömein Sota (Finland – Naturmacht Productions)

What else can I say that I already haven’t? The melodically blazing third album from Finland’s Havukruunu takes Album of the Year because of everything it has to offer in an album and then some.

As one of the greatest pagan black metal albums I’ve heard in recent years, Uinuos Syömein Sota combines elements of guitar virtuoso with thrash and modern production to create a stark experience from traditional pagan albums. While heavyweights like Moonsorrow and Borknagar helped establish the scene by the early 2000s, Uinuos Syömein Sota is a clear and direct evolution from them as they create something different, sharper, and arguably cleaner, than anything else in the genre.

With each song managing to stand out a bit different from the last, each one still manages to have standout moments. From the battery of percussion in Ja Viimein On Yö, to the ripping melodic guitar solos in Vähiin Päivät Käy, the ambient electronic atmosphere in the finale of Tähti-Yö Ja Hevoiset, or the chilling vocal harmonies within the title track, there’s a lot of variety packed within the 46-minute album.

Nothing is overplayed nor is anything overdone. The album is paced brilliantly and it does not overstay its welcome. Uinuos Syömein Sota’s sounds are heavy and harmonious – a perfect concoction for what is, in my opinion, the best album to come out of 2020.

Listen to my Album of the Year here:
https://naturmachtproductions.bandcamp.com/album/uinuos-sy-mein-sota

 

Honourable Mentions:

Afksy – Ofte jeg drømmer mig død

Solothus – Realm of Ash and Blood

Fates Warning – Long Day Goodnight

My Dying Bride – The Ghost of Orion

Ciel Nordique – II EP

Ihsahn – Pharos EP

Precambrian -Tectonics

Triptykon – Requiem

Sinira – The Everlorn

Ulcerate – Stare Into Death And Be Still

Dunwich – Tail-Tied Hearts

 

Most Disappointed:

UADA – Djinn

Thy Catafalque – Naiv

Testament – Titans of Creation

Dynfari – Myrkurs er þörf

Falconer – From a Dying Ember

Questions? Comments? Agree? Disagree? What have you? If you’d like, you can also follow me on Twitter and Instagram!

Top 20 Albums of the Decade (2010-2019)

As 2019 comes to a close, I decided to go back and think about what really impressed me over the last ten years. There was so much new music this decade, one may think it was difficult to come up with a list.

You know what? It was!

On average, I listen to about 50 new albums every year. Times that by a decade and holy smokes – that’s a lot of music!

Initially I had started this list with thirty albums that really impressed me. However, I felt that was a bit too long. Cutting down to twenty was surprisingly easy. It was the painstaking task of sorting the top twenty which really took time.

I only put one album from 2019 in my list as I felt most of the albums released this year are still too “fresh” for me to make a decent judgement call on. You’ll notice what I mean when you see songs that were #1 from 20XX suddenly not holding their own – or even on the list at all!

Albums that are labelled “DNR” means they “Did Not Rank.” This may mean they were in my Honorable Mentions from that year, or maybe missed getting recognized entirely!

Starting off at number twenty. . .

20. Ozric Tentacles – Technicians of the Sacred (2015 – #3)
Fav. song: Changa Masala

This all instrumental double album from these psychedelic English prog rockers is some of their best work in their over thirty year career. Grooving, atmospheric, and just downright fun – it’s definitely their most accessible album for all listeners.

19. Gridlink – Longhena (2014 – #5)
Fav. song: Island Sun

It’s still something I like to call “beautiful grindcore” – there’s something very angelic to Gridlink’s Longhena. Intense as it may be, there’s a sense of beauty and poetry behind all of the chaos.

18. Riverside – Love, Fear, and the Time Machine (2015 – #1)
Fav. song: Lost (Why Should I Be Frightened By a Hat?)

While not all #1 albums can make it to #1 again, in 2015, Riverside’s LF&tTM hit me in the right spot at the right time. Still melancholic, this prog rock album is most peaceful when listened to in the right mood.

