Green Lantern vs. X-Men First Class

I’ve finally caught up watching both Green Lantern and X-Men First Class movies. Both have been doing very well at the box office, but both have been reviewed very differently via their critics. GL is sitting at 27% on Rotten Tomatoes, while XMFC is sitting at a comfortable 87%. Given that both movies came out weeks between one another, I figured it would be a good idea to ask myself, and you, “Which one is better?”

My Initial Take

I’m a huge X-fan, so it surprised a lot of people I knew who found out that I did not see it on opening night. Why? From the first announcements of the cast, I knew this was not going to be a normal X-Men movie. I mean, Azazel as an adult with Mystique as a child and friends to Xavier? Alex Summers with no Cyclops? Riptide? Really? What happened to Darwin? It was a confusing mess from the get-go in my already established X-Continuity mind. As the movie came closer, I figured the movie would end up being an action flick with the X-Men names attached to it.

With Green Lantern, I had no idea what to expect. I mean, I love corny movies, so a 27% was not going to sway my opinion on the movie. Most people seemed to dislike it because the plot was too simple. Well I loved the 80’s Transformers movie – and I argue that it’s way better than Bay’s recent romp of films. But looking at it, it’s a terrible movie done right. That was my expectation for Green Lantern after hearing the reviews from it come in.

Brace yourself for very minor spoilers ahead.

Green Lantern

GL stayed pretty close to the source material. Hal Jordan was a pilot whose father died when he was a boy. He’s arrogant and Abin Sur gives the ring to Hal. I don’t really have to go into full-detail about the movie, but in a nutshell, GL was superiorly closer to the source material than any X-Men movie thus far.

But I digress: Which movie is better?

Better at what though?

For me, Green Lantern nailed the origin story. Although there was not a lot of time spent on Oa (and I wish there was), viewers could get the gist of the story without having read a comic before. In fact, you could probably pick up a GL comic now (for the most part) and really get a good grasp on what is being told solely because the movie was that easy-going to its viewers.

The movie did fall flat on a lot of dialogue though. In a nutshell, it was Hal Jordan saying, “I’m not afraid. I won’t be afraid. I’m no longer afraid.” In fact, that was pretty much the bulk of the movie. It moved at a slow pace but ultimately came out triumphant in capturing what Green Lantern is. To top it all off, the effects were fantastic.

I loved the final battle scene with Parallax and really enjoyed the time spent on Oa. The scenes where Hal trained with Kilowog and Sinestro were spectacular. Actually, every scene with Sinestro was well done. My only beef was how Ryan Reynolds looked in the costume. It never really did look right – but it’s minuscule when you look at the grand scheme of effects used in the film.

Despite its PG-rated goodness, the film gave us a true portrayal of Hal Jordan. It just did it in a very basic, arguably too simplistic, of ways.

First Class received a PG-13 rating, and justifiably so. The violence is a lot more real, the language gets foul, and Emma Frost hardly wears any clothing. What it also gains is a more mature story. And no, I do not suggest PG-13 movies are better than PG ones. This is just my lazy segue into X-Men First Class.

Taking viewers to the 1960’s, we get a young Charles Xavier, Erik Lehnsherr (or Max Eisenhardt, for you hardcore fans), Mystique, Havok, Banshee, Darwin, Angel, and various others mutants compiled into an intriguing and unique story about the Cuban Missile Crisis and who was really behind it all. And you know what? It works.

X-Men First Class

For a movie not about anything ever seen before in the X-Men comics, XMFC takes the characters we know and puts them into something entirely different. XMFC takes the undertone of prejudice for mutants and throws them directly into the time where the Western World was on the brink of war. With two major conflicting ideas, the movie forces us to ask about compassion and to justify violence. Indeed, both Xavier and Magneto are the catalysts to both ideals, but the viewer is indirectly asked to make the choice themselves. Green Lantern has none of these deep undertones to it. Any that are suggested in GL are blatantly told to you, (“Don’t be afraid” “Have courage”) while little is left to the imagination of what the movie is really about.

Does that make XMFC a better movie than GL? Of course not.

Another way to look at this is from what I mentioned before with GL. If you saw GL, you can pick up a comic and understand the character or what has happened in the comics rather easily. X-Men is a whole new ball game. There is no way one could read an X-Men comic after seeing the movie and try to compare the two. The only thing XMFC shared with the X-Men comic stories were the character names and some of their powers. Sebastian Shaw had a energy feeding ball of energy, while Darwin *spoiler* could not even keep himself alive for more than ten minutes of the movie. If you’ve read about Darwin, you know that killing him is practically impossible.

