Quick Reviews of Wedneday’s Comics – 10/27/11

This weeks pull-list for me was just filled with awesome comics. Two by Jason Aaron, two by Abnett & Lanning – other stories by Warren Ellis, Nick Spencer, James Asmus, Jonathan Hickman – art by Emma Rios, Chris Bachalo, Marc Silvestri – Gah! It’s an excellent overload! I don’t have time to fully review every single issue, so let me just tell you what was so awesome about each one!

Wolverine and the X-Men #1
Jason Aaron (writer), Chris Bachalo (pencils, colours, cover), Tim Townsend, Jaime Mendoza & Al Vey (inks), Rob Steen (letters). $3.99
Wolverine and the X-Men

Who wasn’t looking forward to this? The over-sized first-issue delivers an exciting look at how the new school is ran and the who’s-who with faculty. Aaron sets up this book with extreme care as readers get not only an idea about the school, but who the villains will be throughout the series. Making things even better is Chris Bachalo’s glorious art and inking team. Over-exaggerated bodies really only work in Bachalo’s world because he does them so. . . right. The story is stuffed with extra goodies too. An enrollment chart to see all of the characters in the story along with a Class List breakdown makes this the perfect jumping on book for any comic fan. I mean, who gives you a character guide to a first issue? So quickly grab Wolverine and the X-Men now, and join us at the Jean Grey School For Higher Learning.
Grade: 9/10

New Mutants #32
Dan Abnett & Andy Lanning (writers), David Lafuente & Robi Rodriguez (pencils, inks) Val Staples & SotoColor (colours), Joe Caramanga (letters), Jason Pearson (cover). $2.99
Unlike the parent title “Fear Itself,” we actually get to see the New Mutants fight with enchanted armor! Seeing Warlock run amok in Hel was a blast. To top it all off, Nate Grey saves the day in one of the most coolest ideas I’ve seen in recent New Mutant storylines. For $2.99, Abnett and Lanning shake up the status of the New Mutants pretty deeply. I’m really excited to see what will happen with Magma. . .
Grade: 7/10

Cloak & Dagger – Spider Island #3 of 3
Nick Spencer (writer), Emma Rios (pencils, inks) Alvaro Lopez (inks), Javier Rodriguez (colours), Joe Caramanga (letters), Emma Rios & Jose Villarrubia (cover). $2.99
Cloak and Dagger

Two words: Emma Rios. What an exciting end to Cloak & Dagger’s mini with Rios at the helm. Can this woman do no wrong? Her creative team working with her are too – flawless. To top it all off, Spencer threw readers for a loop with an incredible ending to the crime fighting duo. My main beef with is was that even from the get-go, I wasn’t entirely sure what Mr. Negative’s motives were. Maybe I had to pick up the rest of Spider Island to understand it. Regardless, one should not have to go out and buy five other books to understand a mini series (if that is even the case). However, I beg that Cloak & Dagger turns into a monthly series. Rios, of course, must be on board. Now go out and BUY THIS BOOK!
Grade: 8.5/10

FF #11
Jonathan Hickman (writer), Barry Kitson (pencils, inks) Paul Mounts (colours), Clayton Cowles (letters), Steve Epting (cover). $2.99
So comes the Kree armies upon Earth! What’s most exciting is that the FF are not alone in fighting them. Yes, the Avengers are with them to save the day. The Kree army, led by Ronan the Accuser, also brings back a particular Kree whom I haven’t seen alive in quite some time (And no, it’s not Mar-Vel). While Kitson kicks butt in the art department, I cannot feel bored with his backgrounds. The man has talent – I just wished he used a ton more of it! Oh, and this story will continue in Fantastic Four #600.
Grade: 6/10

Astonishing X-Men #43
James Asmus (writer), David Yardin, Normal Lee & Rachelle Rosenberg (art), Gabriel Hernandez Walta (digital art), Joe Caramanga (letters), Arthur Adams & Jim Charalampidis (cover). $3.99
As a one-shot story featuring Emma Frost and Danger, I couldn’t help but be intrigued. Turns out the story is just as interesting as the concept of the duo. Danger wants to feel human and finds something calling for her on the Secret Avengers Quincarrier. Naturally, stuff goes wrong. Fortunately, Beast shows up and while things go wrong, Emma and Beast shoot one-liners throughout the rest of the story to help pick things up from interesting to a little bit better.
Grade: 5/10