17. Spaceslug – Eye the Tide (2018 – #4)
Fav. song: Spaced by One

This is one heck of a dirty album. Sludge/doom/stoner – whatever the genre you wish to call it, Spaceslug’s Eye the Tide delivers. A couple of years later, I still have a bit of the spaceslug in me.

16. Barenaked Ladies – Fake Nudes (2017 – DNR)
Fav. song: The Township of King

Not everything needs to be metal, y’know. The first album on this list which eluded getting ranked before. When one removes the obvious pop-fueled “singles” from the album, what is left is an incredible mix of musicianship and production. Fake Nudes is a relaxing joy to listen to.

15. Bell Witch – Mirror Reaper (2017 – #5)
Fav. song: Mirror Reaper

One of the bleakest albums on the list, Bell Witch’s funeral doom album stretches over an hour and twenty minutes. Foreboding and crushing in darkness, Mirror Reaper is something I play for introspection rather than entertainment.

14. Cannibal Corpse – Torture (2012 – DNR)
Fav. song: Scourge of Iron

One of a few albums that originally had not ranked before, Torture turned around on me. Impacting, aggressive, intense, great production – all these things and more is why I’ve listened to Torture more than any other Cannibal Corpse album this decade.

13. Khôrada – Salt (2018 – #2)
Fav. song: Seasons Of Salt

Salt is still an album that weirds me out – I still haven’t heard anything like it before. With the strangest of production, composition, and sounds, I feel Khôrada will keep me interested for years to come.

12. Marillion – Fuck Everyone and Run (FEAR) (2016 – #10)
Fav. song: Living in F E A R

FEAR has grown on me a lot over the few years it has been out. I spin it regularly and each time I feel something truly historic and beautiful about it. Marillion created an album which continues to give. It’s a wonderful album.

11. Ulver – The Assassination of Julius Caesar (2017 – #2)
Fav. song: So Falls the World

The production on this album won me over, as did the enchanting journey it provided. It’s a producers delight and brilliant fun with headphones on.

10. Aborted – Retrogore (2016 – #7)
Fav. song: Retrogore

In your face and direct, Retrogore ranks high for being self aware and ridiculously good death metal. It’s fast, brutal, and something I spin regularly for having a good time. It has easily became my favourite album of theirs.

9. YOB – Our Raw Heart (2018 – #1)
Fav. song: Beauty in Falling Leaves

An emotional thrill ride, Our Raw Heart delivers with the slow burns of intensity. It’s still one of the most beautiful doom metal albums I’ve ever heard, and most certainly their best sounding release this decade.

8. Gorguts – Pleiades’ Dust (2016 – #3)
Fav. song: Pleiades’ Dust

A modern-day epic, Pleiades’ Dust is a monument to songwriting. As the song/album ebbs and flows, one can really pick out the instrumentation and true “orchestral” beauty that Gorguts puts into their music.

7. Vektor – Terminal Redux (2016 – #1)
Fav. song: Recharging the Void

Bringing me chills by the end of it, Terminal Redux may be one of the best thrash albums I’ve ever heard. With a great story to boot, Vektor knocked it out of the park with such an impactful piece of art.

6. Devin Townsend – Empath (2019 – #1)
Fav. song: Singularity

The only album from 2019 on my list, Empath ranks so high because it certainly deserves it. Much like Khôrada’s Salt, Empath brings something new to the table. For that, it must be recognized.

5. Triptykon – Melana Chasmata (2014 – #1)
Fav. song: Tree of Suffocating Souls

Where would I be without Triptykon? Some of the most extreme and honest music on the list; this album sings right from the depth of the soul. Melana Chasmata something I spin regularly.

4. Steven Wilson – Hand. Cannot. Erase. (2015 – #2)
Fav. song: Happy Returns

Initially getting beat out by Rivierside in 2015, Steven Wilson now jumps ahead of the pack. The metaphorical lyrics, the subtle musical moments and technical prowess – Hand. Cannot. Erase. is truly one of the best concept albums of the decade.