Final Thoughts

When comparing both GL and XMFC, GL succeeds tremendously to sticking with the source material, while XMFC did anything but. Quite literally, XMFC could have been any movie with any characters from any series of anything. However “X-Men” was tagged on to it, and thusly, it must be an X-Men movie, despite not being anything to do with X-Men, right? I don’t know.

I mean, with DC’s reboot around the corner, and X-Men already having multiple universes with Ultimate X-Men or Age of Apocalypse, should it matter if XMFC followed the story or not?

Is X-Men First Class a better movie than Green Lantern because it had a better story? Or is Green Lantern a better movie because it followed the source material?

What do you think?

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Keep on Space Truckin’!

Wednesday’s Reviews: Empty Promises

With the X-Men’s Schism around the corner and the Fear Itself stories ramping up, I figured it would be best to review two very anticipated titles this week: X-Men Prelude to Schism #4 and Fear Itself: Black Widow #1.

But first, I must quickly mention Avengers: The Children’s Crusade #6. – Holy @*#$! What an ending! This is Marvel’s best series of the year. What a wild ride so far!

Now that that’s done:

X-Men Schism Prelude

X-Men Prelude to Schism #4 of 4
Paul Jenkins (writer), Clay Mann (pencils), Jay Leisten & Seth Mann (inks), Chris Sotomayor & Lee Loughridge (colours), Rob Steen (letters), Giuseppe Camuncoli & Dan Brown (cover). $2.99

I personally held off reviewing any of the Prelude to Schism stories until it became interesting. By the final issue, I’m really just reviewing it to complain.

In the prior three issues, readers get a brief history on the major players in the X-Universe: Cyclops, Professor X, and Magneto. By the fourth issue, we receive the same ideas, but with Wolverine. What the series ended up being is more a re-telling of each characters’ history, rather than pushing a story forward. Each issue, we’ve waited this much longer to find out what the threat to the X-Men is. We know that IT’S coming, but we have no idea what IT is. By the end of issue four *Not a spoiler alert* we STILL have no idea.

If you’re unfamiliar with the Wolverine Origin story, then this book is new for you. Aside from that, nothing new is teased for Schism. Well, I suppose one thing is that writer Paul Jenkins really likes is to make Wolverine look like a jerk. Alas.

Fortunately, Clay Mann’s art really shines in this issue. Flying through centuries of Wolverine’s past, Mann successfully shows us a descriptive story. From Wolverine and Rose, to Weapon X, to the 90’s X-Men roster, Mann shows a superb display of artistry. I love his rendition of 90’s Jean Grey. His colouring team of both Sotomayor and Loughridge also do an exceptional job in adjusting the colour schemes to fit the time line of each story.

Not trying to have this review as an entire tearing apart of the book, Prelude definitely served its purpose of getting people wondering what Schism is. This issue somewhat bonded Cyclops and Wolverine together, but also left a clue to what causes the split between the duo as well.

Although I’m still very eager to find out what Schism is, I just wished it hadn’t cost me $12 of already-familiar backstory that gets me nowhere.

Grade: 5/10

Fear Itself Black Widow

Fear Itself: Black Widow #1 (One-Shot)
Cullen Bunn (writer), Peter Nguyen (pencils, inks), Veronica Gandini (colours), Clayton Cowles (letters), Michael Ryan (cover). $3.99

After the Grey Gargoyle turns the city of Paris into stone, it’s up to the Black Widow to not do anything about it and take on Rapdio’s evil forces with Peregrine instead.

I was pretty excited for Fear Itself: Black Widow. After learning the fate of Bucky, I was sure she would have been interesting to follow through with. Turns out, she mentions him briefly, and argues that she must feel cold because she’s a spy. Right. While Paris is covered in stone, Rapdio decides to take advantage of the situation and gathers information of French missile codes to give to other crimelords. Knowing this, the Black Widow leaves America’s current turmoil to stop him. There, her and Peregrine fight to save the day, while Fear Itself becomes only a memory for the rest of the story. In fact, I have no idea what Black Widow actually feels during this entire story until the final page. And no, the feeling isn’t “Fear.”

What lacks in story is made up for with Nguyen’s stylistic art. Black Widow looks sharp, seductive, and surprisingly zipped-up (despite what the cover suggests) throughout most of the whole story. Gandini’s colours render well with Nguyen’s work as Black Widow slips in and out of shadows solely because of her attire. She is indeed dressed and made to look as a spy.

The point is that this Fear Itself story had nothing to add to “Fear Itself” and can, in fact, be entirely dismissed save for Nguyen and Gandini’s gorgeous renderings of Black Widow.