Secret Avengers #18
Warren Ellis (writer), David Aja & Raul Allen (artists), David Lanphear (letters), John Cassaday & Paul Mounts (cover). $3.99
Secret Avengers

These one-shot issues by Ellis are an absolute blast. Featuring Steve Rodgers, Sharon Carter and Shang-Chi, we get three spies in a world full of trouble. Aja & Allen’s work recreates a stair-world like M. C. Escher and fully makes our heroes utilize the complexity of it. Needless to say, it makes the story that much more fun to read. As always, Ellis’ conclusion has me in stitches. If Secret Avengers keeps up like this, I hope the rest of the comic world would catch on. These are so much fun to read! (All aside, the cover for the issue is the worst one of the week. For the longest time, I thought that was Elektra).
Grade: 9/10

Annihilators: Earthfall #2 of 4
Dan Abnett & Andy Lanning (writers), Tan Eng Huat (pencils), Andrew Hennessy (inks), Wil Quintana (colours), Joe Caramanga (letters), John Tyler Christopher (cover). $3.99
What’s more exciting that the Universes’ Mightiest Heroes in an all-out war? How about the Universes’ Mightiest Heroes versus Earth’s Mightiest Heroes? Yes, The Annihilators versus The Avengers happens in this issue – and it doesn’t disappoint. Little quibbles from Ronan to Ms. Marvel, “You are a disgrace to the name Mar-Vel,” and Beta Ray Bill versus Red Hulk make this an excellent story to read. Pacing is tremendously good, while the story itself is mostly just fighting. Like I said, the book delivers exactly what it said it would. My beef is with Eng Huat’s faces, where sometimes they’re spot on. Other times, not-so-much. On the first splash page, how old does Captain America look? And what is Thing “feeling?” Case-in-point. Rocket Raccoon and Groot get their second story too – exciting pacing with Mojo acting as a villain? I’m down.
Grade: 8/10

The Incredible Hulk #1
Jason Aaron (writer), Marc Silvestri (pencils) Michael Broussard (pencil assists), Joe Weems, Rick Basaldua & Sal Regla (inks), Sunny Gho (colours), Ed Dukeshire (letters), Marc Silvestri, Joe Weems & Sunny Gho (cover). $3.99
Incredible Hulk

I wasn’t looking forward for another Hulk reboot. I loved Pak’s run. Who could take Pak’s place? Enter Jason Aaron. What an wonderful thrill ride with an awesome twist-ending. To make things even better, Silvestri is absolutely, brilliantly, astounding. This book is gorgeous from cover to back. The amount of time and detail put into this issue is anything less than astonishing. It’s like, jaw-droppingly good. After being skeptical picking up a rebooted first issue, I’m definitely on-board for the rest of the ride.
Grade: 10/10

Until next time, keep on Space Truckin’!

Massive FanExpo ReCap!

Wow! What an incredible weekend! FanExpo was so much fun this year. Great improvements were made with spacing and positioning of booths, that I never felt too overcrowded when I was there. This is the first time I went to FanExpo and could not think of how they could improve for next year. It was that good.

But on to comics! (And as a warning, all the pictures were taking by my phone)

Thursday:

For the short time I was there, I talked to TONS of artists and writers. To top it all off, I met the legendary Chris Claremont!

Upon going into the Expo at 4:00pm, I immediately wanted to meet Chris Claremont. Unfortunately, he was unable to attend on the Thursday, so I had to make my way to the second people on my list: Matt Fraction (Iron Man, Thor, Uncanny X-Men, Fear Itself) and Kelly Sue DeConnick (Osborn, Supergirl, Castle). As it turned out, meeting them was the entire highlight of the convention.

I only brought stuff up for Kelly Sue to sign on Thursday, while the Friday was for Fraction. Upon meeting Kelly Sue, I tossed down my Osborn series for her to sign and asked her a few questions. While answering, she paused and asked my name to sign.

I said, “Derek.”
“How do you spell that?”
“D-e-r-e-k.”
“Is this, ‘Uncanny Derek?'”
I smiled and replied, “Maybe.”

Needless to say, it instantly became the highlight of the convention. Then she personalized Osborn #1 for me.

Osborn Signed

I asked her if I could get a picture of her with Fraction, as he just freed up from signing. But Kelly Sue asked if I wanted to be in the picture. How could I say no?