3. Agalloch – Marrow of the Spirit (2010 – DNR)
Fav. song: Black Lake Nidstang

This Agalloch album is VERY closely contended with my #1 and 2. I’ve been going back and forth for a couple of weeks debating and choosing one over the other. Alas, I had to decide. But first: Marrow of the Spirit, I believe is the best Agalloch album. Not The Mantle and not Pale Folklore. Don’t @ me. Marrow of the Spirit has something rustic, intense, and intrinsically beautiful lingering among all of the chaos.

2. Anathema – Weather Systems (2012 – #1)
Fav. song: Untouchable, Part 1 & 2

Anathema’s Weather Systems may be one of the most beautiful, yet surprisingly sad albums to have ever graced this planet. Musically, it’s genius. Lyrically, it’s poetic and sincere. Weather Systems is a triumph for both the mind and ears.

1. Triptykon – Eparistera Daimones (2010 – DNR)
Fav. song: The Prolonging

From the incredible album cover created by the late and great H.R. Giger, Eparistera Daimones encapsulates all I love in the heavy metal genre. From start to finish, this album absolutely dominates the listener and refuses to let them breathe. Its lyrical content is brutally honest and the music properly reflects that. Songs like Abyss Within My Soul are heavy in both sound and content. My Pain is hypnotically ethereal yet devastating at the same time. It being the segue into the nineteen minute epic, The Prolonging, is absolute genius.

I debated putting both Triptykon albums in my list. It may seem like both albums in my list here are the same: but they’re most certainly not. Eparistera Daimones, coming out of the ashes of Celtic Frost, has a unique quality and sincerity about it. There’s purposeful cracks in the armor. There’s noticeable pain, bleakness, anger, and darkness. I really cannot stress the honesty of this album enough. It’s a masterpiece and work of art wrapped around in doom, aggression, terror, atmosphere, and chaos. The album is non-apologetic for what it is and proudly wears its wounds.

For those reasons and a ton more, is why Eparistera Daimones is truly one of the greatest albums of the decade.

—–

Questions, concerns, thoughts? Did I miss something? Let me know! And let’s see what the next decade will bring us! If you’d like, you can also follow me on Twitter and Instagram!

Until next time, keep on Space Truckin’!

Top Albums of 2017

And starting off at number fifteen. . .

15. Premiata Forneria Marconi – Emotional Tattoos

Starting off the list is a band of which sort of dropped off the radar and really are only mentioned when discussing the their strength of progressive rock albums in the 70s. Premiata Forneria Marconi, or PFM, are an Italian prog rock band that with their new album, Emotional Tattoos, surprised me at its strength. This hefty double-disc album features a great mix of prog rock tunes which feel like they’re from the 70s but with a modern production value. It’s a refreshing album that is unfortunately held back by its song placement (it takes a good four or five songs until the album really begins to kick some butt). Despite that, it’s deserving on a top spot for 2017.

Check out the music video for “The Lesson” here:

14. Blade Runner 2049 Soundtrack

The first time I’ve ever put a soundtrack into my list. The Blade Runner 2049 movie, while visually stunning, was audibly awesome. The cyberpunk/noir feeling originally established by Vangelis back in 1982 gets tastefully expanded upon by composers Hans Zimmer and Benjamin Wallfisch. The soundtrack provides a sweeping landscape of emotions and feelings which can be confusing given its sterile and mechanical sound. It’s completely worth checking out.

Listen to “Flight to LAPD”: https://www.youtube.com/watch?v=EGxyGcZ5jsY

13. Sarkrista – Summoners of the Serpents Wrath

Intense is one way of putting it. Rip-roaring music from the second album of these German black metallers, Sarkrista’s Summoners of the Serpents Wrath is in your face with its blasting beats, screaming vocals, and shredding, ambient guitars. The album rarely lets up, giving you a solid black metal album from front to back.