Grade: 6/10

There will be no Classic Comic Friday feature tomorrow because it’s Canada Day. However, it will arrive July 8th for sure.

And don’t forget to check out UncannyDerek on Facebook and Twitter!

So until next time, keep on Space Truckin’!

Comic News Explosion!

There’s been so many little interesting things happening in the comic world that it boggles the mind how one can keep up with it. So here’s some stuff I found to be the most exciting in the past little while:

Uncanny X-Men Returns!

If you haven’t heard me complain about Marvel canceling Uncanny X-Men yet, don’t fret. I was right. They WILL be back – even sooner than expected. But starting at #1.

Am I psychic? No. I just am aware how comics work.

Both Comic Book Resources and ICv2 report (Oh, and Marvel too, I guess), much like the Looney Toons, the X-Men are back in action. And as I said before with too many X-titles on the market – sure enough, another one will hit the stands too. Wolverine & The X-Men. *Sigh*

It just doesn’t stop. And I doubt this has anything to do with the cartoon series.

Uncanny X-Men Back

Leonard Kirk Joins X-Factor!

This is the most exciting part to my news, in my humble opinion. Firstly, my first (or second, I’m still undecided) X-book is getting my local hometown artist on board! Leonard Kirk joins writer Peter David and artist Emanuela Lupacchino for a killer new arc in X-Factor. This is so freaking exciting! You can see some of Kirk’s sketches here on Marvel’s website. His versions of Wolfsbane and Layla are gorgeous.

Black Widow Archie?

Speaking of stuff not stopping, remember when Betty and Veronica from Archie were both Black Widows? I suppose Veronica is Natasha while Betty is Yelena? Does Archie comics even know there is a second Black Widow? Regardless, here are the covers:

Black Widow Betty

Black Widow Veronica

Avengers 1959

If you haven’t been reading The New Avengers, you missed out on some ridiculous retconning as of late. Turns out in 1959, Nick Fury created a band of Avengers before the Avengers ever came to be. What’s even more over-the-top is that the team consists of villains like Sabretooth, Kraven the Hunter and Namora (well she’s turned around now). This five-issue mini series will chronicle the missions the team worked with Fury on.

So not only was the Avengers 1959 story tacked-on to the New Avengers story poorly, but now it’s getting its own mini series. Mind boggling. Writer/artist Howard Chaykin will be taking the helm with the story. You can check it out this October.

“Namor: The First Mutant” Canceled

And to go off of Namora, Namor: The First Mutant has officially been canceled with issue #11. No – it will not be seeing a reboot any time soon, but it shows me that Namor is better off in the X-Men. His stories weren’t bad at all – it was just that Namor has never had a home. When he did with X-Men, he was great. His own spinoff was unfortunately not worth it. However, I’ll never forget how great Namor: The First Mutant #5 was. It definitely places Namor in a completely different light.

You can still read about Marvel’s best anti-hero currently in many X-books, as well as in the Fear Itself: The Deep mini series.

Alpha Flight’s Villain

Announced and only teased to readers today, Alpha Strike will be the main villains in the Alpha Flight maxi series. Is that Wendigo? And who is the mysterious lady in the shadows?

Alpha Strike

Total anarchy!

As a complete side note, I’ve been listening to Devin Townsend’s “Deconstruction” album consistently for two days straight. (It was released Tuesday).

Update: 06/24
Rest in Peace Gene Colan

Legendary comic book artist Gene Colan passed away yesterday at the age of 84 due to complications with hip and liver disease.

Colan is known for co-creating such characters as Ms. Marvel, Captain Marvel, Blade, Super-Adaptoid and Dracula. He’s also known for exceptional runs on Daredevil, Captain America and Doctor Strange. He was recently given an Eisner Award for Best Single Issue with his work in 2009’s Captain American #601.

He shall be missed.

Uncanny X-Men Cancelled

In case you haven’t heard the drastic news: Uncannny X-Men is canceled as of issue #544.

That’s right. Uncanny X-Men – my favourite comic series – is concluding. All I can hear is Padme Amidala saying, “Anakin! You’re breaking my heart.” Or maybe that’s me saying, “Marvel! You’re ruining my fun!” The newest storyline entitled “Schism” is bringing the to a close.

Uncanny X-Men is the only Marvel title out of the 1960’s which has not had an interruption in numbering. What I mean, and if you read one of my more recent blogs about DC’s reboot, you’d know that most of Marvel’s comics have been revamped multiple times. Fantastic Four, Amazing Spider-Man, Journey Into Mystery, etc., have all had many reboots. Heck, The Avengers is on Volume 4 already! The Fantastic Four just ended with issue #588 and The Incredible Hulk is ending with issue #635.

