Wednesday’s Reviews: Wolverine, Jubilee and Legacy

On January 19, 2011 By UncannyDerekIn Comic ReviewsLeave a comment

A new week with new reviews. There were only a couple of comics out this week, so there isn’t much to review. However, next week, I’ll have my hands tied. With over 15 comics on my pull-list coming out, including the death of a Fantastic Four member, I can guarantee next week will be the most exciting for reviews thus far.

For this week, we got the premiere issue of Wolverine and Jubilee, followed by the on-going X-Men Legacy – the issue before the Age of X.

Wolverine and Jubilee #1
Kathy Immonen (writer), Phil Noto (penciler, inker, colours), Clayton Cowles (letters), Olivier Coipel and Morry Hollowell (cover). $2.99

Falling out of the third series of X-Men comics, Jubilee is now a vampire. With vampirism comes fighting with the thirst, plus multiple anger issues she has to deal with. Due to the lack of a cure, the science team found a temporary fix by inducing her with Wolverine’s blood, thus giving her a small healing factor and blood fix. The book deals with Jubilee integrating herself back into Utopia while other mutants try to help her out. After snapping on a few, she heads downtown and is met by a mysterious woman. By the end of the book, Wolverine and Rockslide find Jubilee in a storage crate littered with bodies.

From front to back, the only thing I could feel was sorry for Jubilee. She lost her parents, then her powers after M-Day, and now has lost her humanity. Quite literally, this is a story of tragedy. Kathy Immonen definitely portrays all the emotions Jubilee feels as she mingles with different mutants on Utopia. Then of course, with Wolverine being Jubilee’s father figure, we’re left to see him try and find ways to make Jubilee feel better, while also trying to defend her against prejudice. Little humour from Wolverine too, such as calling Santo “Sanchez” purposely is subtle enough to be placed in such a serious story and is very welcoming.

Last week I credited Phil Noto for his excellent cover on Widow Maker #3. Now he has the entire book to himself – doing everything, from inks to colours. His dynamics in this book really excel as sceneries change greatly from underground cells, to a sunset on Utopia, to a night club in downtown San Fan. Quite literally Noto does it all – while still making Jubilee look like an Asian-American. Too often is that forgotten when drawing her. Meanwhile, the cover by Coipel and Hollowell absolutely stuns me. The cover was also talked about in great detail at 1979 Semi-Finalist if you want to see the cover discussed in a bit more detail.

Overall, the story is strongly well-paced and it seems to me like Wolverine really has his hands full already. I really hope the best for Jubilee.

Grade: 8/10

X-Men Legacy #244
Mike Carey (writer), Harvey Tolibao (penciler), Sandu Florea (inker), Brian Reber (colours), Cory Petit (letters), Joy Ang (cover). $2.99

On Utopia, Blindfold is having bizarre premonitions again. The last time she had ones this bad was before the Second Coming event and led to the ghost of Proteus attacking the X-Men on Muir Island. Fortunately for Blindfold, this time she’s on Utopia with friends. However, Blindfold is not the one narrating the story, and it seems to be someone watching all of the X-Men’s events.

Rogue as the now-undeclared-psychologist on Utopia, talks to Ruth to figure out what it all means. Unsure, Rogue goes to Cyclops, Emma Frost, and Madison Jeffries for help. While Rogue asks questions, Blindfold looks for answers. Eventually, she wanders off and is attacked by a creature left from Emplate’s dimension (back in X-Men Legacy #228). Rogue fights it off and saves Blindfold. However, the narrator of the story seems to fly over Utopia in some massive ship, glared out by the sun. So begins the Age of X.

I’ve always enjoyed Carey’s work. He’s been doing X-Men Legacy for quite some time now – which is before Messiah CompleX (late-2006), so he’s really sure on a ton of characters. Rogue has been the main focus for him for the past twenty-or-so issues, and he’s still doing an excellent job with her. She’s still refreshing to read about and speaks with everyone on Utopia. But given how the last-issue ended, I’m surprised this was not more about Hellion. With Blindfold’s unanswered questions, I’m left confused on what Age of X really is, thus leaving me with confusion. I am unsure of that’s a good thing.