DeConnick Fraction UncannyDerek

After telling Matt Fraction that I’d return for him tomorrow, I ran into Marvel’s Editor-in-Chief Axel Alonso and VP of Creative Development, C.B. Cebulski. After chatting for a few moments, this happened:

Alonso Cebulski UncannyDerek

Needless to say, I was at the convention for literally a half hour and was completely enthused about how everything was going so far. I could peruse through comics, toys, booths and the-like without any issues of cramming or bumping into anyone. I managed to nick a few more Uncanny X-Men’s off of my pull-list for dirt-cheap (and in great quality) too. I picked up Uncanny X-Men #95, #120, (both which Claremont signed later) #132, #135, and #266 – the (arguably) first appearance of Gambit.

I walked down Artist’s Alley – a place designated for artists and writers to hang out and chat with fans. The first person I ran into was Marko Djurdjevic. He was quite the outgoing person – very laid back and care-free, but with a hint of elitism. I soon figured out why. I had quite a few of comics for him to sign – and I asked him what’s next on his plate. He told me he just quit Marvel about two months ago and that he was going back to video game concept art. Albeit shocked, I congratulated him and asked why. He simply told me his contract was up and he did not want to have to deal with higher-ups anymore. Fair enough.

One of the comics he signed was my copy of New Mutants #27. I told him that it was my favourite cover I’ve seen in awhile, and he began to laugh. He absolutely hated it and thought it was the worst “piece of shit” he ever created, and that he “has it buried” in files so he can never see it again. Admittedly, I found that hilarious too, but I congratulated him and went on my way.

It wasn’t until the next morning did I find out what was REALLY going on with him. I was anything less-than shocked.

I went on to find a very modest artist, Jimmy Cheung, who revealed to me that he has been working on Avengers: The Children’s Crusade for the past TWO years. He also clarified that it takes about two and a half months for him to finish one book of The Children’s Crusade. No wonder why it looks so breath-taking. He also said that the last few issues will probably be delayed because there is still much work for him to finish with. But he was a great, genuine guy.

From there, I headed to the panel, “Breaking into Comics: The Marvel Way.” As an aspiring writer, I would love to know some tricks of the trade. The panel shed some light on how writers can break into the medium and definitely raised some good pointers on how important it is to not just love comics. There’s a lot more to the trade than it seems.

Breaking Into Comics

From left to right: Matt Fraction, Axel Alonso, C.B. Cebulski, Mark Brooks (Uncanny X-Force), and Arune Singh (Marvel Communications).

My last guest of the evening was Fred Van Lente (Taskmaster, Incredible Hercules, Chaos War, Alpha Flight). Like Cheung, Van Lente was a truly genuine person, and I was really looking forward to speaking with him. Wearing a dress shirt and suspenders, he was really excited and involved when chatting with me. He also gave a few writing pointers. I then asked him how him and writer Greg Pak got to co-writing everything. Turns out Pak had too much on his plate during Incredible Hercules as Pak was busy with World War Hulk at the time. Marvel tossed over Van Lente for help – and the rest became history. The duo worked well together. Van Lente said that Pak would initially start writing and left Van Lente to really finish the stories – and essentially, that is still how they write to this day.

Van Lente also mentioned that he received his humour in comics as a defense mechanism for being picked on all the time through grade and high school. Turns out we have a ton in common, too.

Friday:

The busier of the two days, Friday was my day to see Claremont, as well as wrap things up with Fraction and hopefully run into a few other wonderful people.

Arriving around 2:00pm, I met Matt Fraction again. I asked him a few questions about writing comics – how he is able to separate all of the voices from one another (ie. How Pixie uses magic but doesn’t come off as Asgardian). But he also said that some voices he couldn’t get, so he didn’t use them – which is his reason to why Storm hardly ever spoke during his run on Uncanny X-Men.

I then asked him some general writing questions and re-mentioned I was an aspiring writer. There, Fraction looked me in the eyes and gave me incredible advice for literally, the next five minutes. He was very involved in telling me the “do’s and don’ts” as well as touching base with his own past experiences – struggling to get started and now working with a wife, mortgage and two children. But the way he spoke to me, it was if he was teaching me how to write. He was very emotive about how his writing process works and what I could do to succeed. It absolutely floored me. I stood there, absorbing every word he said as it was so profound to my ears. And no, I will not repeat it. 🙂 When he was done, I had nothing else but great thanks and appreciation his way.

After I shook his hand, I walked away from the table and pulled out my notebook to write down everything he just said to me. Yes, it was that important to me.

