Review: X-Men Legacy #258

With two issues left on Mike Carey’s exceptional run on X-Men Legacy, as expected, we’re about to get a lot of closure with the characters he’s used for years – not to mention the homecoming of the Starjammers!

X-Men Legacy 258

X-Men Legacy #258
Mike Carey (writer), Steve Kurth (pencils), Ed Tadeo (inks), Brian Reber (colours), Cory Petit (letters), Mico Sayan & Sonia Oback (cover). $2.99

With the fear of the X-Men being obliterated mixed with the possible homecoming of Havok, Polaris and Phoenix, this should be an exciting book.

And you know what? It is! But once I finished the book, I found me asking myself, “What the heck just happened?” But first:

Once again, writer Mike Carey hits his knowledge of the X-Universe home with these characters. Magneto pulls some trickery from his hat (or helmet?) while Rogue and Rachel combine their powers to finish off Friendless once-and-for-all.

With so many characters running about in the book, it’s great to see how Carey balances them all. Frenzy gets her time to shine, while Gambit – with so few words in-story – is still same the Gambit we all know and love.

In terms of development, Carey makes Rogue not only act as leader, but has her prove it again and again in this story. With the conclusion of this story arc, Carey really improves his take how on our favourite Southern belle has moved so far from the comics which we grew up with her in.

But I asked, “What the heck just happened?” When the story ended, I was still unclear about the events that took place. And it wasn’t Carey’s fault.

I enjoy Steve Kurth’s work. From time-to-time, characters look a bit stringy or faces do define the character too-well, but he definitely is a clean, sharp artist. I especially love his depictions of Rachel and Gambit in this book. What bothered me was rather how the story progressed. By no-means am I a professional artist, but I’ve read enough comic books to understand how storytelling works. While Kurth has been doing this for years, this book didn’t do it for me.

The problem lays in with the massive panels. While Kurth’s art is pretty immaculate, the story-telling aspect became muddled in the large panels – especially when they are exterior shots of the ship which story takes place in. I really have no idea what I’m looking at – whether the ship was in peril or not. It’s close to crashing, it’s not close to crashing – it went into a wormhole? It was unclear with what was happening. If there were smaller panels, it would give Kurth a lot more space to explain the events in the story. Big images are gorgeous, but many panels can tell a story clearer than a single splash page with one or two smaller panels embedded.

X-Men Legacy 258I hope you enjoy the colour yellow

And while the art was good, Brian Reber’s yellows really clustered what was visible outside of the ship. Things were too yellow or orange. In fact, aside from a few characters who have blacks in them, and the “trance blue,” yellow and orange were really the only two colours that ran through the book.

Like I said though, Kurth is a strong artist. However the small qualms with storytelling in this issue really detracted from what happened.

With Carey only having two issues remaining on his run on Legacy, the way he concluded this arc makes it look like he’s just getting started.

Grade: 6/10

Keep on Space Truckin’!

FanExpo Tomorrow!

Tomorrow I am off to FanExpo Canada. In a nutshell, it’s Canada’s equivalent to the San Diego Comic Con. Admittedly, it’s not nearly as large, nor does it draw a huge slush of big Hollywood celebrities – but it’s definitely a place I look forward going to every year.

Last year, as if you hadn’t known already, I met the legendary Stan Lee. This year, while Stan Lee will not be there, a huge group of comic artists and writers will be. I’m looking very forward to meeting and talking to a bunch of them. Most importantly, a brilliant writer: Chris Claremont.

But for this year, I’m only going up for two days – Thursday and Friday – due to work obligations and finances. However, that will not stop me from having a ton of fun. Expect tons of pictures when I come back.

In fact, let’s see my schedule for the Con:

People to See/Get Signed:
Chris Claremont #743 (Uncanny X-Men)
Leonard Kirk #P055 (New Mutants)
Mark Brooks #P045 (Uncanny X-Force)
Dale Eaglesham #P066 (Alpha Flight, Fantastic Four, Incredible Hulks)
Fred Van Lente #P065 (Taskmaster, Chaos War)
C.B. Cebulski Booth #743 (Marvel VP)
Kelly Sue DeConnick #P002 (Osborn) (Friday)
Jimmy Cheung (Avengers: Children’s Crusade)
Axl Alonso (Marvel Editor-in-Chief)

Panels & Signings:
Thursday:
5pm, Room 714 – Breaking into Comics the Marvel Way
7pm, Room 717 – Redefining the FF – Jonathan Hickman, Steve Epting & Marko Djurdjevic

Friday:
11:30am, Room 716 – Sketching Duel: Marko Djurdjevic & Tony Daniel
1pm, Room 717 – Fred Van Lente & Dale Eaglesham on Alpha Flight
2:30pm, Room 714 – Marvel: Fear Itself
Auto CC 3:30pm – Signing Session: Marko Djurdjevic (NM, SA)

As you can see, there are some major names on that schedule of mine. I’m very excited to talk to Fred Van Lente on how incredible his Taskmaster series was. I also am looking forward to meeting Kelly Sue to express my appreciation for her work on Osborn.

I’m probably going to get some commission work done as well. Leonard Kirk is on the top of my list, while, if at all possible, I’d like to see how much Djurdjevic charges – if he’s doing any at all.

When I’m not in line for, or in the panels and signing sessions, I will be scouring the immense showroom floor; checking out costumes, booths, and other artists. I’m still on the hunt to complete the entire run of Uncanny X-Men, so we’ll see how that goes!

I did say I wasn’t staying the whole weekend for financial reasons, right?

As a side note, isn’t it crazy that Mike Carey is finishing his six-year run on X-Men Legacy?

X-Men Legacy

I’ll see you all when I get back!

Keep on Space Truckin’!

