A new week with new reviews. There were only a couple of comics out this week, so there isn’t much to review. However, next week, I’ll have my hands tied. With over 15 comics on my pull-list coming out, including the death of a Fantastic Four member, I can guarantee next week will be the most exciting for reviews thus far.
For this week, we got the premiere issue of Wolverine and Jubilee, followed by the on-going X-Men Legacy – the issue before the Age of X.
Wolverine and Jubilee #1
Kathy Immonen (writer), Phil Noto (penciler, inker, colours), Clayton Cowles (letters), Olivier Coipel and Morry Hollowell (cover). $2.99
Falling out of the third series of X-Men comics, Jubilee is now a vampire. With vampirism comes fighting with the thirst, plus multiple anger issues she has to deal with. Due to the lack of a cure, the science team found a temporary fix by inducing her with Wolverine’s blood, thus giving her a small healing factor and blood fix. The book deals with Jubilee integrating herself back into Utopia while other mutants try to help her out. After snapping on a few, she heads downtown and is met by a mysterious woman. By the end of the book, Wolverine and Rockslide find Jubilee in a storage crate littered with bodies.
From front to back, the only thing I could feel was sorry for Jubilee. She lost her parents, then her powers after M-Day, and now has lost her humanity. Quite literally, this is a story of tragedy. Kathy Immonen definitely portrays all the emotions Jubilee feels as she mingles with different mutants on Utopia. Then of course, with Wolverine being Jubilee’s father figure, we’re left to see him try and find ways to make Jubilee feel better, while also trying to defend her against prejudice. Little humour from Wolverine too, such as calling Santo “Sanchez” purposely is subtle enough to be placed in such a serious story and is very welcoming.
Last week I credited Phil Noto for his excellent cover on Widow Maker #3. Now he has the entire book to himself – doing everything, from inks to colours. His dynamics in this book really excel as sceneries change greatly from underground cells, to a sunset on Utopia, to a night club in downtown San Fan. Quite literally Noto does it all – while still making Jubilee look like an Asian-American. Too often is that forgotten when drawing her. Meanwhile, the cover by Coipel and Hollowell absolutely stuns me. The cover was also talked about in great detail at 1979 Semi-Finalist if you want to see the cover discussed in a bit more detail.
Overall, the story is strongly well-paced and it seems to me like Wolverine really has his hands full already. I really hope the best for Jubilee.
X-Men Legacy #244
Mike Carey (writer), Harvey Tolibao (penciler), Sandu Florea (inker), Brian Reber (colours), Cory Petit (letters), Joy Ang (cover). $2.99
On Utopia, Blindfold is having bizarre premonitions again. The last time she had ones this bad was before the Second Coming event and led to the ghost of Proteus attacking the X-Men on Muir Island. Fortunately for Blindfold, this time she’s on Utopia with friends. However, Blindfold is not the one narrating the story, and it seems to be someone watching all of the X-Men’s events.
Rogue as the now-undeclared-psychologist on Utopia, talks to Ruth to figure out what it all means. Unsure, Rogue goes to Cyclops, Emma Frost, and Madison Jeffries for help. While Rogue asks questions, Blindfold looks for answers. Eventually, she wanders off and is attacked by a creature left from Emplate’s dimension (back in X-Men Legacy #228). Rogue fights it off and saves Blindfold. However, the narrator of the story seems to fly over Utopia in some massive ship, glared out by the sun. So begins the Age of X.
I’ve always enjoyed Carey’s work. He’s been doing X-Men Legacy for quite some time now – which is before Messiah CompleX (late-2006), so he’s really sure on a ton of characters. Rogue has been the main focus for him for the past twenty-or-so issues, and he’s still doing an excellent job with her. She’s still refreshing to read about and speaks with everyone on Utopia. But given how the last-issue ended, I’m surprised this was not more about Hellion. With Blindfold’s unanswered questions, I’m left confused on what Age of X really is, thus leaving me with confusion. I am unsure of that’s a good thing.
Paul Davidson has been replaced with Harvey Tolibao for pencils and the quality level is noticeably different. Although Davidson is not a bad artist, Tolibao’s details and many full-body shots definitely ups the action in the story. However, Rogue’s breasts are again the focal point for many panels. I do not know why she would even wear a jacket like she does. To top it all off, is Rogue wearing grease on her breasts? I mean, there’s literally shiny reflections off of those things. It’s absolutely bizarre.
Bright colours by Reber are definitely welcomed. I do not even recall when I’ve seen so many bright colours on a page. Rogues green is really green. The demon in Gambit is really menacingly grey. Emma Frosts lips are. . . black? Okay, so there’s a few things which seem off, but mostly, the colors are jaw-dropping. Page 5 and 6 are really great from an inker’s perspective with everything properly balanced.
It wouldn’t have been a bad kick-off for the Age of X if I knew what was going on. Oh, and breasts don’t glitter.
Next week! Keep on Space Truckin’! No wait.
Seriously. What the hell is going on here? Where did she get that grease from?
Oh, and pardon my camera.