Since it was now Friday, new creators were down Artists Alley to meet. Artist Alex Maleev (Moon Knight, Scarlet, Daredevil) was consistently doing commission work at his table – and always surrounded by an audience. I walked by his table about four times, and each time he was doing something different. Here is Maleev working on an Elektra:

Elektra Maleev

Passing Maleev, I met Stuart Immonen (Fear Itself, New Avengers, Superman). As if Cheung and Van Lente weren’t enough, Immonen was intense and graciously happy to be doing what he is doing. I cannot remember what I asked him unfortunately, however, the panel I saw him at shortly after was pretty darn fun.

When 3:00pm rolled around, I got in line for Chris Claremont which was already about thirty people long. His signing was at 3:30pm. Next to him were artists Kalman Andrasofszky (X-23, NYX) and Dale Keown (Incredible Hulk). I spoke with Dale very briefly and thanked him for being an inspiration to my drawing. I told him how I re-created a cover of his and how it got me back into drawing again and he was beyond-happy to hear that. Then came Chris Claremont.

Claremont Keown Andrasofszky

From left to right: Claremont, Keown, and Andrasofszky.

Meeting Chris was pretty exciting. I heard stories that he was a bit rude at times, but I was giving him the benefit of the doubt today. He signed my copies of Uncanny X-Men #95, #107, #109, #120, #137, #141 and #142. I asked him how he came up with the ending of the Dark Phoenix Saga and what made him decide that Jean Grey should die (as killing off a main character was unheard of back then). He gave me quite the long answer which left me satisfied. After he was done, I asked if I could get a picture with him. He said, “Sure” and I stood beside him. As I did, he grabbed the next person in lines stack of books (the ENTIRE run of X-Men Forever) and started signing them. I posed and saw in my peripherals that he hadn’t looked up. Maybe he hadn’t heard me? I asked again if I could get a photo with him. He said, “Sure,” and so I stood beside him waiting. Alas, he didn’t look up. My result:

Claremont UncannyDerek

I suppose I should have expected that.

During my line up for Claremont, a panel with Matt Fraction, Kelly DeConnick, and Stuart and Kathryn Immonen had started called “Couples in Comics.” I arrived about twenty minutes late, so I unfortunately missed who the other folk were (I can’t know EVERYONE in the comic business). The room was partly filled – which is a shame because the panel was great. Not only did everyone speak about how they work in the business together, but Fraction and Stuart both spoke about how it was to be partners. There, Stuart said how he usually doesn’t read the dialogue to what is said in the scripts – but rather, draws the actions instead. Kelly Sue was blown away by the statement, while Fraction seemed a bit shocked over it. However, Kathryn stepped in and said that Stuart was being a bit overzealous in that statement, leaving the room with a ton of laughs. It was a really fun and exciting panel to be at. I wish I had just seen the whole thing though.

Fraction DeConnick Immonen

From left to right: Fraction, DeConnick, Stuart and Kathryn Immonen.

After the panel, I decided to see the final artist I would meet for the day: Leonard Kirk (New Mutants, Sigil). He was busy working on commissions too, and unfortunately had very little time to talk. I wished to get a commission out of him, but he was backed up and I was on my last day there. Boo-urns. However, it is still great to see a local resident here work for Marvel. It’s still pretty neat.

FanExpo was one excellent adventure this year. For only going for two days, I accomplished quite a bit. I did miss out on Mark Brooks and Dale Eaglesham – who were on my “to see” list, and I missed out on a few panels. However, the information and encouragement I left with made all the difference.

Until next time, keep on Space Truckin’!

Comics!

X-Men 95 Signed Claremont

Wednesday’s Reviews: Result!

This was an incredible week for comics – even for Uncanny X-Men, which I’ve picked on a lot recently.

Given my massive pull-list, I’ve decided on doing mini-reviews for a few of the comics released this week. Enjoy!

FF #1
Jonathan Hickman (writer), Steve Epting (pencils, inks, cover), Paul Mounts (colours), Rus Wooton (letters). $3.99

FF

After the death of the Human Torch, the family still goes through their mourning periods – most noticeably with The Thing who blaming himself for Johnny’s death. Reed plays a video of Johnny’s suggesting that in the case of his death, Spider-Man would be the best choice for his replacement. Of course, Spider-Man can’t say no to such an offer.