Wednesday’s Reviews – Back in Action

Well I’ve been away for awhile. Sometime life throws you some curve balls. In my case, it was working a lot and a humidex ruining my will to stay awake. I also must apologize for the lack of Classic Comic Friday’s this month. It simply can not happen with how hectic everything has been both with work and me getting my new computer actually running. HOWEVER, I definitely will be doing some reviews this week and later on this month, tackling the whole, “Superman’s not American Anymore” topic. I may be a bit late to the game in talking about it, but I do have a reason for it. I will give my explanation to why in time.

Also, UncannyDerek.com is on Facebook! Click on the loveable blue “F” on the right of the screen to join the group. In a nutshell, it’s the easiest way to get updates.

But for now:

Iron Age Alpha

Iron Age Alpha #1 (one-shot)
Rob Williams (writer), Rebekah Isaacs (pencils, inks), Andres Mossa (colours), Jared K. Fletcher (letters), Ariel Olivetti (cover). $2.99

This was a story I was dreading since its announcement: The return of Phoenix – in an IRON MAN book? Was this current continuity or some sort of Ultimate universe? Well it’s current continuity, and surprisingly, it is not what I had expected at all.

Iron Man gets kidnapped by a old disgruntled employee, the Phantom! (Yes, even I had to do research to find out who this guy was). Talk about pulling back from Iron Man’s past. Anyway, his plans are to have Iron Man watch the Phantom kill himself and the world. The plan involves one of Dr. Doom’s old time machines pulling the Dark Phoenix out of the 70’s to destroy everything we know. Conceivably, it’s a great plan. It even works! But Stark jumps into time machine before the world is destroyed and is now stuck in the past. What is a boy to do?

Fortunately for us readers, we can see how this story can easily be retconned making it an irrelevant story in the long run, and possibly just a ploy to bring the Phantom back into the Marvel mainstream. Maybe I’m wrong. What I do know is the story is definitely not trying to bring Dark Phoenix back into the Marvel continuity. It just feels wrong with the way she enters and exits the story with so little emphasis. I digress.

What is a fair decent coupe-de-grace is Isaac’s artwork. It’s nothing ground breaking by any standards, but many excellent panels lift the book above what the rest of the story gives. All scenes with Phoenix and the final page really shows her versatility as an artist – complimenting two art styles and setting them in one book. It’s a lot of tough work, so she deserves her kudos.

Although the start was interesting, I feel like I already know how this story will end. Dark Phoenix is already out of the game and seemed really like only a marketing strategy to get readers like myself on board. It worked, Marvel. But good try. I’m already done with the Iron Age.

Grade: 5/10

X-Men Legacy

X-Men Legacy #250
Mike Carey (writer), Khoi Pham & Steve Kurth (pencils), Tom Palmer & Jay Leisten (inks), Marte Gracia & Brian Reber (colours), Cory Petit (letters), Mico Suayan & Marte Gracia (cover). $4.99

A super-sized 250th issue of X-Men gives us three stories in one giant tome. Two of the stories are written by Carey, while a reprint of New Mutants #27 by Claremont’s and Sienkiewicz appears as the third story.

Carey’s first story continues the dilemma after the Age of X. However, unlike the Age of X, this story makes sense (Cyclops even agrees with me). As the Age of X concluded, mutants long-gone (ie. Chamber) were brought back into the real world. Naturally, five of Legion’s personalities would also escape – and it’s up to a unlikely band of mutants to stop them: Legion, Xavier, Magneto, Rogue, Gambit and. . . Frenzy? If you told me about this lineup a year ago, I would’ve laughed. But Carey has been able to reshape X-Men Legacy so naturally that it feels completely natural.

For the second story, we finally get to see what Rachel, Havok, Polaris & friends are up to – and it’s not pretty. Cleverly using Rogue’s powers and the Age of X storyline, Carey makes a way to retrace where our favourite lost-in-space mutants have been. Admittedly, I’ve been confused to how the Age of X tied in with Rachel’s reappearance a few issues back, but now it is blatantly clear. I’m most excited with this storyline, as I loved the War/Realm of Kings stories.

What comes as a shocker is Khoi Pham. I absolutely love his art. Yet for his work in the first story, I’m floored to how rushed it feels. Faces seem quickly thrown together, and for the most part – emotionless. A particular panel with Frenzy yelling at Xavier makes her look sleepy rather than angry. It became rather hard not to laugh with the serious emphasis on her words and watching her face non-reacting. Kurth has always been hit and miss for me. For the most part, he draws great faces and proportions right (at least in this story). His work on Rachel was fantastic and riddled with me empathizing for the character. Rogue on the other hand, comes off rather mannish in more than one panel while some characters, like Dr. Nemesis, seem unusually stiff. Comparing the two art forms, I preferred Kurth’s paired with Reber’s colours over Pham’s and Gracia’s.

What I’m worried about is how the two plots will be balanced. If Bendis’ work on New Avengers and Fractions run on Uncanny X-Men tell me anything, writers are having a tough time running two-or-more stories in one arc. Even Carey in the Age of X became lost with the Rogue/Gambit, Magneto/Force Warriors, Legion/Moira, and Wolverine/Cyclops/Cannonball plots all trying to intertwine.

But with X-Men Legacy #250, it feels very promising. Let’s hope it gets executed well.

Grade: 6/10

Also, if you haven’t read it yet, pick up Uncanny X-Force #10 and #11. It’s currently starring in the Age of Apocalypse, folks!

As for my computer, it’s finally completed. I called it “The Hulk” because it’s a monster and a powerhouse. Oh, and it’s green.

Computer 1

Computer 2

Computer 3

Computer 4

Until next time, keep on Space Truckin’!