Listen to the full album here: https://www.youtube.com/watch?v=FOz42CgKjks

12. Rude – Remnants…

Rude’s second release, Remnants…, is another great traditional death metal album. Their first album, “Soul Recall,” made my top fifteen back in 2014 and these guys have impressed yet again. The production completely sells me on this album, let alone the songs. This album pounds your ears hard and is yet another exceptional sounding death metal record from these U.S. based metal heads.

See the lyric video for “House of Dust” here:

11. Paradise Lost – Medusa

Pulse-pounding and crushing, the death/doom metallers Paradise Lost release yet another solid album off the back of 2015’s The Plague Within. While there’s nothing surprisingly in terms of riffing or production, the album just keeps its momentum and variety up long enough to be a great album.

Listen to the final track, “Until the Grave” here: https://www.youtube.com/watch?v=C2JRD4r4Yuw

10. Dumal – The Lesser God

When I think of American black metal, my first thoughts come to Agalloch. While these guys are no Agalloch, I feel the influence is there. Crisp production is one thing, but Dumal’s incredible sounding riffs create an almost nostalgic feel for me – reminding me of the first time I got into black metal (with Mayhem’s Pagan Fears). Lost Caverns is definitely the track that won me over on this album, but the rest of it is just so, so great. For their impressive debut album, I’ll definitely me following Dumal closely in the coming years.

Check out the full album here (especially “Lost Caverns”): https://dumal.bandcamp.com/album/the-lesser-god

9. Auðn – Farvegir Fyrndar

This Icelandic black metal outfit release a torrent of cold atmosphere with their second album, Farvegir Fyrndar. Melodic riffs are eerie and define the tone of the album. Often dramatic, the album builds momentum, starting from the first track. Crushing through, listeners are given other great glimpses of brilliance through this very bleak sounding album. Easily takes the spot as the best black metal album I’ve listened to this year.

Listen to Skuggar: https://www.youtube.com/watch?v=RkOgY8P4NUY

8. Daniel Cavanagh – Monochrome

Given Anathema just released their newest album this year, I was surprised to see something released from their lead songwriter only a few months later. Daniel Cavanagh’s acoustic album, Monochrome, is brilliant, loving, sad, uplifting, and therapeutic all at the same time. While much can be said about Anathema’s music, Daniel’s own personal flare and attention to detail certainly shines something special here.

Listen to “The Exoricst” here: https://www.youtube.com/watch?v=pKGoYUZ_B1c

7. Artificial Brain – Infrared Horizon

If there was one thing I wasn’t expecting from this technical death metal band, it was an incredibly dramatic science fictional album. Much like the title of my favourite track on the record, this album is Estranged from Orbit. It’s different and yet feels familiar. The music is composed to make sense – there’s nothing purposefully flashy on the album. The parts in the songs have purpose and riffs are crafted to build and explode with emphasis. It’s smart, clever, intense, and sounds absolutely different than many death metal albums out there.

Listen to the whole album here (especially “Estranged from Orbit”): https://profoundlorerecords.bandcamp.com/album/infrared-horizon

6. Steven Wilson – To the Bone

Steven Wilson always does something different – not because he has to, but because he can. With this album, Wilson crosses the boundaries of pop rock and prog rock, creating an album that heavily reminds me of Peter Gabriel’s So. Featuring a handful of songs with Ninet Tayeb sharing vocal duties and incredible musicianship, the classic Steven Wilson “sound” makes To The Bone not only a strong album, but somewhat of a “gateway” album to introduce pop fans about prog. With a well-rounded album and even a subtle nod to Porcupine Tree in one of the songs, To the Bone is yet another Steven Wilson album that made my Top 15 list.

Seen the video to the astounding “Pariah” here:

5. Bell Witch – Mirror Reaper

What. A. Heavy. Album. Featuring drums, bass, vocals, and a Hammond, this near hour and a half long song, in my opinion, well-defines funeral doom metal. Dark and dreary, Bell Witch brings the dead to the listeners ears in this haunting slow burn of an album. It’s atmospheric, moody, crushing, and so many other feelings, that “Mirror Reaper” is really something needed to be experienced.