So what is the big deal about Uncanny X-Men? Let me tell you with my biased opinions.

FIVE Reasons Why Cancelling Uncanny X-Men is a Bad Thing:

Uncanny X-Men Finale

1. The Numbering and the Collection
As an avid comic collector, the numbering change sucks. I both love to read and collect Uncanny X-Men. When I make a collection, nothing is more satisfying than saying that I own a full-run or having a large chunk of numbers in a row. Breaking that streak is not only a let-down for collectors, but also creates disinterest. Since I’m a fanboy, I’ll of course continue reading X-Men. However, this end of numbers may be the excuse many need to jump off the series. However, the sales and interest of Uncanny X-Men will peak with the reasoning behind its cancellation (this “Schism” storyline). This is also a big deal because Uncanny X-Men is doing very well with sales. This brings me to:

2. Too Many X-Titles
Uncanny X-Force, X-Men Legacy, X-Men, Astonishing X-Men, Generation Hope, X-Factor, New Mutants, Alpha Flight, Wolverine, X-23, Daken, Deadpool, mini’s (ie. Divided We Stand) – they’re all on the market right now. Some may argue that the series is being cancelled to help “sales.” That has to be completely absurd.
Case-in-point: The sales for comics in April 2011
Uncanny X-Men #535 – 56,795 – $3.99
Uncanny X-Force #7 – 54,292 – $3.99
Uncanny X-Men #536 – 53,502 – $3.99
Uncanny X-Men #534.1 – 53,473 – $2.99
X-Men Legacy #247 – 51,970 – $2.99
Uncanny X-Force #8 – 50,908 – $3.99
X-Men #10 – 50,553 – $3.99
New Mutants #24 – 38,701 – $2.99
X-Factor #218 – 24,826 – $2.99

April was quite the over-saturated month for Uncanny X-Men. With THREE titles coming out and selling over 50k at roughly $3.99 each, there’s no way to say sales are a problem. In the entire month, Uncanny X-Men – the flagship title – remains on top. The newest “X-Men” series which only recently released issue #1 is getting pummeled in sales when against its parent titles. Why cancel what is doing the best for all of the X-Titles? A reboot may not even work if you assume the sloping trend in sales “X-Men” is having.

3. Schism/Inevitable Comeback
“Schism” is the event which is to shake down what the X-Men are. It is supposed to make a Twilight fanbase out of Uncanny X-Men fans – deciding whether or not “Team Wolverine” or “Team Cyclops” will win the heart of Bella – I mean, the hearts of the readers. What bothers me most (and can be tied in with the first problem) is that a reboot will inevitably bring back the numbering. It has happened with Fantastic Four, Amazing Spider-Man, Journey Into Mystery, The Avengers, etc. Yes. It happened to all of the comics I mentioned above. Heck, it happened in 2006 with X-Factor. It started a Volume 2 with issue #1-49, then switched back to Volume 1 with #200.

While I can see that the current “X-Men” series may eventually get phased into becoming “Uncanny X-Men,” these reboots are unnecessary for readers who are already familiar with the characters. Who needs to get a issue to “jump on” with when they’ve already been familiar with how Wolverine dislikes Cyclops, or why Jean Grey is dead (currently)? Hey, wasn’t Uncanny X-Men #534.1 meant for that? Wasn’t the new “X-Men” series meant for that too? Either way you look at it, it’s a very gusty move for Marvel because people may just use this as an excuse to stop reading the X-Men all together. However, I believe it is safe to say that Uncanny X-Men will come back. It’s just “when” I’m unsure of.

4. New Writer
Matt Fraction’s run on Uncanny X-Men was a lot of fun. For years with our mutants, he brought them through hell and back with incredible stories starting in issue #500 while introducing a new trademark of identifying each character with some silly one-line descriptions. But Fraction left the series with it feeling stale. Kieron Gillen takes over and suddenly – BAM! – New life is breathed into the series and it’s exciting again. Then Gillen does not even get a full year’s run on the series?! What in the world? Is this a cruel joke? Just when there’s light at the end of the tunnel, it ends up being hit by a train.

5. Greg Land
Nothing says farewell to the longest-unbroken Marvel series like that of Greg Land. I am so looking forward to seeing his great action scenes acted out by models and celebrities. Fml.

What do you folks think? Is this cancellation a good idea? Will it breath fresh air into the series which may have already been boring to you long ago? Will you continue following the outcome of Schism after this?

Keep on Space Truckin’.