Paul Davidson has been replaced with Harvey Tolibao for pencils and the quality level is noticeably different. Although Davidson is not a bad artist, Tolibao’s details and many full-body shots definitely ups the action in the story. However, Rogue’s breasts are again the focal point for many panels. I do not know why she would even wear a jacket like she does. To top it all off, is Rogue wearing grease on her breasts? I mean, there’s literally shiny reflections off of those things. It’s absolutely bizarre.

Bright colours by Reber are definitely welcomed. I do not even recall when I’ve seen so many bright colours on a page. Rogues green is really green. The demon in Gambit is really menacingly grey. Emma Frosts lips are. . . black? Okay, so there’s a few things which seem off, but mostly, the colors are jaw-dropping. Page 5 and 6 are really great from an inker’s perspective with everything properly balanced.

It wouldn’t have been a bad kick-off for the Age of X if I knew what was going on. Oh, and breasts don’t glitter.

Grade: 5/10

Next week! Keep on Space Truckin’! No wait.

Seriously. What the hell is going on here? Where did she get that grease from?

Oh, and pardon my camera.

Wednesday’s Reviews: The Incredible Widow Maker

On January 12, 2011January 19, 2011 By UncannyDerekIn Comic ReviewsLeave a comment

This week wasn’t a big week for comics. Neither will next week. January lull, I assume. Then again, come the 26th, I’ll be overwhelmed with comics. Until then, this week we have Chaos War continuing in The Incredible Hulks #620, while the identity to Ronin is revealed in Widow Maker #3.

The Incredible Hulks #620
Greg Pak (writer), Paul Pelletier (penciler), Danny Miki (inker), Paul Mounts (colours), Simon Bowland (letters), Paz and D’Armata Pagulayan (cover). $3.99

Chaos War crushes on in The Incredible Hulks story. In last issue, the Hulks took on Abomination, Demon Zom, and the Hulk’s father as the Chaos King rises the dead to kill A-Bomb’s ex-wife, Marlo, as she recently gained powers of Death (long story). Fortunately for the Hulk, he has people in life who come back, thanks to Marlo. Doc Samson, Glenn Talbot, as well as his ex-wife Jarella appear to aid in the fight.

Surprisingly, with all of the action happening in this comic, there is a great amount of relationships between every character. Although the primary story is focused between Hulk and his father, little snippets of feelings from A-Bomb and Marlo, to Hulk with Jarella, and Betty with Talbot, all get attention in the story. Albeit minor, the dialogue they share is significant enough to really generate some empathy from the readers. Pak’s balance of characters really shines through. A powerful scene with all of the Hulks lined up against Hulk’s father stands as a powerful statement that Hulk really does have a family now.

Pelletier makes good use of full-page spreads with many scenes of action taking over multiple pages and generating a feel of strength with the Hulks. And I do not mean physical strength. Tied in with Mounts’ excellent mixes of greens and “death” red colours, this book was a surprise hit – tackling a lot in one book.

Grade: 7/10

Widow Maker #3 of 4
Jim McCann (writer), David Lopez (penciler), Alvaro Lopez (inker), Nathan Fairbairn (colours), Cory Petit (letters), Phil Noto (cover). $3.99

With the first two stories leading a tremendous build up of who Ronin is, this story does not disappoint. Our three heroes, Black Widow, Hawkeye, and Mockingbird, with mercenary Dominic Fortune, finally discover the secret of Ronin. Not only that, our dynamic relationship duo – Hawkeye and Mockingbird – seem to be on good terms again. Near the ending of the book, Ronin’s identity is releaved, and as are his ultimate plans for domination. Leaving the book with our heroes entirely overran with villains, it’ll be interesting to see how the story concludes itself.

Despite the surprise twist with Ronin’s identity, the story ends up falling a bit flat on a few different levels. Firstly, the characters, while all having a history together – never touch upon it. You would figure the first part of the book featuring Hawkeye and Black Widow alone would feature much more interesting dialogue. Dominic’s only place in the book now, it seems, is to be comic relief as he only adds in funny dialogue when there seems to be nothing else to say – which is surprising, considering Hawkeye is supposed to be the funny one. By the end of the book, Ronin also gives away his “ultimate plan” in a stereotypical villain rant which we’ve seen in every cartoon series known to man.