Listen to an excerpt from “Mirror Reaper” here: https://www.youtube.com/watch?v=Yrc1ch3O9Fs

4. Anathema – The Optimist

One of my favourite bands return with somewhat of a sequel to 2001’s A Fine Day to Exit with their newest release, The Optimist. Smartly crafted, the album begins where their previous album, Distant Satellites left off – with electronic music. However, the band cleverly makes the electronic to real-instrument transition within the first song and continues to put the listener through a literal journey of musical and lyrical emotions and feelings that are purposefully left ambiguous. It’s a damn pretty album. “Wildfires” is my favourite track.

Watch the video for “Springfield” here:

3. Bent Knee – Land Animal

When I first heard Bent Knee, I couldn’t get over how tight the band was. As if they’ve been playing for decades, this American prog rock outfit showcases their songwriting abilities all over this album – and they’re supremely tasteful. Often times prog rock showcases (and can sometimes celebrate) musical wankery. Bent Knee shows restraint and thought behind each note, chord, and lyric. While Land Animal is their fourth album, the band takes nothing for granted with the effort clearly put into this record. What a treat.

Watch the live video of Bent Knee performing “Holy Ghost”:

2. Ulver – The Assassination of Julius Caesar

In The Assassination of Julius Caesar, ex-black metal band Ulver create something that’s dark, experimental, and would appeal to Depeche Mode fans. Upon first listen, I felt engrossed with the production: the synth, reverb; the drama. Like the music, Ulver’s lyrics are also intelligent and deep. Music builds and slows, putting the listener through an interesting journey of sounds which engrossed me like no other album had this year. Ulver’s newest is a gorgeous electronic-feeling album with nothing but respect to its listeners.

Check out the first track of the album, “Nemoralia” here: https://www.youtube.com/watch?v=Wq0Kb4bFNzg

1. Pain of Salvation – In the Passing Light of Day

When this album came out in the middle of January, I had hoped for another album to be released later in the year that would be better than it. Not because I disliked the album, but because it was so damn good and so early on in the year, I really hoped another album could topple it. Now here we are at the number one spot on my list.

When lead singer/songwriter Daniel Gildenlow went into the hospital a few years back, he discovered he had a life-threatening disease. This album is that story and goes through the emotional trauma and thoughts running through his head while in the hospital. At times uplifting, the album can become sad when you can feel the emotions coming from Gildenlow’s voice. He’s felt the pain he’s singing about and he wants us to experience what he’s experienced.

Tracks like “Silent Gold” and “If This is the End” are both mournful and powerful. “Full Throttle Tribe” is catchy, while “Reasons,” “Meaningless,” and “On a Tuesday” are direct and in your face. However, it’s the final title track which absolutely steals the show. At fifteen minutes in length, “The Passing Light of Day” explains the fears and joys of being in love while given the listener an emotional roller coaster of music to follow suit. Songs are strongly crafted by both Gildenlow and multi-instrumentalist Ragnar Zolberg. Zolberg joined the band in 2011 and co-wrote most of the songs on this album. Now no longer in the band, I can’t help but follow where he goes next to see what he does.

I’ve been a fan of Pain of Salvation since 2002-2003. While I can say with certainty that this is my favourite album of 2017, I can also say that In the Passing Light of Day is Pain of Salvation’s best studio album to-date.

Check out the music video for “Reasons”:

See the music video for “Meaningless” here:

Honourable Mentions:

Barenaked Ladies – Fake Nudes

Threshold – Legends of the Shires

Bison – You Are Not The Ocean You Are The Patient

Ayreon – The Source

Aborted – Bathos EP

Kreator – Gods of Violence

All Pigs Must Die – Hostage Animal

Nordic Giants – Amplify Human Vibration

Most Disappointed:

Electric Wizard – Wizard Bloody Wizard

Cannibal Corpse – Red Before Black

Pallbearer – Heartless

Sólstafir – Berdreyminn

Vuur – In This Moment we are Free – Cities

Sons of Apollo – Psychotic Symphony

Moonspell – 1775

Questions? Comments? Agree? Disagree? What have you?