What intrigues me most about the story is how down-to-earth it has become. The family sits and has dinner together, while Reed’s father adds much-needed flavour to the established characters. Tossing in AIM and the Wizard as villains, I can already see the Future Foundation becoming an excellent series.

Of course, Epting crafts emotions brilliantly throughout the story – making the dinner scene one of my favourite panels this week.

However, I cannot go without saying how rushed I feel with the book. Maybe I’m out of the loop, but it was as if the Future Foundation was already planned-out and assembled between Fantastic Four #588 and now. If this was Marvels “.1” issue, I’d still be lost. My only other little tidbit is the action with AIM seemed a bit out of the blue. Either way you look at it, this is a very promising start for Marvel’s first family.

P.S. You cannot honestly tell me that Sue Storm does not look like Creepy Chan on the cover.

Grade: 7.5/10

Osborn #3 of 5
Kelly Sue DeConnick (writer), Emma Rios (pencils, inks), Jose Villarrubia (colours), Clayton Cowles (letters), Ben Oliver (cover). $3.99

Osborn

Nothing is more sinister than a great villain book. Kelly Sue rocks the Marvel U with another incredible tale of Norman Osborn incarcerated – but for how much longer?

Mixed between insanity and clarity, Osborn continues his push to escape from prison, now with reporter Norah Winters as a potential ally. Wanting a story on Osborn, Winters listens to Osborn’s arguably mad rantings while rebutting him with some of her own. As calm as ever, Osborn seems to somehow have a grand scheme already planned out, and uses his keen manipulation skills to find his way to an escape pod with his new companions and Winters. But of course, he cannot do so without killing hundreds. This is Norman Osborn, after all.

What I cannot seem to get over is Emma Rios. If Marvel does not give her a contract, I’ll be ridiculously angry. Gorgeous, simply vibrant panels mix moods of chaos and wit together with genuine emotions of strength and cunningness. A truly fantastic visual experience. She nails Osborn right on the head as an insane mess. I seriously cannot get enough of her panels. Jose Villarrubia too, does a great job with the environment only having so-few colours. For an underwater jail, I feel as if I’m looking at a rainbow. What a creative team.

For the love of all that is amazing in the world, read Osborn already!

Grade: 9/10

Uncanny X-Men #534
Matt Fraction & Kieron Gillen (writers), Greg Land & Paul Renaud (pencils), Jay Leisten & Paul Renaud (inks), Justin Ponsor (colours), Joe Caramagna (letters), Greg Land & Justin Ponsor (cover). $3.99

Uncanny X-Men

As I said before, Uncanny has picked itself out of a rut with this issue. But maybe I only feel this way because the storyline is finally over. . . Regardless, Emma and Kitty’s story finally concludes with Shaw, while the X-Men put an end to Lobe, and Fantomex is – well, who knows.

The X-Men on Utopia decide to break quarantine to help Storm and gang battle rich science-made mutants. To their advantage with mutants now fighting mutants, everyone gets sick from the X-Men and thanks to Lobe, dying as he tries to destroy what’s left of the X-Men. Fail. Being sick himself, he can has to give the cure to everyone, thus ending the plague – because the sickness was controlled by a remote. Makes sense. On top of it all, the X-Men realize they may file a lawsuit for copyright infringement against Lobe for using the X-Men’s faces on his products. Yeesh!

Unfortunately, I still saw Land doing some things he’s done in the past. I even showed some friends, comparing this recent book to pictures in my blog about Land at an earlier time. HOWEVER, I will say that his work between Shaw & Emma is an incredible change of pace in terms of his art style. The final pages with Shaw were excellent. As for Ponsor, all I will say is yellow backgrounds ftw. That, and the Emma/Kitty scenes were greatly polished with colour. For Uncanny, this has definitely been a step-up.

To top it off, Avengers Academy #1 is reprinted in the issue. Two major books for $3.99? Count me in!

Grade: 6/10

New Mutants #23
Mike Carey (writer), Steve Kurth (pencils), Allen Martinez (inks), Brian Reber (colours), Joe Caramagna (letters), Leinil Yu & Marte Gracia (cover). $2.99

New Mutants

The Age of X continues with another unexpected twist in story. Who knew that Magneto didn’t know that Xavier knew this wasn’t the world they know of? If you had to re-read that sentence because it was mind-boggling, now you know how I felt with New Mutants! So many twists and turns leave me begging for more!