But despite the books short-comings, the Lopez’s and Fairbairn pick up the pieces with nice colours and tons of action. Albeit, there was a few panels which were questionable: Some faces changed in quality depending on the panel, while one particular scene with Black Widow has her suit zipped right up before battle. The very next panel, her suit is zipped down, suggesting cleavage helps fighting gifted ninja girls. Yes, I did say that. But all aside, the art was solid and the story definitely only needed to be four issues long.

Grade: 5/10

Until next time, keep on Space Truckin’!

Classic Comic Fridays: Savage She-Hulk #1

On January 7, 2011November 23, 2014 By UncannyDerekIn Classic Comic FridayLeave a comment

It’s been over a month since I last did one of these. Because of how life is, I’ve decided to change the Classic Comic Friday’s to the beginning Friday of every month – only because I cannot guarantee a regular Friday update it seems.

As for the unfamiliar, Classic Comic Fridays are comics pulled from my own personal collection which I then decide to review – for whatever reason.

The Savage She-Hulk #1 (1980)
Stan Lee (writer), John Buscema (penciler, cover), Chic Stone (inker). 40¢

Branching off from the Hulk comics, the story starts off with Bruce Banner trying to find a place to hide. Thankfully, his cousin Jennifer Walters, is a criminal lawyer who works nearby in Los Angeles.

Jen decides to take Bruce to her house for safe-keeping, and the two catch up with each other in the car. There, Jen reveals she is working on a high-profile case which Bruce thinks may put her in danger. After Jen suggests to Bruce that those types of things only happen in movies, they arrive to Jen’s home to be fired upon some thugs. Jen is hit, and Bruce tackles them away – avoiding turning into the Hulk. He realizes Jen is gravely injured, so he rushes her to a closed practitioners office and does a quick blood transfusion to help her until an ambulance arrives.

At the hospital, Bruce is held for questioning because he has no ID and is considered a suspect. He Hulks-out and escapes the hospital while Jen recovers. While recovering, the thugs who tried to kill her before reappear dressed in doctors costumes. As they try to chloroform her, she gets angry and transforms into – what the thugs call her – a She-Hulk!

They escape the hospital and She-Hulk chases them to their car where she off-roads it and gets information on who hired the hit on her. She then escapes back to the hospital – winding down in energy to turn back into Jennifer Walters. The goes into another hospital bed and tells a nurse she left her old room because she was scared of the noises she heard. Relaxing, she realizes the blood transfusion would have caused the change and proclaims, “Whatever Jennifer Walters can’t handle – the She-Hulk will do!”

Although I gave it a very fast-paced summary, it was a very fast-paced book. I couldn’t believe the story was over as it felt it just began – which I guess may be a sign of good story-telling.

Stan Lee dedicates the first six-or-so pages to the history of Jen and Bruce – revealing they are cousins and also giving a brief reasoning through their dialogue on why Bruce would trust Jen. We also get a lot of information about Jen within those pages, setting up the character to exactly how she is even now in comics. These few pages were essential to the book and really shaped how She-Hulk would appear in later comics.

However, from there-on, the book really picked up in pace, and I felt a bit over-whelmed in how quickly everything was going. Bruce turned refused to turn into Hulk when Jen was shot, but once arrested it was no problem? How does a blood transfusion save bullet wounds with the bullet still inside? Although the answer may be “it’s just a comic book,” I feel as if they were still somewhat cop-outs to how the book could have went. Given Lee only did this one book, I can understand why he wanted everything to be wrapped up so quickly.

John Buscema’s take on She-Hulk was superb. Considered one of the best artists in the industry, Buscema’s take on She-Hulk was done surprisingly tasteful – especially considering how She-Hulk looks now. Great detail was placed throughout the book to give an idea of the surrounding location, as well as detail to character.

Overall, it was an impressive start to begin a career for Jennifer Walters. It may not have been Stan’s best start to a new character, but She-Hulk definitely found a place for herself within the Marvel Universe.

Grade: 6/10

Until next time, keep on Space Truckin’!

Wednesday’s Reviews

On January 5, 2011January 19, 2011 By UncannyDerekIn Comic Reviews1 Comment

I really hope everyone had a great holiday and New Years!

As for what’s new here, there will be a bit of a format change for how reviews will be done – meaning, how I review them will shorten up. By doing so, I’ll focus on key points on the book, but also do more reviews in a posting. It’s win-win, in my eyes.

Avengers: The Children’s Crusade #4 of 9
Allan Heinberg (writer), Jim Cheung (penciler), Mike Morales & Jim Cheung (inker), Justin Ponsor (colours), Cory Petit (letters), Jim Cheung & Justin Ponsor (cover). $3.99

The continuing saga of the Children’s Crusade moves forward as the hunt for the Scarlet Witch – somewhat – comes to a conclusion. Wiccan finds Wanda to discover that she does not remember anything about her past or who she was. Oh, and that she’s going to marry Dr. Doom the next day. With the both the Avengers and Young Avengers storming Latveria, an all-scale assault begins to bring Wanda Home.

Allan Heinberg is constantly kicking all other mini-stories butt with this title. Rich developments still come from each character, despite the massive cast in this story, brings this title to stand above all other Avenger’s titles. Tossing in Jim Cheung, Mark Marales, and Justin Ponsor as artist, inker, and colourist, multiple page spreads of action and wonder of Latveria generates a jaw-dropping gaze on each page. I’m still saddened that this is just a limited series, and is only out bi-monthly. Easily the best pick of the week.

Grade: 9/10

Avengers Prime #5 of 5
Brian Michael Bendis (writer), Alan Davis (penciler), Mark Farmer (inker) Javier Rodriguez (colours), Chris Eliopoulos (letters & production), Davis, Farmer & Rodriguez (cover). $3.99

The conclusion to the post-Siege Avengers mini comes to an end! The big three, Steve Rogers, Iron Man and Thor are trapped in a different dimension due to Hela and her Twilight Sword. After the multiple issues of build-up, the final battle begins with the big three, the Enchantress, and their army, versus Hela’s demon army. Unfortunately, despite its bi-monthly release schedule, no exciting conclusions were found by the end of the book – leaving the reader to ask, “why did this take so long to finish?”

Despite a great start to the series, the story began to dwindle down with real means of characterization. The first issue dealt with how the big three felt about each other and Siege – but all seemed forgotten until the final pages of the last book – making the story seem tacked on by the end. Davis’ brilliant spreads however, picked the book up from a “forget about it” to a “not that bad,” status. With Rodriguez’s bright, majestic colours on each page, the book literally shone with each turn of the page. Unfortunately, the conclusion of this book made the story not worth the wait as the story is arguably forgettable.

Grade: 6/10

Generation Hope #3
Kieron Gillen (writer), Salvador Espin & Scott Koblish (penciler), Jim Charalampidis (colours), VC’s Clayton Cowles (letters), Olivier Coipel, Mark Morales & Chris Sotomayor (cover). $2.99

Hope and her new mutants (not to be confused with New Mutants – capitalization is important here, people!), are in Tokyo with Cyclops, Wolverine and Rogue, battling a massive beast-mutant which is hell-bent on destroying everything for his “art.” (Yup). After a few different attack approaches, Hope comes up with a new plan to finally take the monster down and uses it to prove her “messiah” title to Cyclops.

Generation Hope has yet to really jump out at me. I mean, when I finished the book, I flipped to the cover to made sure I only spent $2.99 for it, because I do not feel like this is really happening. The book is too fast-paced with so little dialogue that I do not feel involved with these characters at all. I know Gillen can do better than this, and I’m waiting for him to show it. As for the art, individual characters really shine through. Hope versus the beast, for example, has some really great spreads of the two against each other. But that is really where the focus is. The backgrounds disappear in particular panels, while one panel with Cyclops’ visor suggests that he has eyes on his forehead. Rogue also looks like an anime high-schooler, but hey – to each their own.

Grade: 4/10

Until next time, keep on Space Truckin’!