As expected, Rouge, er, Legacy and Gambit were not killed in the last issue, but actually saved by Magneto, despite it seeming to be the other way around. However, to the rest of the mutants, it still looks Magneto’s a murderer. Distrust fills Fortress X and mutants begin to question Magneto’s leadership. Unfortunately for Magneto, after rescuing Xavier from his own prison, he is knocked out of his leadership role, changing the way mutants in the Age of X will live. Meanwhile, Legacy and Gambit uncover the secret to what really is going on.

As mentioned, this story has more twists and turns than a kid putting together a Hot Wheels racetrack. Strong writing and intense scenes put this story ahead of its parent-title by a long shot.

Kurth’s work is good, but nothing out of the ordinary. For example, I loved his panel with Legacy and Gambit with just their lips. It was an unusual panel, but very well rendered. But when I look at Magneto I can’t stop thinking “baby face.” Overall, for a lack of action-book, it feels action-packed. It was on my second read-through did I realize no “fighting” actually took place. I’m also left wondering where Wolverine and “Cyclops” are.

With Age of X nearing its conclusion, it reassures me that Mike Carey needs to be given more major crossover stories.

Grade: 7/10

X-Men #8
Victor Gischler (writer), Chris Bachalo (pencils, colours), Tim Townsend, Wayne Faucher, Jaime Mendoza & Al Vey (inks), Joe Caramagna (letters), Terry & Rachel Dodson (cover). $3.99

X-Men

Thanks to Gischler & Bachalo, another great issue of X-Men is in my hands. Unlike Spider-Man’s take on this tale in the “Shed” storyline, the villain is a surprise all-together – and one I did not see coming.

Opening up from where we left off – Wolverine is taking out lizard-folk, Bachalo-style. From there, a good portion of the story focuses on the children captured by the new villain. I really start to feel for these characters – which is amazing given their short page-time in the book. The fact that I begin to empathize with minor characters the way Gischler makes me, shows that the creative team in this book really are ahead of the game. And despite the unexpected villain, the book ends on a ridiculous cliffhanger leaving Emma in a whole lot of trouble.

I cannot stress (still) how great Bachalo is with this book. I wish he could draw Wolverine all of the time. Heck, let him colour too. He’s doing an incredible job. Of course, we also get four inkers again this month leaving me to wonder who did what. I wish I could get a feel for inkers the way I can with colourists. It’s frustrating!

X-Men went from a decent first story arc to something incredible in no-time! Not to mention that the Dodson’s rocked the cover.

Grade: 8/10

X-Force #6
Rick Remender (writer), Esad Ribic (pencils, cover), John Lucas (inks), Matt Wilson (colours), Cory Petit (letters). $3.99

X-Force

I think it’s great when I can say, “this is the worst Uncanny X-Force book to date,” yet the story is still impressive.

Deathlok’s appearance at the end of last issue actually meant he was on Fantomex’s side. Admittedly, I didn’t see that one coming. The rest of X-Force eventually meet up with Fantomex and Deathlok to discover why random cyborgs are trying to kill them. Turns out they’re from the future and superheroes are not allowed to exist! But luckily Fantomex comes up with a great plan to defeat them – to destroy the future in the next issue! Despite all of that, the issue seemed like a miss for me.

Surprisingly, the most exciting part of this book for me was when Psylocke had tea with her brother, Captain Britain. She spoke her feelings about how X-Force conducted themselves with Apocalypse. She feels like she’s a changing person and she needed to know that someone understood her. Remender delves into Psylocke’s character with great emotional detail. I can tell he has great plans for her. Not to mention the twist with Captain Britain too. What a doozy!

I really cannot complain about Ribic’s work. He’s a very strong artist and takes what Opena did in the last arc and sharpens it up a bit – leaving us with a less gritty attitude. However, I have realized what feels the most different in the artwork – the colouring. Although Matt Wilson does great work, in comparison Dean White in the last arc, I feel as if the colours on the characters are too bright and plain in comparison to the pencils. I only say that with the characters because Wilson does an excellent job on everything else – particularly on landscapes.

It’s another strong issue for X-Force, but admittedly it’s their weakest too. And in accordance to the story, the cover of the book seems to be ahead of itself by about a month.

Grade: 6.5/10

As a side, see if you can spot the two Star Wars references in Wolverine & Jubilee #3 this week too. An obvious one was mentioning the “Death Star.” You get bonus points for finding the other.

Until next time, keep on Space Truckin’!